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Using Lacanian psychoanalysis as a starting point, Campbell examines contemporary feminism's turn to accounts of feminist 'knowing' to create new conceptions of the political.
Grosz gives a critical overview of Lacan's work from a feminist perspective. Discussing previous attempts to give a feminist reading of his work, she argues for women's autonomy based on an indifference to the Lacanian phallus.
This collection offers the first sustained, in-depth commentary on Seminar XX, Encore, considered the cornerstone of Lacan's work on the themes of sexual difference, knowledge, jouissance, and love. Although Seminar XX was originally popularized as Lacan's treatise on feminine sexuality, these essays, by some of today's foremost Lacanian scholars, go beyond feminine sexuality to address Lacan's significant intertwining concern with the rupture between reality and the real produced by modern science, and the implications of this rupture for subjectivity, knowledge, jouissance, and the body. The essays clarify basic concepts, but for readers already familiar with Lacan they also offer sophisticated workings-through of the more challenging and obscure arguments in Encore—both by tracing their historical development across Lacan's œuvre and by demonstrating their relation to particular philosophical, theological, mathematical, and scientific concepts. They cover much of the terrain necessary for understanding sexual difference—not in terms of chromosomes, body parts, choice of sexual partner, or varieties of sexual practice—but in terms of one's position vis-à-vis the Other and the kind of jouissance one is able to obtain. In so doing, they make significant interventions in the debates regarding sex, gender, and sexuality in feminist theory, philosophy, queer theory, and cultural studies.
The influence of the French psychoanalyst Jacques Lacan has extended into nearly every field of the humanities and social sciences—from literature and film studies to anthropology and social work. yet Lacan's major text, Ecrits, continues to perplex and even baffle its readers. In Reading Lacan, Jane Gallop offers a novel approach to Lacan's work based on his own theories of language. Lacan locates truth in the letter rather than in the spirit-in the ways statements are expressed rather than in their intended meaning. Gallop here grapples with six of Lacan's essays from Ecrits: "The Seminar on 'The Purloined Letter,' " "The Mirror Stage," "The Freudian Thing,'' "The Agency of the Letter in the Unconscious,'' "The Signification of the Phallus," and "The Subversion of the Subject." While other commentators have chosen not to confront Lacan's notoriously problematic style in their discussions of his ideas, Gallop addresses herself directly to the problem and the practice of reading Lacan. She takes her direction from Lacan's view of subjectivity and offers a deeply personal, feminist reading of Ecrits. Concentrating on the relation of desire and interpretation, she opens up the rich implications of Lacan's thought, for psychoanalytic theory, for the act of reading, and for knowledge itself. Forceful and revealing, yet utterly candid about its own areas of uncertainty, Gallop's book will be indispensable to readers of Lacan and to scholars and students who have felt his impact.
Jacques Lacan is known as 'the French Freud' and is the key figure of postmodern psychoanalysis.
What can psychoanalysis offer contemporary arguments in the fields of feminism, queer theory and postcolonialism? Jan Campbell introduces and analyses the way that psychoanalysis has developed and made problematic models of subjectivity linked to issues of sexuality, ethnicity, gender and history. Via discussions of such influential and diverse figures as Lacan, Irigaray, Kristeva, Dollimore, Bhabha, Morrison and Walker, Campbell uses psychoanalysis as a mediatory tool in a range of debates across the human sciences, whilst also arguing for a transformation of psychoanalytic theory itself. Alert to the issues at stake in either a wholesale acceptance of rejection of psychoanalysis, Campbell offers the possibility of a re-negotiated interpretation of the symbolic system as a necessary and valuable intervention in cultural theory.
The psychoanalyst Jacques Lacan (1901–81) left a legacy of thought that increasingly commands the attention of American scholars and critics. His provocative essays and wide-ranging seminars and lectures attempted, with remarkable success, to bridge the supposedly unbridgeable gap between the humanities and modern science. For some time his influence has shadowed the theoretical work being done in philosophy, psychology, anthropology, women’s studies, and literature. In Lacan and the Human Sciences eight eminent scholars examine how ideas entered these fields, how well they were understood and adapted, and what fruit they have produced. The editor, Alexandre Leupin, whose introduction reveals the underpinnings of Lacan’s thought, views the book as a blueprint for overcoming the present impasses of scientific and humanistic discourses and their imaginary contradictions. The essays demonstrate the interdisciplinary nature of Lacanian psychoanalysis. The relevance of his work to epistemology is considered by Jean-Claude Milner, François Regnault, and Ellie Ragland-Sullivan; to anthropology, by Jean-Joseph Goux; to feminist studies, by Jane Gallop; and to literature, by Dennis Porter and Denis Hollier. The result is a book that points to a new and more pertinent way of dealing, on one hand, with the problems of epistemology and, on the other, with the question of literary theory in the humanities.
Sensible Ecstasy investigates the attraction to excessive forms of mysticism among twentieth-century French intellectuals and demonstrates the work that the figure of the mystic does for these thinkers. With special attention to Georges Bataille, Simone de Beauvoir, Jacques Lacan, and Luce Irigaray, Amy Hollywood asks why resolutely secular, even anti-Christian intellectuals are drawn to affective, bodily, and widely denigrated forms of mysticism. What is particular to these thinkers, Hollywood reveals, is their attention to forms of mysticism associated with women. They regard mystics such as Angela of Foligno, Hadewijch, and Teresa of Avila not as emotionally excessive or escapist, but as unique in their ability to think outside of the restrictive oppositions that continue to afflict our understanding of subjectivity, the body, and sexual difference. Mystics such as these, like their twentieth-century descendants, bridge the gaps between action and contemplation, emotion and reason, and body and soul, offering new ways of thinking about language and the limits of representation.