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In 1907, Norfolk hosted the Jamestown Exposition, a celebration of America's first permanent settlement on April 26, 1607, and an event that marked America's ascension as a world power, in both military might and cultural influence. This exposition came at a time in American history when naval reviews, grandiose celebrations, world's fairs, and international expositions were at their zenith of public popularity. These were the days when American imperialism reigned and expositions were an expression of patriotic fervor as never before seen in this country. In Jamestown Exposition: American Imperialism on Parade Volume I, readers will experience this historic event from its early planning and construction, meeting the men responsible for its coordination and success, to the pomp and circumstance of the different exhibits of participating companies, states, and foreign powers. The true-life story of Pocahontas, or Matoaka; the Battle of the Merrimack and Monitor, the exposition's most popular exhibit; and the colorful review of the different world navies, such as the Japanese and British fleets, are just a few examples of the fascinating stories touched upon in this first volume.
In 1907, Norfolk hosted the Jamestown Exposition, a celebration of America's first permanent settlement on April 26, 1607, and an event that marked America's ascension as a world power, in both military might and cultural influence. This exposition came at a time in American history when naval reviews, grandiose celebrations, world's fairs, and international expositions were at their zenith of public popularity. These were the days when American imperialism reigned and expositions were an expression of patriotic fervor as never before seen in this country. In Jamestown Exposition: American Imperialism on Parade Volume I, readers will experience this historic event from its early planning and construction, meeting the men responsible for its coordination and success, to the pomp and circumstance of the different exhibits of participating companies, states, and foreign powers. The true-life story of Pocahontas, or Matoaka; the Battle of the Merrimack and Monitor, the exposition's most popular exhibit; and the colorful review of the different world navies, such as the Japanese and British fleets, are just a few examples of the fascinating stories touched upon in this first volume.
The fascinating story of the Jamestown Exposition of 1907, a tricentennial celebration of America's first settlement in 1607, continues to unfold in this companion volume, which explores the exposition's parades, exhibitions, and the people who worked and participated in the days' events. Not only important as a statewide event, the exposition provided the United States government and many other states a stage to display their history and culture for the whole world to see and enjoy. In this second volume, you will continue your visual journey on the exposition grounds, viewing the new wonders of the time--flying machines--and the architecturally diverse State Buildings, such as Kentucky's frontierera fort, Virginia's replica colonial planter's mansion, and Vermont's country cottage. As you thumb through these pages, you will learn the incredible stories of some of the most famous people of the day who attended the exposition, such as William Jennings Bryan and Mark Twain, and the captivating history of the Black Jamestown Exposition Company, a group that held a separate exhibit along with the festivities of the larger exposition. Also, the exposition served as the starting point for the around-the-world voyage of President Teddy Roosevelt's Great White Fleet, a bold demonstration of America's naval superiority and new role as a leading world power.
This landmark collection brings together a range of exciting new comparative work in the burgeoning field of hemispheric studies. Scholars working in the fields of Latin American studies, Asian American studies, American studies, American literature, African Diaspora studies, and comparative literature address the urgent question of how scholars might reframe disciplinary boundaries within the broad area of what is generally called American studies. The essays take as their starting points such questions as: What happens to American literary, political, historical, and cultural studies if we recognize the interdependency of nation-state developments throughout all the Americas? What happens if we recognize the nation as historically evolving and contingent rather than already formed? Finally, what happens if the "fixed" borders of a nation are recognized not only as historically produced political constructs but also as component parts of a deeper, more multilayered series of national and indigenous histories? With essays that examine stamps, cartoons, novels, film, art, music, travel documents, and governmental publications, Hemispheric American Studies seeks to excavate the complex cultural history of texts and discourses across the ever-changing and stratified geopolitical and cultural fields that collectively comprise the American hemisphere. This collection promises to chart new directions in American literary and cultural studies.