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In the Two Medicine territory of Montana, the Pikuni Indians are forced to choose between fighting a futile war or accepting a humiliating surrender, as the encroaching numbers of whites threaten their very existence
James Welch never shied away from depicting the lives of Native Americans damned by destiny and temperament to the margins of society. The Death of Jim Loney is no exception. Jim Loney is a mixed-blood, of white and Indian parentage. Estranged from both communities, he lives a solitary, brooding existence in a small Montana town. His nights are filled with disturbing dreams that haunt his waking hours. Rhea, his lover, cannot console him; Kate, his sister, cannot penetrate his world. In sparse, moving prose, Welch has crafted a riveting tale of disenfranchisement and self-destruction. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The classic account of Custer\'s Last Stand that shattered themyth of the Little Bighorn and rewrote history books. This historic and personal work tells the Native American sideof Custer\'s fabled attack, poignantly revealing how disastrous theencounter was for the "victors," the last great gathering of PlainsIndians under the leadership of Sitting Bull.
Now with an introduction from celebrated poet James Tate, Riding the Earthboy 40 is the only volume of poetry written by acclaimed Native American novelist James Welch. The title of the book refers to the forty acres of Montana land Welch's father once leased from a Blackfeet family called Earthboy. This land and its surroundings shaped the writer's worldview as a youth, its rawness resonates in the vitality of his elegant poetry, and his verse shows a great awareness of a moment in time, of a place in nature, and of the human being in context. Deeply evoking the specific Native American experience in Montana, Welch's poems nonetheless speak profoundly to all readers. With its new introduction, this vital work that has influenced so many American writers is certain to capture a new generation of readers.
“At once a romance, a gripping suspense thriller, and a psychological portrait. . . .The Indian Lawyer is a triumph.”—San Francisco Chronicle Sylvester Yellow Calf is a former reservation basketball star, a promising young lawyer, and a possible congressional candidate. But when a parolee ensnares him in a blackmail scheme, he'll have to decide just who he is, and what he wants.
These thought-provoking and spiritual poems focus on faith, relationships, and the role of God in life and in the bedroom. Female empowerment is at the heart of this collection, as well as perceptions of humanity as beings full of light.
In Understanding James Welch, Ron McFarland offers analysis and critical commentary on the works of the renowned Blackfoot-Gros Ventre writer whose first novel, Winter in the Blood has become a classic in Native American fiction and who book of poems, Riding the Earthboy 40, has remained in print since its initial publication in 1971. McFarland offers close readings of Welch's poems, four novels and recent book, Killing Custer, which tells the story of the Battle of the Little Bighorn from a Native American perspective.
2019 High Plains Book Award (Creative Nonfiction and Indigenous Writer categories) 2021 Barbara Sudler Award from History Colorado In Bitterroot Susan Devan Harness traces her journey to understand the complexities and struggles of being an American Indian child adopted by a white couple and living in the rural American West. When Harness was fifteen years old, she questioned her adoptive father about her "real" parents. He replied that they had died in a car accident not long after she was born--except they hadn't, as Harness would learn in a conversation with a social worker a few years later. Harness's search for answers revolved around her need to ascertain why she was the target of racist remarks and why she seemed always to be on the outside looking in. New questions followed her through college and into her twenties when she started her own family. Meeting her biological family in her early thirties generated even more questions. In her forties Harness decided to get serious about finding answers when, conducting oral histories, she talked with other transracial adoptees. In her fifties she realized that the concept of "home" she had attributed to the reservation existed only in her imagination. Making sense of her family, the American Indian history of assimilation, and the very real--but culturally constructed--concept of race helped Harness answer the often puzzling questions of stereotypes, a sense of nonbelonging, the meaning of family, and the importance of forgiveness and self-acceptance. In the process Bitterroot also provides a deep and rich context in which to experience life.
Richard Purvis-organist, choirmaster, and composer at historic Grace Cathedral-became a San Francisco legend and (along with Alexander Schreiner, E. Power Biggs, and Virgil Fox) a national celebrity who made mid-20th century American organ music popular with the masses through records, recitals, and the press. The only book of its kind, Richard Purvis, Organist of Grace is a major contribution to our understanding of the music, culture, and church politics of an era marked as much by social change as by a revolution in musical taste, technology, and compositional technique. Uniquely among his colleagues, Purvis was first and foremost a writer and performer of original music that thrilled church and concert audiences everywhere-a talent that won him more than one invitation to leave Grace to compose for Hollywood. (His closest ally at Grace described Purvis as writing "film music for the Episcopal church.") Child prodigy, conservatory virtuoso, prisoner of war-Purvis's early life reads like a movie. Then came his epic rise and fall at Grace, concertizing throughout the United States, and a teaching career that spawned a generation of organists who, like Purvis, were equally adept at playing theatre organs, unafraid to experiment-even with electronic organs-and trained to trust their ear, not just the page. Through scrupulous research and extensive interviews with those who knew Purvis best, James Welch captures the character, career, and legacy of "The Master of Grace" in the book that future scholars and readers will return to, again and again, as the Place Where it All Began in Purvis studies.Richard Purvis, Organist of Grace, 508 pages, is lavishly illustrated with never-before seen photos and a wealth of documents and interviews. It chronicles Purvis's early life in the Bay Area, his years at The Curtis Institute, his military service in World War II, and his tempestuous tenure at Grace Cathedral, where he made the stones sing and crowds cheer. The book includes detailed chapters about Purvis as composer, recitalist, and teacher; complete lists of his published (and unpublished) organ and choral works; the story of his strong interest in the theatre organ; and colorful anecdotes and reminiscences from those who knew him as a friend, teacher, and colleague. His legend continues-clarified, corrected, and completed-in this essential resource for organists, historians, and lovers of music.