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Nelson George and Alan Leeds have assembled the first comprehensive collection of writings about the late, great Godfather of Soul, creating a fascinating mosaic of the man and the musician. Known as the hardest-working man in show business, James Brown embodied rhythm and blues, funk and soul, and sensuality. His musical innovations in such indelible grooves as “Get Up (I Feel Like Being a) Sex Machine,” “I Got You (I Feel Good),” and “Papa’s Got a Brand New Bag,” transformed American music. To appreciate Brown’s immeasurable influence, to chronicle his professional and personal triumphs and struggles, and to capture his essence, writers from four decades weigh in on the legendary Soul Brother Number One. What emerges is a tribute to a trailblazer—one that no dedicated fan or music history buff will want to be without.
“You won’t leave this hypnotic book without feeling that James Brown is still out there, howling.”—The Boston Globe From the New York Times bestselling author of The Good Lord Bird, winner of the 2013 National Book Award for Fiction, Deacon King Kong, and Five-Carat Soul Kill ’Em and Leave is more than a book about James Brown. Brown embodied the contradictions of American life: He was an unsettling symbol of the tensions between North and South, black and white, rich and poor. After receiving a tip that promises to uncover the man behind the myth, James McBride goes in search of the “real” James Brown. McBride’s travels take him to forgotten corners of Brown’s never-before-revealed history, illuminating not only our understanding of the immensely troubled, misunderstood, and complicated Godfather of Soul, but the ways in which our cultural heritage has been shaped by Brown’s enduring legacy. Praise for Kill ’Em and Leave “A tour de force of cultural reportage.”—The Seattle Times “Thoughtful and probing.”—The New York Times Book Review “Masterly . . . powerful.”—Los Angeles Review of Books “McBride provides something lacking in most of the books about James Brown: an intimate feeling for the musician, a veracious if inchoate sense of what it was like to be touched by him. . . . It may be as close [to ‘the real James Brown’] as we’ll ever get.”—David Hajdu, The Nation “A feat of intrepid journalistic fortitude.”—USA Today “[McBride is] the biographer of James Brown we’ve all been waiting for. . . . McBride’s true subject is race and poverty in a country that doesn’t want to hear about it, unless compelled by a voice that demands to be heard.”—Boris Kachka, New York “Illuminating . . . engaging.”—The Washington Post “A gorgeously written piece of reportage that gives us glimpses of Brown’s genius and contradictions.”—O: The Oprah Magazine
When Don Rhodes took his seat not far behind Michael Jackson at the funeral of the “Godfather of Soul” on December 30, 2006, it marked the close of a forty-year friendship. In Say It Loud! Rhodes pays tribute to James Brown and his storied career, with a close and comprehensive look at the life of the legendary singer at his home in Augusta, Georgia, and the family he left behind. From the evolution of Brown’s fiery, uniquely rhythmic musical style to his social activism, world travels, run-ins with the law, and four marriages (and uncertain number of affairs), Rhodes provides a sensitive but candid look at the life of the man behind such hits as “I Feel Good,” “Please, Please, Please,” “Sex Machine,” and “Say It Loud—I’m Black and I’m Proud.” He takes us back to the 1960s, when James Brown and other American soul and rock artists were relieved to find that they had nothing to fear from the Beatles and other British artists taking America by storm—indeed, as some of the Brits acknowledged, the Americans had inspired them. Mick Jagger, whose dance steps were influenced by Brown, once said of him, “His show didn’t just have to do with the artist but had to do with the audience. . . . Their reaction was always . . . like being in a church.” Unlike his friend Elvis Presley, James Brown went on to be a frequent global traveler, adored by fans throughout the world. Say It Loud! bears out the reputation of the man with the famous cape as “the hardest-working man in show business,” bringing us the full story of a conscientious performer and consummate professional with a fascinating and controversial personal life. Never-before-published photos, as well as anecdotes from an enduring friendship and details of Brown’s life at home, will further ensure that music fans of all ages will cherish this tribute to an American icon by a longtime friend.
This vintage book contains a catalogue of the rare and antique violins offered for sale by the Lyon & Healy company of Chicago in 1917. For each piece there is provided an authentic photograph, as well as an expert description and other notable information. This volume will appeal to violin collectors and antique dealers alike, and it would make for a fantastic addition to collections of vintage violin literature. Contents include: “Antonius Stradivarius, Cremona, 1717”, “Franscesco Rugieri (detto il per), Cremona, 1671”, “Sanctus Seraphin, Venice, 1744”, “Joseph Guarnerius, Filius Andreas, Cremona, 1710”, “Giovanni Baptiste Ruggeri, Brescia, 1667”, “Matteo Goffriller, Venice, 1696”, etc. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new introduction of the author.
The weekly source of African American political and entertainment news.
Soul music and country music propel American popular culture. Using ethnomusicological tools, Shonekan examines their socio-cultural influences and consequences: the perception of and resistance to hegemonic structures from within their respective constituencies, the definition of national identity, and the understanding of the 'American Dream.'
Celebrating all the beautiful browns in one child’s colorful family Mama’s brown is chocolate, clear, dark, and sweet. Daddy’s brown is autumn leaf, or like a field of wheat. Granny’s brown is like honey, and Papa’s like caramel. In this loving and lovely ode to the color brown, a boy describes the many beautiful hues of his family, including his own—gingerbread.