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The full story of one of France's greatest cinema legends, a clown whose film-making innovation was to turn everyday life into an art form. Jacques Tati's Monsieur Hulot, unmistakable with his pipe, brolly and striped socks, was a creation of slapstick genius that made audiences around the world laugh at the sheer absurdity of life. This biography charts Tati's rise and fall, from his earliest beginnings as a music hall mime during the Depression, to the success of Jour de Fête and Mon Oncle, to Playtime, the grandiose masterpiece that left the once celebrated director bankrupt and begging for equipment to complete his final films. Analysing Tati's singular vision, Bellos reveals the intricate staging of his most famous gags and draws upon hitherto inaccessible archives to produce a unique assessment of his work and its context for film lovers and film students alike.
Jacques Tati's Monsieur Hulot, unmistakeable with his pipe, brolly and striped socks, was a creation of sheer slapstick genius that made audiences around the world laugh at the sheer absurdity of life. This biography charts Tati's rise and fall, from his earliest beginnings as a music hall mime during the Depression, to the success of Jour de Fete and Mon Oncle, to Playtime, the grandiose masterpiece that left the once delebrated director bankrupt and begging for equipment to complete his final films. Analysing Tati's singular vision, Bellos reveals the intricate staging of his most famous gags and draws upon hitherto inaccessible archives to produce a unique assessment of his work and its context for film lovers and film students alike.
Jacques Tati is widely regarded as one of the greatest postwar European filmmakers. He made innovative and challenging comedies while achieving international box office success and attaining a devoted following. In Play Time, Malcolm Turvey examines Tati’s unique comedic style and evaluates its significance for the history of film and modernism. Turvey argues that Tati captured elite and general audiences alike by combining a modernist aesthetic with slapstick routines, gag structures, and other established traditions of mainstream film comedy. Considering films such as Monsieur Hulot’s Holiday (1953), Mon Oncle (1958), Play Time (1967), and Trafic (1971), Turvey shows how Tati drew on the rich legacy of comic silent film while modernizing its conventions in order to encourage his viewers to adopt a playful attitude toward the modern world. Turvey also analyzes Tati’s sardonic view of the bourgeoisie and his complex and multifaceted satire of modern life. Tati's singular and enduring achievement, Turvey concludes, was to translate the democratic ideals of the postwar avant-garde into mainstream film comedy, crafting a genuinely popular modernism. Richly illustrated with images from the director’s films, Play Time offers an illuminating and original understanding of Tati’s work.
The French comedy character who inspired Mr. Bean, in a wordless comic strip story for children! Meet Mr. Hulot—he's always in the middle of the action! Created and played by French comic actor and filmmaker Jacques Tati, Mr. Hulot is a beloved charater in France. David Merveille’s comic strip style illustrations depict 23 captivating scenes with a page turn that builds suspense for each surprise ending. From buying a snow globe on a warm summer day—shaking it—and causing the sky to snow, to a crazy visit to the zoo where Mr. Hulot has something in common with every animal at the zoo—Merveille’s creations are a delight to the observant and curious eye.
This book features a selection of DVD and Blu-ray disc covers, supplemental art, and never-before-seen sketches and concept art commissioned for Criterion releases, plus a gallery of every Criterion DVD and Blu-ray disc cover since the collection's first laserdisc thirty years ago.
"It's hard to see how anyone is ever going to better this User's Manual to the life of Georges Perec" - Gilbert Adair, Sunday Times Winner of the Prix Goncourt for Biography, 1994 George Perec (1936-82) was one of the most significant European writers of the twentieth century and undoubtedly the most versatile and innovative writer of his generation. David Bellos's comprehensive biography - which also provides the first full survey of Perec's irreverent, polymathic oeuvre - explores the life of an anguished, comical and endearingly modest man, who worked quietly as an archivist in a medical research library. The French son of Jewish immigrants from Poland, he remained haunted all of his life by his father's death in the war, fighting to defend France, and his mother's in Auschwitz-Birkenau. His acclaimed novel A Void (1969) - written without using the letter "e" - has been seen as an attempt to escape from the words "père", "mere", and even "George Perec". His career made an auspicious start with Things: A Story of the Sixties (1965), which won the Prix Renaudot. He then pursued an idiosyncratic and ambitious literary itinerary through the intellectual ferment of Paris in the 1960s and 1970s.He belonged to the Ouvrior de Littérature Potentielle (OuLiPo), a radically inventive group of writers whose members included Raymond Queneau and Italo Calvino. Perec achieved international celebrity with Life A User's Manual (1978), which won the Prix Medicis and was voted Novel of the Decade by the Salon du Livre. He died in his mid-forties after a short illness, leaving a truly puzzling detective novel, 53 Days, incomplete. "Professor Bellos's book enables us at once to relish the most wilfully bizarre aspects of Perec's oeuvre and to understand the whys and wherefores of his protean nature" - Jonathan Romney, Literary Review
NATIONAL BESTSELLER • Julia's story of her transformative years in France in her own words is "captivating ... her marvelously distinctive voice is present on every page.” (San Francisco Chronicle). Although she would later singlehandedly create a new approach to American cuisine with her cookbook Mastering the Art of French Cooking and her television show The French Chef, Julia Child was not always a master chef. Indeed, when she first arrived in France in 1948 with her husband, Paul, who was to work for the USIS, she spoke no French and knew nothing about the country itself. But as she dove into French culture, buying food at local markets and taking classes at the Cordon Bleu, her life changed forever with her newfound passion for cooking and teaching. Julia’s unforgettable story—struggles with the head of the Cordon Bleu, rejections from publishers to whom she sent her now-famous cookbook, a wonderful, nearly fifty-year long marriage that took the Childs across the globe—unfolds with the spirit so key to Julia’s success as a chef and a writer, brilliantly capturing one of America’s most endearing personalities.
Everything that you need to know about reading, making, and understanding comics can be found in a single Nancy strip by Ernie Bushmiller from August 8, 1959. Paul Karasik and Mark Newgarden’s groundbreaking work How to Read Nancy ingeniously isolates the separate building blocks of the language of comics through the deconstruction of a single strip. No other book on comics has taken such a simple yet methodical approach to laying bare how the comics medium really works. No other book of any kind has taken a single work by any artist and minutely (and entertainingly) pulled it apart like this. How to Read Nancy is a completely new approach towards deep-reading art. In addition, How to Read Nancy is a thoroughly researched history of how comics are made, from their creation at the drawing board to their ultimate destination at the bookstore. Textbook, art book, monogram, dissection, How to Read Nancy is a game changer in understanding how the “simplest” drawings grab us and never leave. Perfect for students, academics, scholars, and casual fans.
This book brings together the literature of urban sociology and film studies to explore new analytical and theoretical approaches to the relationship between cinema and the city, and to show how these impact on the realities of life in urban societies.
Cinema was the first, and is arguably still the greatest, of the industrialized art forms that came to dominate the cultural life of the twentieth century. Today, it continues to adapt and grow as new technologies and viewing platforms become available, and remains an integral cultural and aesthetic entertainment experience for people the world over. Cinema developed against the backdrop of the two world wars, and over the years has seen smaller wars, revolutions, and profound social changes. Its history reflects this changing landscape, and, more than any other art form, developments in technology. In this Very Short Introduction, Nowell-Smith looks at the defining moments of the industry, from silent to sound, black and white to colour, and considers its genres from intellectual art house to mass market entertainment. ABOUT THE SERIES: The Very Short Introduction series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.