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James Dean. Hollywood’s hottest star steps out of his crashed car and looks back on his short life. A timely look at how the Hollywood powerful use sex, drugs and power to make and break careers. A no holds barred look at the life of an icon.
With extensive research, this account of the Hollywood star and his legion of fans offers “the best narrative yet of Dean’s final ten hours” (San Francisco Examiner). Just before sunset on September 20, 1955, James Byron Dean’s Porsche 550 Spyder collided with Donald Gene Turnupseed’s Ford Tudor on California Highway 46. At age twenty-four, America’s newest screen idol was dead. But what really happened? Drawing on original documents, including the coroner’s inquest and other previously unpublished material, author Warren Newton Beath provides a painstakingly accurate reconstruction of Dean’s final hours and tragic death. In addition, Beath explores Dean’s life and his enduring status as a cultural icon, including Elvis Presley’s worship of him; Hitchcock’s use of Highway 46 in the famous crop-dusting scene in North by Northwest; death threats against Giant director George Stevens if he dared excise a single frame of Deans’ final performance; and many more fascinating facts about the enigmatic screen legend. Beath’s definitive account concludes with a memorable portrait of the James Dean cult, a strangely moving record of his posthumous life in the hearts of his adoring fans.
All eyes are upon Rikio. And he likes it, mostly. His fans cheer from a roped-off section, screaming and yelling to attract his attention—they would kill for a moment alone with him. Finally the director sets up the shot, the camera begins to roll, someone yells “action”; Rikio, for a moment, transforms into another being, a hardened young yakuza, but as soon as the shot is finished, he slumps back into his own anxieties and obsessions. Being a star, constantly performing, being watched and scrutinized as if under a microscope, is often a drag. But so is life. Written shortly after Yukio Mishima himself had acted in the film “Afraid to Die,” this novella is a rich and unflinching psychological portrait of a celebrity coming apart at the seams. With exquisite, vivid prose, Star begs the question: is there any escape from how we are seen by others?
This is the book that restarted the James Dean cult by celebrating him as the cool, defiant visionary of pop culture who made adolescence seem heroic instead of awkward and who defined the style of rock 'n' roll's politics of delinquency. The only book to fully show how deliberately and carefully Dean crafted his own image and performances, and the product of still unequalled research, vivid writing, intimate photographs, and profound meditation, James Dean: The Mutant King has become almost as legendary as its subject.
Monologues are an essential part of every actor's toolkit. Actors are required to perform monologues regularly throughout their career: preparing for drama school entry, showcasing skills for agents or auditioning for a role. Following on from the bestselling first volume (2008), this book showcases selected monologues from some of the finest modern plays by some of today's leading contemporary playwrights. These monologues contain a diverse range of quirky and memorable characters that cross cultural and historical boundaries. The pieces are helpfully organised into age-specific groups: 'Teens', 'Twenties', 'Thirties' and 'Forties plus'.
Twenty-three stories and poems featuring as their hero the movie actor James Dean, a 1950s cult figure. In one of them, Michael Hemminson's Jimmy, Dean is portrayed in hell. A sequel to Mondo Elvis.
The study of consciousness has developed considerably over the past ten years, with an emphasis on seeking to explain subjective experience. Our understanding of key questions relating to the performing arts, in theory and practice, benefits from the insights of consciousness studies. Theatre, Opera and Consciousness discusses selected concerns of theatre history from a consciousness studies perspective, develops a new perspective on ethical implications of theatre practice, reassesses the concept of the guru, and offers a new approach to the actor’s cool-down. The book expands the framework from theatre to opera, and presents a new consideration of the spiritual aspects of singing in opera, conducting for opera, and the opera experience for singers and spectators alike.
(Applause Books). In Too Fast to Live, Too Young to Die , readers take an evocative journey with author Keith Elliot Greenberg as he pieces together the puzzle of James Dean's final day and its everlasting impact. Greenberg travels to Dean's hometown to talk with folks who knew the star, and all the way to the California roads that underlay the tires of the actor's infamous Porsche Spyder. Taking the story back and forth in time, Greenberg gives insight into what drove Dean to live on the edge the early loss of his mother, his relentless drive to explore for the sake of his craft. Dean once said, "Dream as if you'll live forever. Live as if you'll die today." He lived to experience, and the one love that compared to his love of acting was his love of racing cars. Greenberg puts the event in historical context, reflecting on the world Dean lived in at the time, an era after World War II, the end of the Korean War, the advent of rock and roll, with the sixties coming down the pike. The star's too-soon departure froze him as a symbol of American Cool, and as proven by the 20,000 people who return to Dean's grave each year to pay homage, a major influence on youth culture for myriad generations. With fresh interviews with insiders, riveting storytelling, and acute attention to details from vehicle specs to Dean's stops along the way (including for an ominous speeding ticket) to how the news reached the world Greenberg delivers a thoughtful look at this historical moment.
The Times Book of the Week * * * 'I could read Martin Williams all day. He is a staggeringly communicative historian; this book throws shafts of light on recent history almost repeating itself, giving vivid glimpses into monarchy and the way things were, and are. Compulsory reading.' --- Dame Joanna Lumley 'A social historian and gifted storyteller, Williams is by turns moved and amused as he reflects on the poignancy and rituals of a nation united (pretty much) in grief...' --- The Times 'adroitly-written...[told by Williams] so skilfully, and with such silken prose, that it's a pleasure to spend the time inside his head' --- The Oldie 'delightful details...to rekindle this vanished epoch' --- Country Life 'Vivid, panoramic, skilfully written, this gripping book is an insight into a time and an age'. --- Kate Williams 'Martin Williams has written a fascinating and absorbing account of the Edwardian era, the demise and funeral of the King, and the iconic Black Ascot that followed it. He has brought a lost age grippingly to light'. --- Hugo Vickers 'witty, informative and immensely readable... captures the spirit of the times'. --- Miranda Seymour 'A tour de force'. --- Dr Kate Strasdin 'We tend to think that Cecil Beaton single-handedly invented the Edwardian Age. Martin Williams shows us succinctly and elegantly that perhaps it was the King himself.' --- Nicky Haslam '... moves with unflagging wit and style. A fresh perspective on a brilliant life and a lost era beautifully evoked, it is impossible not to be swept away by this gem of a book. Pure pleasure.' --- Robin Muir 'a must-have... a wonderful and thought-provoking read.' --- The Historian '...a book about a changed and changing world trying to cope with even more change...beautifully written [and] timely' --- The Catholic Herald Unforgettable as it was, the public response to the death of Queen Elizabeth II in September 2022 was not without precedent. When her great-grandfather King Edward VII - glamorous, cosmopolitan and extraordinarily popular - died in May 1910, the political, social and cultural anxieties of a nation in turmoil were temporarily set aside during a summer of intense and ritualised mourning. In The King is Dead, Long Live the King! Martin Williams charts a period of tension and transition as one era slipped away and another took shape. Witnessed by a diverse but interconnected cast of characters - crowned heads and Cabinet ministers, debutantes and suffragettes, artists and murderers - here is the swansong of Edwardian Britain. Set against a backdrop of bereavement and parliamentary crisis overshadowed by the gathering clouds of war, we see a people caught between past and future, tradition and modernity, as they unite to bid farewell to a much-loved monarch who had personified his age. From Buckingham Palace to Bloomsbury, and from the lying-in-state in Westminster Hall to a now legendary Royal Ascot enveloped in black, this is a vivid evocation of a world on the brink of seismic upheaval.