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Jael the Conquer By Bishop Donald Downing Through Biblical research, visions, and inspiration from the Holy Spirit, Bishop Downing brings to life Judges 4 & 5, the tale of a female warrior, a little-known heroine of the Bible: Jael the Conqueror. Like her counterpart David, who slew the giant Goliath, Jael was a black Kenite maiden chosen by God to fulfill her destiny, to slay the giant Sisera and deliver the children of Israel from bondage to Jabin, the wicked king. Deborah the prophetess, a judge over Israel, prophesied that the Lord would sell Sisera into the hands of a woman. As Sisera came running into her tent, fleeing from Barak, Jael knew her life was in danger. She learned how to use her inner weapons of faith and wisdom, as God gave her strength to use milk, a hammer and a nail. As she placed the nail against Sisera's head, she felt the anointing power of God as never before. The Bible states in Judges 4:21, the nail went completely through Sisera's forehead and fastened itself deep into the ground. Jael professed her faith in the true and living God and chose to worship with the Israelites, despite her ancestral lineage. She never allowed her battles to be greater than her worship, prayers and praises to her God. Bishop Donald Downing gives a richly imaginative look into the possible life of Jael the Conqueror, from her childhood to adulthood, as she fought for the rights and protection of all women. He is of the opinion that we should not judge the battles of others if we are not willing to help them to fight their wars.
Winner of the 2019 SECAC Award for Excellence in Scholarly Research and Publication In The Riddle of Jael, Peter Scott Brown offers the first history of the Biblical heroine Jael in medieval and Renaissance art. Jael, who betrayed and killed the tyrant Sisera in the Book of Judges by hammering a tent peg through his brain as he slept under her care, was a blessed murderess and an especially fertile moral paradox in the art of the early modern period. Jael’s representations offer insights into key religious, intellectual, and social developments in late medieval and early modern society. They reflect the influence on art of exegesis, the Reformation and Counter-Reformation, humanism and moral philosophy, misogyny and the battle of the sexes, the emergence of syphilis, and the Renaissance ideal of the artist.
The Bible is filled with women of faith, bravery, and cunning. Here is one woman’s tale—as it might have happened . . . “Blessed above women shall Jael the wife of Heber the Kenite be, Blessed shall she be above women in the tent.” Judges 5:24” Like many a bride-to-be, Jael looks forward to a long, loving marriage. But when her husband, Heber, takes her home to live in the company of his other wife and concubine, Jael’s dreams begin to crumble. The women in her tent warn Jael that, to bear Heber the sons he demands, she will have to risk shame, betrayal of her vows, even possible execution. But in the darkest moment of her life, there sparks a flame: a young warrior named Levi enters her life—and Jael is presented with a life-changing decision, one that will affect the fate of all the people of Israel. Now there’s no turning back on the path that will lead her to change history—by doing the unthinkable. “Terrific biblical biographical fiction, the genesis of a new series.”—Midwest Book Review
The Hebrew Bible's fascinating narratives about women have occasioned some of the most important biblical scholarship of the last generation. Lillian Klein contributes to that wealth with her absorbing studies of key figures in the narrative material: Deborah, Jephtha's daughter, Delilah, Jael, the whore of Gaza, Kaleb's daughter Achsah, Hannah, Esther, the wife of Job, David's wife Michal, and Bathsheba. With a marvelous eye for the telling detail -- or its absence -- Klein examines the biblical portraits, often unfortunately brief, of these women and the dynamics of gender, power, and honor at work in their stories. A remarkably lucid and careful scholar, Klein has surfaced the underlying and ironic ideals of womanhood in a society that both honored and marginalized women in stories of seduction and rivalry, deviation and obedience, public shame and private power.
This in-depth study on the realm of death presents a message of hope held by the first generation of Christians and the early church. Using Scripture, patristic tradition, early Christian poetry, and liturgical texts, Archbishop Hilarion explores the mysterious and enigmatic event of Christ⿿s descent into Hades and its consequences for the human race. Insisting that Christ entered Sheol as Conqueror and not as victim, the author depicts the Lord⿿s descent as an event of cosmic significance opening the path to universal salvation. He also reveals Hades as a place of divine presence, a place where the spiritual fate of a person may still change. Reminding readers that self-will remains the only hindrance to life in Christ, he presents the gospel message anew, even in the shadow of death.