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Architect Kurt Ofer has formulated an utterly unique way of drawing, which gives a superior understanding of form. By following the method of "transparent drawing," you ignore an object's opacity and see beyond its surface, allowing you to draw it in a very distinct and holistic way.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
A long-overdue publication that restores Wilfred to the art-historical canon Lumia presents a long-overdue reevaluation of the groundbreaking artist Thomas Wilfred (1889-1968), whose unprecedented works prefigured light art in America. As early as 1919, many years before the advent of consumer television and video technology, Wilfred began experimenting with light as his primary artistic medium, developing the means to control and project unique compositions of colorful, undulating light forms, which he referred to collectively as lumia. Manifested as both live performances on a cinematic scale and self-contained structures, Wilfred's innovative displays captivated audiences and influenced generations of artists to come. This publication, the first dedicated to Wilfred in over forty years, draws on the artist's personal archives and includes a number of insightful essays that trace the development of his work and its relation to his cultural milieu. Featuring a foreword by the celebrated artist James Turrell, Lumia helps to secure Wilfred's rightful place within the canon of modern art.
Text by Markus Bruderlin, Richard Andrews, Annelie Lutgens.
"A much needed antidote to 'Art Writing' as it is encountered in the art mags . . . his writing is fluent and the style attractive and engaging."--Stephen Foster, University of Iowa
The centre of this permanent installation is "Third Breath", the latest work in the Skyspace series.
The Hess Art Collection is one of the world's most distinguished private collections of contemporary art. It was assembled by the Swiss businessman and wine producer Donald M. Hess. The collection unites extraordinary works by numerous artists now known around the world as well as excellent pieces by artists whose names are (as yet) less well known. This mixture is part of the ensemble's particular charm, making a glance through this copiously illustrated catalogue a veritable expedition. Hess's collecting activities primarily focus on the individual work. Accompanied by an unmistakable sense of quality, he judiciously selected the works he acquired over a period of more than forty years. A large part of the collection's holdings is open to the public in the museums of the Hess wineries in Napa, California, Glen Carlou in Paarl, South Africa, and Bodega Colomé in Calchaquí Valley, Argentina. A fourth museum is being planned at the Peter Lehmann Winery in Barossa Valley, Australia.