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From the award-winning author and illustrator Simon Barnard comes an embellished version of Australia’s first ever dictionary, published on its 200-year anniversary
At least thirty-seven per cent of male convicts and fifteen per cent of female convicts were tattooed by the time they arrived in the penal colonies, making Australians quite possibly the world's most heavily tattooed English-speaking people of the nineteenth century. Each convict’s details, including their tattoos, were recorded when they disembarked, providing an extensive physical account of Australia's convict men and women. Simon Barnard has meticulously combed through those records to reveal a rich pictorial history. Convict Tattoos explores various aspects of tattooing—from the symbolism of tattoo motifs to inking methods, from their use as means of identification and control to expressions of individualism and defiance—providing a fascinating glimpse of the lives of the people behind the records. Simon Barnard was born and grew up in Launceston. He spent a lot of time in the bush as a boy, which led to an interest in Tasmanian history. He is a writer, illustrator and collector of colonial artifacts. He now lives in Melbourne. He won the Eve Pownall Award for Information Books in the 2015 Children’s Book Council of Australia’s Book of the Year awards for his first book, A-Z of Convicts in Van Diemen’s Land. Convict Tattoos is his second book. ‘The early years of penal settlement have been recounted many times, yet Convict Tattoos genuinely breaks new ground by examining a common if neglected feature of convict culture found among both male and female prisoners.’ Australian ‘This niche subject has proved fertile ground for Barnard—who is ink-free—by providing a glimpse into the lives of the people behind the historical records, revealing something of their thoughts, feelings and experiences.’ Mercury 'The best thing to happen in Australian tattoo history since Cook landed. A must-have for any tattoo historian.’ Brett Stewart, Australian Tattoo Museum
It’s 23 October 1821 and convict William Swallow stands on the deck of the Malabar for muster. He is wearing a canary yellow convict uniform and his legs are chained. He’s just completed the 121-day sea voyage from London to Hobart Town, but his wild and audacious adventures have barely begun. He’ll soon ditch the convict uniform and the chains, take part in a mutiny, become a pirate captain and fool the world in what just might be the most outrageous and unbelievable true story in Australia’s convict history.
Seventy-three thousand convicts were transported to the British penal colony of Van Diemen’s Land in the first half of the nineteenth century. They played a vital role in the building of the settlements, as well as the running of the newly established colony. Simon Barnard’s A–Z of Convicts in Van Diemen’s Land is a rich and compelling account of the lives of the men, women and children who were transported to Tasmania for crimes ranging from stealing bread to poisoning family members. Their sentences, punishments, achievements and suffering make for fascinating reading. And the spectacular illustrations, each one carefully drawn in meticulous detail from contemporary records, bring this extraordinary history to life.
This book traces the development of English slang from the earliest records to the latest tweet. It explores why and how slang is used, and traces the development of slang in English-speaking nations around the world. The records of the Old Bailey and machine-searchable newspaper collections provide a wealth of new information about historical slang, while blogs and tweets provide us with a completely new perspective on contemporary slang. Based on inside information from real live slang users as well as the best scholarly sources, this book is guaranteed to teach you some new words that you shouldn't use in polite company. Teachers, politicians, broadcasters, and parents characterize the language of teenagers as sloppy, repetitive, and unintelligent, but these complaints are nothing new. In 1906, an Australian journalist overheard some youths on a street-corner: Things will be bally slow till next pay-day. I've done in nearly all my spond. Here, now; cheese it, or I'll lob one in your lug. Lend us a cigarette. Lend it; oh, no, I don't part. Look out, here's a bobby going to tell us to shove along. What, he wondered, was the world coming to. For the 411, read on ...
James Hardy Vaux (born 1782) was an English-born convict transported to Australia on three separate occasions. He was the author of Memoirs of James Hardy Vaux including A Vocabulary of the Flash Language, first published in 1819, which is regarded as both the first full length autobiography and first dictionary written in Australia. Whilst banished to the Newcastle penal settlement for much of the period from 1811 to 1818, Vaux compiled two works. The first was a dictionary of 'flash' or cant language originally written for use by the commandant of the penal settlement in performing his magisterial duties. An edited edition by Simon Barnard was republished in 2019 as James Hardy Vaux's 1819 Dictionary of Criminal Slang.
