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Austria, 1944. Jakob, a gypsy boy--half Roma, half Yenish--runs for his life as he has been told to do. With shoes made of sack cloth--stained with another person's blood--and a stone clutched in one hand, a small wooden box in the other, he runs blindly, full of fear and nearly drained of hope. He knows when to trust a stranger and when to be wary. He knows how to read the land and the sky--when to seek shelter, when not to. He has grown up following the wind and sticking to the shadows. They are familiar to him. It is the loneliness that is new. He has never, until now, been so alone. Weaving back and forth in time and place between WWII Austria, Switzerland, and 1920s England to tell the interlinked stories of Jakob, an 8-year-old gypsy boy, his father Yavy, and his English mother Lor, Jakob's Colors is about the painful legacies passed down from one generation to another, finding hope when there is no hope and color where there is no color.
Serpent symbolism plays an important role in Keats's rich animal imagery both on a quantitative level and on a qualitative one. Through images of dazzling, twisted, suffocating snakes Keats gives form to some of his most important ideas as well as anxieties about poetic creation. In particular, snakes convey the tension between the more unconscious and the more conscious elements of the creative psyche, which is reflected in the linguistic texture of the poems. Besides, serpent symbolism shows how Keats's initial complete adhesion to the predominant Romantic view of the time was complicated and reinterpreted in highly personal terms. By recovering some Augustan notions, this young poet attempted a partial, problematic re-appropriation of the recent past Romanticism had utterly dismissed.
Carter has been kidnapped. Enslaved. But he's determined to fight to the end. Jacob is a pacifist. His family destroyed. He's about to choose the path of violence to reclaim his son. Their world has changed for ever. Between them, they're going to avenge it. Jacob Carnehan has settled down. He's living a comfortable, quiet life, obeying the law and minding his own business while raising his son Carter ... on those occasions when he isn't having to bail him out of one scrape or another. His days of adventure are - thankfully - long behind him. Carter Carnehan is going out of his mind with boredom. He's bored by his humdrum life, frustrated that his father won't live a little, and longs for the bright lights and excitement of anywhere-but-here. He's longing for an opportunity to escape, and test himself against whatever the world has to offer. Carter is going to get his opportunity. He's caught up in a village fight, kidnapped by slavers and, before he knows it, is swept to another land. A lowly slave, surrounded by technology he doesn't understand, his wish has come true: it's him vs. the world. He can try to escape, he can try to lead his fellow slaves, or he can accept the inevitable and try to make the most of the short, brutal existence remaining to him. ... unless Jacob gets to him first and, no matter the odds, he intends to. No one kidnaps his son and gets away with it - and if it come to it, he'll force Kings to help him on his way, he'll fight, steal, blackmail and betray his friends in the name of bringing Carter home. Wars will be started. Empires will fall. And the Carnehan family will be reunited, one way or another ...
Color, which contributes so much to the beauty of nature, is vital to the attraction and acceptability of most products used by modern society. As early as the 25th century BC, people used a limited range of natural colorants from both animal (e.g., cochineal) and vegetable (e.g., indigo, curcumin, alizarin, Tyrian purple) sources to color their surroundings and clothing. Dyes are substances that, once applied to a substrate, selectively reflect or transmit incident daylight. Most natural dyes are found in the roots, barks, leaves, bracts, flowers, skins, and shells of plants. They are classified as either organometallic or organic compounds, typically exhibiting low solubility in organic solvents. As a result, they generally remain in the solid state during processing and when applied to substrates. This book provides a comprehensive overview of the chemistry and physics of dyes and their intermediates. Chapters address such topics as chemical constituents, spectroscopic aspects, surface, solution, crystal formation, photochemistry, and their ecological and biological properties. This volume will appeal to a wide range of researchers and graduate students worldwide whose work involves dye synthesis, imaging, sensors, energy, medicine, polymers, food products, toxicological properties, and more.
Zu dem Thema gibt es viele Publikationen, die von Experten für Experten geschrieben wurden. Dieses Buch wendet sich insbesondere an Studenten höherer Semester und Forscher, denen das Hintergrundwissen der Physik fehlt, um neuartige Verfahren der Fluoreszenzmikroskopie zu verstehen. Die zweite Auflage wartet mit neuen Kapiteln und einer erweiterten Einführung auf. Der Schwerpunkt liegt auf der hochauflösenden und Einzelmolekül-Mikroskopie. Jedes Kapitel wurde von einem anerkannten Experten des Fachgebiets geschrieben und sorgfältig überarbeitet, um so die Entwicklungen der letzten Jahre wiederzugeben.
• Emyr Humphreys is arguably Wales’s most distinguished living writer. • Hidden amongst the detritus gathered during the creative process these poems were not intended to be read generally but were private thoughts distilled into the shard like fragments described in the title. • The poems show the depth and variety of his thinking, with a cutting insight into the nature of being and its universal significance, insignificance or relevance. • The poems contain a profundity which challenge us to think more deeply about the nature of our being.
International Football Kits (True Colours) charts the evolving football strip design of the world's leading national football teams, from 1966 to the present day. Guaranteed to bring back memories of your favourite team's kits and help you discover new ones, this ground-breaking book features strips that made it to the greatest stage in football – the FIFA World Cup – as well as rare designs that were never worn. John Devlin, the authority on football kits, analyses and evaluates the home, away and third kit designs of the top football-playing nations, detailing when the strip was worn, who wore it and the important matches in which it featured. This carefully curated collection features more than 1,300 never-before-published artworks, and describes the changing styles, varied manufacturers and remarkable controversies of international football fashion over the last 50 years.
Reproduction of the original: Prolegomena by Julius Wellhausen