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Architecture of Jagmandir, a palace in Udaipur, situated on the banks of Lake Pichola.
This book surveys the intersections between water systems and the phenomenology of visual cultures in early modern, colonial and contemporary South Asia. Bringing together contributions by eminent artists, architects, curators and scholars who explore the connections between the environmental and the cultural, the volume situates water in an expansive relational domain. It covers disciplines as diverse as literary studies, environmental humanities, sustainable design, urban planning and media studies. The chapters explore the ways in which material cultures of water generate technological and aesthetic acts of envisioning geographies, and make an intervention within political, social and cultural discourses. A critical interjection in the sociologies of water in the subcontinent, the book brings art history into conversation with current debates on climate change by examining water’s artistic, architectural, engineering, religious, scientific and environmental facets from the 16th century to the present. This is one of the first books on South Asia’s art, architecture and visual history to interweave the ecological with the aesthetic under the emerging field of eco art history. The volume will be of interest to scholars and general readers of art history, Islamic studies, South Asian studies, urban studies, architecture, geography, history and environmental studies. It will also appeal to activists, curators, art critics and those interested in water management.
A look at the painting traditions of northwestern India in the eighteenth century, and what they reveal about the political and artistic changes of the era In the long eighteenth century, artists from Udaipur, a city of lakes in northwestern India, specialized in depicting the vivid sensory ambience of its historic palaces, reservoirs, temples, bazaars, and durbars. As Mughal imperial authority weakened by the late 1600s and the British colonial economy became paramount by the 1830s, new patrons and mobile professionals reshaped urban cultures and artistic genres across early modern India. The Place of Many Moods explores how Udaipur’s artworks—monumental court paintings, royal portraits, Jain letter scrolls, devotional manuscripts, cartographic artifacts, and architectural drawings—represent the period’s major aesthetic, intellectual, and political shifts. Dipti Khera shows that these immersive objects powerfully convey the bhava—the feel, emotion, and mood—of specific places, revealing visions of pleasure, plenitude, and praise. These memorialized moods confront the ways colonial histories have recounted Oriental decadence, shaping how a culture and time are perceived. Illuminating the close relationship between painting and poetry, and the ties among art, architecture, literature, politics, ecology, trade, and religion, Khera examines how Udaipur’s painters aesthetically enticed audiences of courtly connoisseurs, itinerant monks, and mercantile collectives to forge bonds of belonging to real locales in the present and to long for idealized futures. Their pioneering pictures sought to stir such emotions as love, awe, abundance, and wonder, emphasizing the senses, spaces, and sociability essential to the efficacy of objects and expressions of territoriality. The Place of Many Moods uncovers an influential creative legacy of evocative beauty that raises broader questions about how emotions and artifacts operate in constituting history and subjectivity, politics and place.
This book unites new information and surprising results from the last fifteen years of garden research, at a remove from the clichés of Orientalism. Garden archaeology reveals the economic importance of Judean gardens in Roman times and the visual complexity of gardens created and transformed in Moorish Spain. More contemporary approaches unravel the cultural continuities, variations, and differences between gardens in the Middle East since Roman times and in the Islamic world.
"The Complete Travel Guide Series" offers a comprehensive exploration of diverse destinations worldwide. Each book provides detailed insights into local culture, history, attractions, and practical travel tips, ensuring travellers are well-prepared to embark on memorable journeys. With vibrant illustrations, beautiful pictures and up to date information, this series is an essential companion for any type of traveller seeking enriching experiences.
Travellers from around the world are drawn to India to seek out its history, pulsating cities and colourful countryside. The country's stunning kaleidoscope of destinations are at once fascinating and bewildering. Time Out's team of writers brings you the most perfect destinations, from classic architectural gems to splendid wildlife escapes. They uncover the best India has to offer, from the Tibetan Buddhist regions of the Himalayan far north to the sleepy backwaters of Kerala in the country's southernmost state. Each chapter is accompanied by beautiful images that exhibit India's diversity and culture.Time Out India: Perfect Places to Stay, Eat & Explore makes the country's vastness more manageable, the choices easier. Generously illustrated with colour photography, and featuring appendices packed with practical information, it's both an inspiration for readers and a useful tool for planning a perfect trip
Discover the soaring Himalayas, explore fantastic forts and the rich cultural heritage of India Whether you want to be awed by the scenic landscapes, relax on the beaches of Goa, or marvel at the majestic Taj Mahal, your DK Eyewitness travel guide makes sure you experience all that India has to offer. India is a treasure trove of things to see and experience. Packed full of ancient palaces and temples, museums and historic monuments, it has been captivating visitors since time immemorial. Beyond the architectural wonders, the country abounds with picturesque sights and has an array of excellent restaurants and atmospheric bars. Our updated 2023 travel guide brings India to life, transporting you there like no other travel guide does with expert-led insights, trusted travel advice, detailed breakdowns of all the must-see sights, photographs on practically every page, and our hand-drawn illustrations which place you inside the country’s iconic buildings and neighborhoods. DK Eyewitness India is your ticket to the trip of a lifetime. Inside DK Eyewitness India you will find: -A fully-illustrated top experiences guide: our expert pick of must-sees and hidden gems. -Accessible itineraries to make the most out of each and every day. -Expert advice: honest recommendations for getting around safely, when to visit each sight, what to do before you visit, and how to save time and money. -Color-coded chapters to every part of India, from Rajasthan to Assam and the Northeast, Ladakh to Kerala. -Practical tips: the best places to eat, drink, shop and stay. -Detailed maps and walks to help you navigate the region country easily and confidently. -Covers: Haryana & Punjab, Himachal Pradesh, Ladakh, Jammu & Kashmir Uttar Pradesh & Uttarakhand Bihar & Jharkhand, Madhya Pradesh & Chhattisgarh Kolkata, West Bengal & Sikkim, Odisha, Assam & the Northeast, Rajasthan, Gujarat, Mumbai Touring the country? Try our DK Eyewitness Delhi, Agra and Jaipur. Want the best of Goa in your pocket? Try our DK Eyewitness Top 10 Goa.
The 11th ISVS (International Seminar for Vernacular Settlements) that was hosted by the School of Environmental Design and Architecture, Navrachana University brought together some important ideas and concerns as related to questions of development at large and vernacular settlements. From questions of ecological balance, use of resources and the way of the pastoral to the ones concerning technology, design and materiality of built environment. The 11th ISVS will be remembered as one that brought whole generation of young and talented scholars in the foreground. Many of them had carried out extensive field work to support their research. The seminar was also remarkable from the point of view of extensive representation of vernacular traditions in different part of the Indian Sub-continent and Southeast Asia along with a range of theoretical concerns.