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This book presents The Hill--a profoundly original, massive, and enigmatic work of art engineered, built, and designed by an equally enigmatic American artist. For more than a quarter of a century, the American artist James Magee has been engaged in a largely secret and solitary endeavor that takes up 52,000 square feet of vast plain in West Texas. A former lawyer, taxi driver, and off-shore roughneck, Magee settled in El Paso where he has made a name for himself as a painter, sculptor, poet, film and video maker. With The Hill, a complex of pavilions joined by ramps and walkways, Magee reveals himself to be an architect, engineer, and builder as well. Luminous photographs of the four buildings in The Hill capture their stark presence in the desert. In addition this book takes readers inside the complex to view enormous installations and sculptures made from natural objects: stone, flowers, wood, iron, and glass. Reminiscent of ruins from the Mayan, Egyptian, and European cultures, The Hill is nonetheless distinctively American--from the rolling landscape it inhabits to the Puritaninspired "City on a Hill" feeling it evokes. The first volume to fully explore this unique masterpiece, The Hill will draw readers into one man's ambitious vision, while creating a wider audience for what is certain to be a celebrated art destination. AUTHOR: Richard R. Brettell is the Margaret McDermott Distinguished Chair of Art and Aesthetics at the University of Texas, USA, and former Director of the Dallas Museum of Art, USA. He is the author of numerous books on art. Jed Morse is the Curator at the Nasher Sculpture Center, USA. ILLUSTRATIONS 150 colour illustrations
Why is Carl Jung dancing in the Streets of Death? Because one of his favorites among the living--artist James Magee, the creator of the colossal desert stonework, The Hill, and "the alleged" anima incarnate of the mysterious artist Annabel Livermore--has concocted this brew of poems and letters from the lands of Ordinary and Surreal. The poems flutter like butterflies from his imagination as he creates large steel assemblages. Weirdly, "Letters to Goya" are found pieces from 1955, from the rickety typewriter of the Duchess of Alba, who in (sur)real life is an old lady who wheel-chairs around the Waikiki Trailer Park in Sweetwater, Texas. Are the letters real? Well, yes. And no Tonight a cold rain falls in Tucson. Under an overpass I see you standing stark-naked, Juan, headlights streaming by, you toweling off with a wing of a blue and yellow bird found moments ago near a storm sewer, as if water were confessing of white tile, a room without walls, really where earlier you had imagined yourself as a bearded ancient, a Mesopotamian Lord kneeling down in the wet grass near the freeway to sing to an open field. James Magee and his partner, actress Camilla Carr, live in El Paso, Texas, in the home of Annabel Livermore. Kerry Doyle is the Director and Curator of the Rubin Center for the Visual Arts (University of Texas at El Paso), and a widely published scholar and respected curator of Latin-American and United States/Mexico Border arts.
A Newbery Medal winning modern classic about a racially divided small town and a boy who runs. Jeffrey Lionel "Maniac" Magee might have lived a normal life if a freak accident hadn't made him an orphan. After living with his unhappy and uptight aunt and uncle for eight years, he decides to run--and not just run away, but run. This is where the myth of Maniac Magee begins, as he changes the lives of a racially divided small town with his amazing and legendary feats.
This captivating true story of one boy's flight across Europe to escape the Nazis is a tale of extraordinary courage, incredible adventure, and the relentless pursuit of freedom in the face of insurmountable challenges. In early 1940 Chaim Herszman was locked in to the Lódz Ghetto in Poland. Hungry, fearless, and determined, Chaim goes on scavenging missions outside the wire fence—where one day he is forced to kill a Nazi guard to protect his secret. That moment changes the course of his life and sets him on an unbelievable adventure across enemy lines. Chaim avoids grenade and rifle fire on the Russian border, shelters with a German family in the Rhineland, falls in love in occupied France, is captured on a mountain pass in Spain, gets interrogated as a potential Nazi spy in Britain, and eventually fights for everything he believes in as part of the British Army. He protects his life by posing as an Aryan boy with a crucifix around his neck, and fights for his life through terrible and astonishing circumstances. Escape from the Ghetto is about a normal boy who faced extermination by the Nazis in the ghetto and a Nazi deathcamp, and the extraordinary life he led in avoiding that fate. It's a bittersweet story about epic hope, beauty amidst horror, and the triumph of the human spirit.
Queering the Renaissance offers a major reassessment of the field of Renaissance studies. Gathering essays by sixteen critics working within the perspective of gay and lesbian studies, this collection redraws the map of sexuality and gender studies in the Renaissance. Taken together, these essays move beyond limiting notions of identity politics by locating historically forms of same-sex desire that are not organized in terms of modern definitions of homosexual and heterosexual. The presence of contemporary history can be felt throughout the volume, beginning with an investigation of the uses of Renaissance precedents in the 1986 U.S. Supreme Court decision Bowers v. Hardwick, to a piece on the foundations of 'our' national imaginary, and an afterword that addresses how identity politics has shaped the work of early modern historians. The volume examines canonical and noncanonical texts, including highly coded poems of the fifteenth-century Italian poet Burchiello, a tale from Marguerite de Navarre's Heptameron, and Erasmus's letters to a young male acolyte. English texts provide a central focus, including works by Spenser, Shakespeare, Bacon, Donne, Beaumont and Fletcher, Crashaw, and Dryden. Broad suveys of the complex terrains of friendship and sodomy are explored in one essay, while another offers a cross-cultural reading of the discursive sites of lesbian desire. Contributors. Alan Bray, Marcie Frank, Carla Freccero, Jonathan Goldberg, Janet Halley, Graham Hammill, Margaret Hunt, Donald N. Mager, Jeff Masten, Elizabeth Pittenger, Richard Rambuss, Alan K. Smith, Dorothy Stephens, Forrest Tyler Stevens, Valerie Traub, Michael Warner
"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn
David Wheatley s first collection, Thirst, was widely praised for its restless adventures in time and place. Misery Hill concentrates on what look like more familiar locales. The Dublin street of its title is a derelict site which, in the author s hands, becomes powerfully evocative of the secret and forgotten life of the city. Alternating between Dublin and County Wicklow, Misery Hill interrogates the present in the light of the past, exploring time and memory in poems deeply rooted in the psychic geography of their settings. These range from explorations of family history, politics and love to the title poem s long purgatorial journey through a city uneasily reminiscent of contemporary Dublin.
In 1712, English naturalist Mark Catesby (1683–1749) crossed the Atlantic to Virginia. After a seven-year stay, he returned to England with paintings of plants and animals he had studied. They sufficiently impressed other naturalists that in 1722 several Fellows of the Royal Society sponsored his return to North America. There Catesby cataloged the flora and fauna of the Carolinas and the Bahamas by gathering seeds and specimens, compiling notes, and making watercolor sketches. Going home to England after five years, he began the twenty-year task of writing, etching, and publishing his monumental The Natural History of Carolina, Florida, and the Bahama Islands. Mark Catesby was a man of exceptional courage and determination combined with insatiable curiosity and multiple talents. Nevertheless no portrait of him is known. The international contributors to this volume review Catesby’s biography alongside the historical and scientific significance of his work. Ultimately, this lavishly illustrated volume advances knowledge of Catesby’s explorations, collections, artwork, and publications in order to reassess his importance within the pantheon of early naturalists.