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"Slocum enters the west's meanest hellhole willingly" ... front cover.
Acclaimed western writer Giles Tippette takes the action south of the border, where blood is thicker than water no matter how many bullets are fired . . . Running the Half-Moon ranch is all the excitement Justa Williams needs in his life. But when his brother Norris looks into a squatter situation near the Mexican border and lands in a Monterrey jail for his troubles, Justa rides out to get his kin released. When the usual channels get rebuffed, Justa enlists the aid of a dozen kill-crazy banditos to get the matter resolved the old-fashioned way. Now there’s just a hundred miles of Mexican desert to cross before they can reach the Texas border. Hopefully they’ve got enough bullets left to get them there . . . Praise for Giles Tippette and The Bank Robbers “Tippette can plot away with the best of them.” —Dallas Morning News “Like True Grit . . . a small masterpiece . . . brilliantly written.” —Newark News “Spine-jarring, bullet-biting intensity.” —Houston Post “Tough, gutsy, and fascinating.” —NY Newsday “Impressive authenticity.” —Booklist “His fiction is taught and gripping.” —Houston Spectator
For poet Iris Liebner, writing is a source of healing in her life. Her words arise as an intuitive knowledge, a flowering from within, and a path of revelation. Seraph is the culmination of that revelation, focusing on mistakes and reparation, living and dying. She utilizes strong voice and movement to invoke passion and inspire the art of expression. For Iris, healing is utmost, in both her professional and personal lives. She hopes her collection enables you to be more joyous in this oft-conflicted life. She hopes you will be less fraught with judgements, assumptions, and fragmentation. These poems stir the imagination and find a home in the heart as an ode to love, loss, and the spirit of renewed hope. With every inhale, fill with inspiration. With every exhale, surrender to the eternal all-knowing.
Films about the moon show that even after the lunar landing of 1969 our celestial neighbor has lost none of its aptitude for being made of green cheese. In fact, as soon as you put the moon on screen it is lost. This is equally true for a wide range of moon films, including the theatricality of Méliès, the incredulity of camp, the illegibility of footage shot by Apollo astronauts and the revisionary history of Transformers 3. Yet, as paradoxical as it might seem at first, it is only when we "lose sight" of the moon that lunar truths begin to come forth. This is because fantastic elements of the moon—by their mere absurdity—can indicate non-fantastic elements. However, what is of interest here is not realistic or fantastic lunar truths but rather that the moon is an object which invites, or even demands, more than one truth at once.
The Year that Defined American Journalism explores the succession of remarkable and decisive moments in American journalism during 1897 – a year of significant transition that helped redefine the profession and shape its modern contours. This defining year featured a momentous clash of paradigms pitting the activism of William Randolph Hearst's participatory 'journalism of action' against the detached, fact-based antithesis of activist journalism, as represented by Adolph Ochs of the New York Times, and an eccentric experiment in literary journalism pursued by Lincoln Steffens at the New York Commercial-Advertiser. Resolution of the three-sided clash of paradigms would take years and result ultimately in the ascendancy of the Times' counter-activist model, which remains the defining standard for mainstream American journalism. The Year That Defined American Journalism introduces the year-study methodology to mass communications research and enriches our understanding of a pivotal moment in media history.
Stony Suitt went to the Yuma Arizona Territorial Prison for five years. Now he's out and returning to the town of Buckeye, Arizona where he was raised. It is his intent to find the men guilty of framing him for robbing a stagecoach that was carrying fifty thousand dollars in cash. When he begins to ask questions, people begin to worry; including his childhood friend, Jack Thompson, Buckeye's sheriff. Things really begin to heat up when a noted lawman by the name of Cody Lane takes up Suitt's cause and begins helping the big, rugged cowboy clear his name. As they begin to uncover the truth, desperate measures are taken by the guilty parties to eliminate them and anyone that might be helping them in their search for the truth. When the two big men are arrested for the murder of a prominent businessman in Buckeye, they know the frame is on again. This time, however, they have an ally in the sheriff's wife. She knows what is going on and helps the two escape. The climax comes on a night when the moon is a deep red, and signals a bloody end to the guilty parties. The Night of the Blood Red Moon is an action packed Western that keeps your interest peaked from start to finish.
Kyle Whitmore is the son of an emotionally distant multimillionaire. He ends up in a serious fix, but Kyle is nothing if not adaptable. Being sent to prison on the first and only prison colony on the Moon, he will have to make friends fast to avoid the darkness that hides under the surface of the self-sufficient, uncontrolled prison colony.
Jessie and Ki fight for their lives in a vicious sea battle in the forty-ninth Lone Star novel! They call them The Lone Star Legend: Jessica Starbuck—a magnificent woman of the West, fighting for justice on America's frontier, and Ki—the martial arts master sworn to protect her and the code she lived by. Together they conquered the West as no other man and woman ever had!
Slocum, a man of few friends, is minus another when war buddy Tim Blake is found murdered, leaving him alone to face the deadliest gunslicks in Black Rock in his quest for answers to the killing.