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These guitar workshops are powerful learning tools that will help extend your stockpile of licks and fills and help develop your improvisational skills. Features play-along songs in standard notation and tab, and on the CD with and without guitar parts. Titles are: Cold Day in Hell * Empty Rooms * The Loner * Oh Pretty Woman * Parisienne Walkways * Still Got the Blues * Story of the Blues * Walking by Myself.
(Guitar Recorded Versions). 14 of this blues/rock axe master's transcriptions, from his Thin Lizzy days as well as his solo career. Songs: Bad for You Baby * Cold Day in Hell * Empty Rooms * The Loner * Midnight Blues * Oh Pretty Woman * Out in the Fields * Over the Hills and Far Away * Parisienne Walkways * Since I Met You Baby * Still Got the Blues * Texas Strut * Victims of the Future * Walking by Myself.
(Guitar Play-Along). The Guitar Play-Along series will help you play your favorite songs quickly and easily! Just follow the tab, listen to the audio to hear how the guitar should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. 8 songs: Cold Day in Hell * Empty Rooms * The Loner * Oh Pretty Woman * Since I Met You Baby * Still Got the Blues * Texas Strut * Walking by Myself.
An in-depth look at the practical and theoretical concepts of traditional and modern blues guitar, covering all the important technical, rhythm and improvisational ideas. The book is divided into three stages: easy blues, blues & blues rock styles, and jazz blues. Stage 1 describes the development and basis of blues guitar, and is particularly appropriate for beginners. Stage 2 goes off more in the rock direction and gives the reader an insight into the concepts and licks of several influential guitarists including Clapton, Hendrix, Robben Ford, Stevie Ray Vaughan, Gary Moore, and others. Stage 3 features a number of concepts that come from jazz that can also be used in a blues context. A great number of examples and blues jam tracks appear on the accompanying CD. In notation and tablature.
Bum Rush the Page is a groundbreaking collection, capturing the best new work from the poets who have brought fresh energy, life, and relevance to American poetry. “Here is a democratic orchestration of voices and visions, poets of all ages, ethnicities, and geographic locations coming together to create a dialogue and to jam–not slam. This is our mouth on paper, our hearts on our sleeves, our refusal to shut up and swallow our silence. These poems are tough, honest, astute, perceptive, lyrical, blunt, sad, funny, heartbreaking, and true. They shout, they curse, they whisper, and sing. But most of all, they tell it like it is.” –Tony Medina, from the Introduction
Blues Soloing For Guitar, Volume 1: Blues Basics
(Guitar Educational). A comprehensive source designed to help guitarists develop both lead and rhythm playing. Covers: Texas, Delta, R&B, early rock and roll, gospel, blues/rock and more. Includes 21 complete solos; chord progressions and riffs; turnarounds; moveable scales and more. The audio features leads and full band backing.
As one of Britain's best-loved and most successful fanzines, Jamming ran for an impressive 10 years and 36 issues, documenting the changing musical landscape between 1977 and 1986 as it developed from a 6-page school publication to a nationally distributed monthly. Fully illustrated throughout, The Best of Jamming features stand-out pieces from the zines' momentous run, from early features on The Jam, The Alarm, Adam & The Ants, and the Dead Kennedys, to surprise exclusive interviews with the likes of Paul McCartney, U2 and Pete Townshend. Personal letters from Mark E. Smith, Paul Weller and others are included along with previously unseen interview manuscripts and many of Jamming 's arts and politics features too. Editor Tony Fletcher provides an introduction to each issue, and former star contributors and now-established musicians reflect on their interviews and Jamming 's influence and impact.