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Here for the first time is the story of one of history's great scholarly and marital collaborations. J. L. and Barbara Hammond were among the most innovative and influential historians of the twentieth century. Between 1911 and 1934, they wrote eight books together that amount, in effect, to the first sustained social history of modern England. Three of their books in particular--The Village Labourer (1911), The Town Labourer (1917), and The Skilled Labourer (1919)--not only anticipated what came to be known as "history from below," but also permanently changed the way most people think about the Industrial Revolution, which they defined in the apocalyptic terms to which we have become accustomed. The Hammonds were also public figures prominently involved, along with L. T. Hobhouse, J. A. Hobson, C. P. Scott, and others, in the definition and dissemination of "the new liberalism." From the point of involvement in the politics of one century, they helped give enduring historical shape to another, and thus exercise, like their friends Sidney and Beatrice Webb, a dual fascination. Of the two Hammonds, J. L. was the more prolific, writing six books on his own and serving as a political journalist for virtually his entire professional life, which saw him intervene editorially in every public crisis from the Boer War to the Second World War. Ireland was (after the Industrial Revolution) arguably his greatest passion, one to which he devoted much of his editorial life and his supreme literary effort, Gladstone and the Irish Nation (1938). Barbara Hammond was an accomplished classicist, the first woman to earn a First Class degree in Greats at Oxford. She is shown here to have done much more work on the labourer books than has been previously recognized, and to sustain through her letters an artful running commentary on the foibles of her age. Through her, especially, the author evokes a radical but also doggedly Victorian sensibility that survived uneasily into the age of Bloomsbury and beyond. The Hammonds were unique in the extent of their fused identity, in the extent to which they became, as G. M. Trevelyan once put it, "one flesh and one author." The Hammonds is part dual-biography, part evocation of an age, but it is also a study of marriage, a marriage at a particular moment in history, a marriage in the art and craft of history.
D'Antonio pens the first full biography of one of the most successful and unusual business titans of the 20th century--Milton Hershey--and a startling history of how his commanding fortune shaped a unique utopian legacy.
The most comprehensive account to date of the 9/11 attack on the Pentagon and aftermath, this volume includes unprecedented details on the impact on the Pentagon building and personnel and the scope of the rescue, recovery, and caregiving effort. It features 32 pages of photographs and more than a dozen diagrams and illustrations not previously available.
Housed in the former 16th-century convent of Santo Domingo church, now the Regional Museum of Oaxaca, Mexico, is an important collection of textiles representing the area’s indigenous cultures. The collection includes a wealth of exquisitely made traditional weavings, many that are now considered rare. The Unbroken Thread: Conserving the Textile Traditions of Oaxaca details a joint project of the Getty Conservation Institute and the National Institute of Anthropology and History (INAH) of Mexico to conserve the collection and to document current use of textile traditions in daily life and ceremony. The book contains 145 color photographs of the valuable textiles in the collection, as well as images of local weavers and project participants at work. Subjects include anthropological research, ancient and present-day weaving techniques, analyses of natural dyestuffs, and discussions of the ethical and practical considerations involved in working in Latin America to conserve the materials and practices of living cultures.
Historically Canadians have considered themselves to be more or less free of racial prejudice. Although this conception has been challenged in recent years, it has not been completely dispelled. In Colour-Coded, Constance Backhouse illustrates the tenacious hold that white supremacy had on our legal system in the first half of this century, and underscores the damaging legacy of inequality that continues today. Backhouse presents detailed narratives of six court cases, each giving evidence of blatant racism created and enforced through law. The cases focus on Aboriginal, Inuit, Chinese-Canadian, and African-Canadian individuals, taking us from the criminal prosecution of traditional Aboriginal dance to the trial of members of the 'Ku Klux Klan of Kanada.' From thousands of possibilities, Backhouse has selected studies that constitute central moments in the legal history of race in Canada. Her selection also considers a wide range of legal forums, including administrative rulings by municipal councils, criminal trials before police magistrates, and criminal and civil cases heard by the highest courts in the provinces and by the Supreme Court of Canada. The extensive and detailed documentation presented here leaves no doubt that the Canadian legal system played a dominant role in creating and preserving racial discrimination. A central message of this book is that racism is deeply embedded in Canadian history despite Canada's reputation as a raceless society. Winner of the Joseph Brant Award, presented by the Ontario Historical Society
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