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Contains nonfiction work such as Let Us Now Praise Famous Men along with the Pulitzer Prize winning novel A Death In The Family and other fictional material.
This portrait of poverty-stricken Southern tenant farmers during the Great Depression has become one of the most influential books of the past century. In the summer of 1936, Pulitzer Prize–winning writer James Agee and photographer Walker Evans set out on assignment for Fortune magazine to explore the daily lives of white sharecroppers in the South. Their journey would prove an extraordinary collaboration—and a watershed literary event. Let Us Now Praise Famous Men was published to enormous critical acclaim. An unsparing record in words and pictures of this place, the people who shaped the land, and the rhythm of their lives, it would eventually be recognized by the New York Public Library as one of the most influential books of the twentieth century—and serve as an inspiration to artists from composer Aaron Copland to David Simon, creator of The Wire. With an additional sixty-four archival photos in this edition, Let Us Now Praise Famous Men remains as relevant and important as when it was first published over seventy-seven years ago. “One of the most brutally revealing records of an America that was ignored by society—a class of people whose level of poverty left them as spiritually, mentally, and physically worn as the land on which they toiled. Time has done nothing to decrease this book’s power.” —Library Journal
Presents a biography of the Timberwolves forward who went directly from high school basketball to playing in the National Basketball Association.
[The author] had a passion for art in all its aspects, but it was the new art of the movies that was his greatest inspiration as a critic. [This book] has long been recognized as the single most influential American book about movies. Witty, probing, lacerating his moral criticisms, eloquent in his admiration of filmmakers from Charlie Chaplin to John Huston, [the author] is a critic who engages the reader no matter what subject he is writing about.-Back cover.
Describes what happened during the siege at the Alamo in 1836, as experienced by young Enrique Esparza and his family, and includes a script and instructions for staging a theatrical performance of this adventure.
As "the Golden Arm" of the National Football League, Johnny Unitas became ensconced in history as one of the greatest quarterbacks of all time. With his record of 47 consecutive games throwing a touchdown pass, his performance in the "Greatest Game Ever Played," ten Pro Bowl appearances, and his steadfast devotion to Baltimore, Unitas earned himself the hushed reverence with which his name is still spoken. Despite his long legacy, there is much to discover about the man himself, such as the NFL's near miss in discovering his talent after a draft flop and Unitas turning to construction work and a semi-pro team. With photos to elaborate on the exciting background given about the football legend, this biography is an entertaining profile that will delight any fan of the sport.
A fascinating, behind-the-scenes documentary record of Gerald Ford's presidency by Pulitzer Prize-winning photographer David Hume Kennerly.
Basketball legend Pete Maravich is remembered in this collection of of memorials written by his fellow players, coaches, friends, fans, and relatives, who remember not only a great athlete, but a man who turned away from heavy drinking and turned toward God and became a born-again Christian.
Photography does more than simply represent the world. It acts in the world, connecting people to form relationships and shaping relationships to create communities. In this beautiful book, Margaret Olin explores photography’s ability to “touch” us through a series of essays that shed new light on photography’s role in the world. Olin investigates the publication of photographs in mass media and literature, the hanging of exhibitions, the posting of photocopied photographs of lost loved ones in public spaces, and the intense photographic activity of tourists at their destinations. She moves from intimate relationships between viewers and photographs to interactions around larger communities, analyzing how photography affects the way people handle cataclysmic events like 9/11. Along the way, she shows us James VanDerZee’s Harlem funeral portraits, dusts off Roland Barthes’s family album, takes us into Walker Evans and James Agee’s photo-text Let Us Now Praise Famous Men, and logs onto online photo albums. With over one hundred illustrations, Touching Photographs is an insightful contribution to the theory of photography, visual studies, and art history.