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This collection charts the vital contextual backgrounds to James Joyce's life and writing. The essays collectively show how Joyce was rooted in his times, how he is both a product and a critic of his multiple contexts, and how important he remains to the world of literature, criticism and culture.
Finnegans Wake is a novel by Irish writer James Joyce. It is significant for its experimental style and reputation as one of the most audacious works of fiction in the English language. Written in Paris over a period of seventeen years, and published in 1939, two years before the author's death, Finnegans Wake was Joyce's final work. The book discusses, in an unorthodox fashion, the Earwicker family, comprising the father HCE, the mother ALP, and their three children Shem the Penman, Shaun the Postman, and Issy. _x000D_ Exiles is a play by James Joyce. It draws on the story of "The Dead", the final short story in Joyce's story collection Dubliners. The basic premise of Exiles involves a love triangle between Richard Rowan (a Dublin writer recently returned from exile in Rome), Bertha (his common law wife) and his old friend Robert Hand (a journalist). This arrangement is slightly complicated by a second love triangle, involving Rowan, Hand, and Hand's cousin Beatrice Justice. There are obvious parallels to be drawn with Joyce's own life - Joyce and Nora Barnacle lived, unmarried, in Trieste, during the years the fictional Rowans were living in Rome, while Robert Hand is roughly the same age of Joyce's friends Oliver St. John Gogarty and Vincent Cosgrave, and shares some characteristics with them both. _x000D_ James Joyce (1882-1941) was an Irish novelist and poet, considered to be one of the most influential writers in the modernist avant-garde of the early 20th century. Joyce is best known for Ulysses, a landmark work in which the episodes of Homer's Odyssey are paralleled in an array of contrasting literary styles, perhaps most prominent among these the stream of consciousness technique he utilized.
'A sine qua non for Joyceans' (Clarence Sterling). 'Certainly the best intro to the Wake I've seen' (Andrew H. Blom). This lively and readable essay provides essential background information and helpful reading techniques.
One of the greatest short stories in world literature. »He single-handedly killed the 19th century.« T. S. Eliot »James Joyce revolutionized 20th-century literature.« Time Magazine After a visitation from the dead - through something as concrete as someone singing a particular Irish song - Gabriel Conroy is struck by the profound realization of how superficially he has always loved his wife, Gretta. The image of the falling snow around them, deepening into a cosmic metaphor for life and death as the story progresses, has been called the most beautiful snowfall in literary history. JAMES JOYCE [1882-1941], Irish author, is a key figure in modernist literature with works such as Dubliners [1914], A Portrait of the Artist as a Young Man [1916], and Ulysses [1922].
Representations of masochism - both overt and oblique - permeate the work of James Joyce. While a number of critics have noted this, to date there has been no sustained and focused analysis of this trope in his writings. David Cotter argues that such an examination is key to understanding the meanings and messages of Joyce's work. Adding further dimensions to moral, political and aesthetic considerations in the novels and stories - particularly Ulysses - this book provides a comprehensive account of masochistic elements in James Joyce's work. Cotter draws upon psychoanalytic theory and social history to illustrate the subversive power of perversity in the literature of the modern period. This edition first Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
In his denial that language refers to anything but itself and in his undoing representation, Joyce anticipates contemporary developments in the history of critical theory. Contrary to modern criticism, Joyce does not abandon representation, the idea that language affords access to reality.
Offering an audacious new take on Joyce's classic modern novel "Ulysses," Kiberd argues the novel is not an esoteric tome for the scholarly few but rather a work written both about and for the common person, and explains how it can teach readers to live better lives.