Excerpt from A Vocabulary of Criminal Slang With Some Examples of Common Usages It is noticeably true that our average law officer or advocate is necessarily a specialist in one or perhaps a few, at most, of the many recognized branches of professional crime. The limitation is occasioned in part by prescribed capacity and in part by inexperience or unfamiliarity with criminals of all types and their methods. Efficiency in general correctional labor may undoubtedly be promoted by a fuller understanding of the linguistic acquirements of subjects to be dealt with in every day practice. It is hoped that the publication of this vocabulary of criminal terms will render material advantages to the conscientious workers in this large field. We are conscious of many errors of omission in the work and we request the co-operation of all who are interested in its utility. Only the essential and most pertinent or purely criminal vernacular usages have been selected from the mystical parlance of professional violators and their accomplices, for the reason that popular slang is so extensively comprehended as to make its publication of doubtful value as a new contribution to our literature. An analysis of the four hundred and thirty terms included in the vocabulary reveals the interesting fact that criminal idiom is largely an ingenious combination of epithet suggested by similitude and a perverted construction of essential and accidental attributes of things and powers to imply or express the things and actions themselves. An occult jargon on its face, yet systematic enough when the key is acquired. Some of the terms seem to have been derived by simple partition of legitimate English words, occasionally with the addition of euphonious prefix or suffix. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Contacts with natives noted; p.22; Moreton Bay natives used to locate runaways; p.24; Nasal septum pierced, two joints of little finger left hand removed; manufacture of nets and baskets; fishing; shelters; duels described; p.31; Bathurst Island; tattoos, painted, scarification, physical appearance; clothing; weapons; p.34; Grave in detail; p.253; Sunstroke cure; p.295; Cannibalism; p.313; Gathering of tribes for Bunnia [bunya] season; p.339; Childrens games with bows and arrows.
A Dictionary of Varieties of English presents a comprehensive listing of the distinctive dialects and forms of English spoken throughout the contemporary world. Provides an invaluable introduction and guide to current research trends in the field Includes definitions both for the varieties of English and regions they feature, and for terms and concepts derived from a linguistic analysis of these varieties Explores important research issues including the transportation of dialects of English, the rise of ‘New Englishes’, sociolinguistic investigations of various English-speaking locales, and the study of language contact and change. Reflects our increased awareness of global forms of English, and the advances made in the study of varieties of the language in recent decades Creates an invaluable, informative resource for students and scholars alike, spanning the rich and diverse linguistic varieties of the most widely accepted language of international communication
This book presents a cultural history of subcultures, covering a remarkable range of subcultural forms and practices. It begins with London’s ‘Elizabethan underworld’, taking the rogue and vagabond as subcultural prototypes: the basis for Marx’s later view of subcultures as the lumpenproletariat, and Henry Mayhew’s view of subcultures as ‘those that will not work’. Subcultures are always in some way non-conforming or dissenting. They are social - with their own shared conventions, values, rituals, and so on – but they can also seem ‘immersed’ or self-absorbed. This book identifies six key ways in which subcultures have generally been understood: through their often negative relation to work: idle, parasitical, hedonistic, criminal their negative or ambivalent relation to class their association with territory - the ‘street’, the ‘hood’, the club - rather than property their movement away from home into non-domestic forms of ‘belonging’ their ties to excess and exaggeration (as opposed to restraint and moderation) their refusal of the banalities of ordinary life and in particular, of massification. Subcultures looks at the way these features find expression across many different subcultural groups: from the Ranters to the riot grrrls, from taxi dancers to drag queens and kings, from bebop to hip hop, from dandies to punk, from hobos to leatherfolk, and from hippies and bohemians to digital pirates and virtual communities. It argues that subcultural identity is primarily a matter of narrative and narration, which means that its focus is literary as well as sociological. It also argues for the idea of a subcultural geography: that subcultures inhabit places in particular ways, their investment in them being as much imaginary as real and, in some cases, strikingly utopian.