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The historic Hope lands located on the Liguanea Plain in the southeastern parish of St Andrew, Jamaica, and once the site of one of the island?s earliest sugar estates, has had a long history of human settlements dating back to approximately 600 CE, the era of the indigenous Tainos. It was not until 1655, however, with the English invasion and seizure of Jamaica from the Spanish, that the Hope landscape developed into a thriving rural agrarian settlement. Generous land grants were made to the invading officers and later to immigrants from Britain and North America and from other Caribbean islands. Major Richard Hope came in possession of over 2,600 acres in the Liguanea Plain. Major Hope, unlike many of his counterparts by the 1660s, managed to establish a small sugar plantation, which developed by the mid-1700s into one of the island?s largest, most productive and technologically advanced slave sugar estates. In the 1770s the estate became the property of the Duke of Chandos and his family until 1848, when the estate was dismantled. Over 600 acres were sold to the Kingston and Liguanea Water Works Company and the remaining 1,700 acres were leased to the owner of the adjoining Papine and Mona estates. Poor accounting and border surveillance enabled several persons to possess the land, which was later sanctioned by the Limitations of Actions Law. With the government?s acquisition of the entire property in 1909, the Hope estate underwent remarkable changes in the twentieth century. By 1960 the Hope landscape was radically transformed from a sugar estate worked by hundreds of enslaved black people to a premiere urban centre of commercial, residential and educational land use.
A collection of favourite tales gathered from the many different islands of the Caribbean, one of the world's richest sources of traditional storytelling. From the very first Kingfisher to Anansi the Spider Man, these lively retellings full of humour and pathos, are beautifully retold by Trish Cooke. The book includes endnotes with a glossary, additional information as well as ideas for activities that children can do to explore the stories further.
Anansi is both a god, spirit and African folktale character. He often takes the shape of a spider and is considered to be the spirit of all knowledge of stories. He is also one of the most important characters of West African and Caribbean folklore.
Read Along or Enhanced eBook: In this trickster tale from Africa, Anansi proves to Elephant and Killer Whale that in a battle of wits, brains definitely outdo brawn.
THE STORIES in this collection were recorded from the lips of over sixty negro story-tellers in the remote country districts of Jamaica during two visits to the island in the summer of 1919 and the winter of 1921. The role of Anansi, the trickster spider, is akin to the Native American Coyote and the (Southern African) Bantu Hare. Herein you will find 149 Anansi tales and a further 18 Witticisms. The stories are categorised into Animal Stories, Old Stories (chiefly of sorcery), Dance and Song and Witticisms. You will find stories as varied in title and content as “The Fish-Basket”, “The Storm“, “The King's Two Daughters”, “The Gub-Gub Peas”, “Simon Tootoos”, “The Tree-Wife” and many, many more unique tales. In some instances, Martha Warren Beckwith was able to record musical notation to accompany the stories. As such you will find these scattered throughout the book. In this way the original style of the story-telling, which in some instances mingles story, song and dance, is as nearly as possible preserved. Two influences have dominated story-telling in Jamaica, the first an absorbing interest in the magical effect of song which far surpasses that in the action of the story; the second, the conception of the spider Anansi as the trickster hero among a group of animal figures. "Anansi stories" regularly form the entertainment during wake-nights, and it is difficult not to believe that the vividness with which these animal actors take part in the story springs from the idea that they really represent the dead in the underworld whose spirits have the power, according to the native belief, of taking animal form. In the local culture, magic songs are often used in communicating with the dead, and the obeah-man who sets a ghost upon an enemy often sends it in the form of some animal; hence there are animals which must be carefully handled lest they be something other than they appear. The importance of animal stories is further illustrated by the fact that animal stories form the greater part of this volume. 33% of the net profit from the sale of this book will be donated to Sentebale, a charity supporting children orphaned by AIDS in Lesotho.
Anansi the Spider's plan to trick his friend Turtle into doing all the work while he teaches Anansi to catch fish somehow gets turned around. While Anansi doesn't learn his lesson, he does learn the invaluable skill of weaving.
Two Jamaican folk tales in which Anansi the spider practices his trickery on others. Includes an audio cassette featuring narration and music.
"Allow me to introduce myself." But he needed no introduction. "Anansi the spider!" said Anansi the boy. "The tales were true!" "Traditional tales are always true," the spider answered, laughing. "Nothing lasts so long as truth, nor travels quite so far." Now in paperback! Award-winning author of Ghana Must Go, Taiye Selasi, reimagines the story of Anansi, the much-loved trickster, for a new generation. Kweku has grown up hearing stories about the mischievous spider Anansi. He is given the nickname Anansi by his father because of his similarly cheeky ways. On a holiday to visit his beloved Grandma in Ghana, Anansi the spider and Anansi the boy meet, and discover a magical pot that can be filled with whatever they want. Anansi fills it again and again with his favourite red-red stew, and eats so much that he feels sick. Will he learn to share this wonderful gift? This charming retelling of a West African story teaches readers about the dangers of greed, and the importance of being kind. Tinuke Fagborun's colourful illustrations bring the magic and wonder of the tale to life. When you've finished sharing the story, you can also find out more about the origins of Anansi folktales. This beautiful storybook is one that children will treasure forever.