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Jadeite Objets d’Art Indeed the last great aesthetic discovery of the Emporer Qianlong, reigning from 1736 to 1796, hidden high amid the impenetrable forested hills of remotest Myanmar. Only decades later in 1863 would the French mineralogist Alexis Damour name the stone jadeite. This stone emerged in interesting times, an artistic golden age. The historical carvings of China for nearly seven millennia had given way to a new era. By 1880 impressionism, though disdained early in its day, was well entrenched within the artistic milieu. Affluent British, Americans and to a lesser extent the continental Europeans, the commercial class if you will, demanded new ideas and ornate objects, looking to decoration as a mark at once of quality and change. With centuries of training and skills in the arts and crafts, Chinese artisans developed a unique design and style, in effect an infrastructure, that aesthetically captured the romance and mystery of the orient, and comfortably served as the backdrop for c! arved flowers and dragons alike in rare and important jadeite carvings - carvings of both cabochons and cabinet pieces. The best of both were frequently glorified in opulent settings and homes of the affluent, a fashion trend that continued for decades, concentrated as to its high season from 1900 to 1920, yet ranging from perhaps as early as 1880 to 1940, arguably ending with the all consuming world war. Winds of change were blowing and by 1950 modernism had arrived and with that age the recent past and its relics migrated to the nations’ attics and archives, at least under the best of circumstances. And like those with even the sincerest of intentions and with the greatest respect for the past, the modernists had their respective new era lives to lead. Records lost, writings long since misplaced, carvings cautiously placed in overcrowded musty Victorian attics. And so for decades, the light has been dimly lit, perhaps as Qianlong would have wanted it, yet history has a way! of locating those pilgrims of the past who in retrospect offered a vibrant message and timeless imagery. Jadeite Objets d’Art brings to light an impressive quantity of information on the stone as well as an in-depth analysis of the epic works from the early, middle and late periods these works of art flourished. It features in vivid color many works that have never been published and focuses on seminal carvings, many of which have rarely been seen. No single publication, coupled with an extensive array of images of jadeite carvings, has heretofore concentrated solely on this dramatic and mysterious stone. Significant archival and original records have been carefully and thoroughly researched. Additionally the reader will find critical information on the stone and related data including an historical perspective, mineralization, commercialization and evaluation considerations as well as a cataloged listing of objects from an extensive and important collection and a discussion of certain of the techniques utilized by master artisans of these carvings.
Raman Spectroscopy in Archaeology and Art History highlights the important contributions Raman spectroscopy makes as a non-destructive method for characterising the chemical composition and structure and in determining the provenance and authenticity of objects of archaeological and historical importance. It brings together studies from diverse areas and represents the first dedicated work on the use of this technique in this increasingly important field. Coverage includes: An Introduction to Raman Spectroscopy, including practical aspects of Raman spectroscopy and complementary techniques; Dyes and Pigments; Artefacts; Biological Materials and Degradation; Jewellery and Precious Stones. The book contains a broad selection of real-world examples in the form of case studies to provide the reader with a true appreciation of the procedures that need to be invoked to derive spectroscopic information from some of the most challenging specimens and systems. Colour illustrations of objects of investigation and a database of 72 Raman spectra of relevant minerals are included. With its extensive examples, Raman Spectroscopy in Archaeology and Art History will be of particular interest to specialists in the field, including researchers and scientific/conservation staff in museums. Academics will find it an invaluable reference to the use of Raman spectroscopy.
Olmec Art at Dumbarton Oaks presents the Olmec portion of the Robert Woods Bliss Collection of Pre-Columbian Art. It illustrates all thirty-nine Olmec art objects in color plates and includes many complementary and comparative black-and-white illustrations and drawings. The body of Pre-Columbian art that Robert Bliss carefully assembled over a half-century between 1912 and 1963, amplified only slightly since his death, is a remarkably significant collection. In addition to their aesthetic quality and artistic significance, the objects hold much information regarding the social worlds and religious and symbolic views of the people who made and used them before the arrival of Europeans in the New World. This volume is the second in a series of catalogues that will treat objects in the Bliss Pre-Columbian Collection. The majority of the Olmec objects in the collection are made of jade, the most precious material for the peoples of ancient Mesoamerica from early times through the sixteenth century. Various items such as masks, statuettes, jewelry, and replicas of weapons and tools were used for ceremonial purposes and served as offerings. Karl Taube brings his expertise on the lifeways and beliefs of ancient Mesoamerican peoples to his study of the Olmec objects in teh Bliss collection. His understanding of jade covers a broad range of knowledge from chemical compositions to geological sources to craft technology to the symbolic power of the green stone. Throughout the book the author emphasizes the role of jade as a powerful symbol of water, fertility, and particularly, of the maize plant which was the fundamental source of life and sustenance for the Olmec. The shiny green of the stone was analogous to the green growth of maize. This fundamental concept was elaborated in specific religious beliefs, many of which were continued and elaborated by later Mesoamerican peoples, such as the Maya. Karl Taube employs his substantial knowledge of Pre-Columbian cultures to explore and explicate Olmec symbolism in this catalogue.
A second edition, in two parts, of volume two of this reference series. This part deals mainly with the pyroxene minerals, but also with pyroxenoids, sapphirine and aenigmatite. The advances in research over the 15 years since the first edition was published are summarized in this text.
"Gems and Gemstones" features nearly 300 color images of cut gems, precious and semiprecious stones, gem-quality mineral specimens, and fine jewelry to be unveiled in the new Grainger Hall of Gems at the Field Museum in Chicago.
A major international text for intermediate and advanced students of metamorphic petrology.
Beautiful, translucent and indestructible, jade has a mystique that's captivated people since Neolithic times. Stan Leaming, Canada's leading jade geologist, was fascinated by this unusual gem; he is credited with pioneering the emergence of the jade industry in British Columbia. Leaming shares his unique insight into the science and magic of jade in this passionate exploration of the green stone's development from prehistoric tool to objet d'art. The reader is invited along with Leaming, a fascinating subject in himself, on a trip around the world as he hunts for the stone of heaven throughout BC and Canada, the United States, Mexico, Europe, Siberia, China, and even Down Under, where black jade is found. This book examines jade's appeal as a global industry, a divine inspiration, a medium for artistic expression and even as a precipitator of some bizarre crimes. Rockhounds casual and serious will appreciate this comprehensive celebration of jade, enhanced with maps and photographs. The 16-page colour section includes photos of jade art by Lyle Sopel, Deborah Wilson and other incredible sculptors.
The rapid growth of gemological sciences and mineralogy demands a dictionary such as this for gemologists, mineralogists, geologists, jewel dealers, industry and hobbyists. With some 16,000 comprehensive definitions, supplemented by more than 250 diagrams and figures, this is a one-stop reference to any matter dealing with gems and gemology.
Published in conjunction with its namesake Metropolitan Museum of Art exhibition (September 16, 1998-February 28, 1999), this finely illustrated catalogue providing context to pre-Columbian works of jade tempts one to see the originals from Costa Rica's Museo del Jade Marco Fidel Tristan Castro and elsewhere. Annotation copyrighted by Book News, Inc., Portland, OR
The book is a collection of detailed knowledge and skills on the identification, evaluation and gambling of jade raw stones. The book is about 300,000 words, and can be regarded as a encyclopedia on the evaluation of jade raw materials（赌石）.