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Jacques Derrida's Aporetic Ethics offers a new approach to the study of Derrida's philosophy. Challenging many scholarly articles and books, Marko Zlomislic argues against the popular conception of Derrida as a philosophical relativist. By evaluating objective evidence and through logical arguments, Zlomislic argues that Derrida has been concerned with ethics since his first published works. Indeed, Derrida's arguments have presented a new understanding of ethics and the concept of decision. Zlomislic provides a substantive in-depth argument for reading Derrida's ethics and, due to the central ethical concerns, Derrida's entire philosophy.Jacques Derrida's Aporetic Ethics is essential reading for anyone with an interest in this essential thinker of the twentieth century.
This volume reflects Jacques Derrida's views on the role of education and international organizations in an era of globalization. Derrida develops a notion of the global citizen that is uniquely post-Kantian. He looks especially at the changing role of UNESCO and similar organizations at a time when individual and national identities, knowledge and commerce, and human rights are all brought to world attention in new ways. Following Derrida's writings on these issues, prominent scholars engage in a dialogue with him on his approach to understand the ethics of international institutions and education.
In The Gift of Death, Jacques Derrida's most sustained consideration of religion to date, he continues to explore questions introduced in Given Time about the limits of the rational and responsible that one reaches in granting or accepting death, whether by sacrifice, murder, execution, or suicide. Derrida analyzes Patocka's Heretical Essays on the History of Philosophy and develops and compares his ideas to the works of Heidegger, Levinas, and Kierkegaard. A major work, The Gift of Death resonates with much of Derrida's earlier writing and will be of interest to scholars in anthropology, philosophy, and literary criticism, along with scholars of ethics and religion. "The Gift of Death is Derrida's long-awaited deconstruction of the foundations of the project of a philosophical ethics, and it will long be regarded as one of the most significant of his many writings."—Choice "An important contribution to the critical study of ethics that commends itself to philosophers, social scientists, scholars of relgion . . . [and those] made curious by the controversy that so often attends Derrida."—Booklist "Derrida stares death in the face in this dense but rewarding inquiry. . . . Provocative."—Publishers Weekly
Derrida's new book bears a special significance because it focuses on an issue that has informed the whole of his work up to the present. One of the aporetic experiences touched upon is that "my death" can never be subject to an experience that would be properly mine, that I can have and account for, yet that there is, at the same time, nothing closer to me and more properly mine than "my death."
Published in 1997, Jacques Derrida's ’deconstructive method’ or ’deconstructionism’ is renowned as a species of anarchic free play, an antifoundationalism which can only end in a ruinous irrationalism and thereby the denial of all possibility of discrimination or judgement. In this book, Morag Patrick argues that far from having abandoned critique, Derrida's questioning of Western metaphysics responds to an ethical injunction, to a duty to recall the necessary incalculability of moral and political responsibility. In the first part of the study, Patrick examines the philosophical background to and the basic features of deconstruction. Derrida is located in a tradition of thinkers for whom the question of the possibility of philosophy is fundamental. The deconstructive endeavour is then explained as an attempt to secure a question that would further and transform thinking, a question that would no longer be philosophy's question. Patrick maintains that Derrida's strategy to this end is not anarchic, but rather adheres to strict protocols of reading. Subsequently, the ethical and political implications of this manner of reading are pursued. It is shown that if Derrida undermines the certainty with which we may assume moral and political responsibilities, if he establishes the essential excessiveness of responsibility, he does so in order to effect judgement and not to annul it.
Simon Critchley's first book, 'The Ethics of Deconstruction', was originally published to great acclaim in 1992. It was the first book to argue for the ethical turn in Derrida's work and to show as powerfully as possible how deconstruction has persuasive ethical consequences that are vital to our thinking through of questions of politics and democracy. This new edition contains three new appendixes and a new preface where Critchley reflects upon the origins, motivation and reception of 'The Ethics of Deconstruction'.
The book systematically presents Derrida’s views on hospitality, as reflected in his texts and lectures from 1995 until his death in October 2004. Derrida’s engagement with hospitality is perhaps the most important and extensive philosophical attempt to respond critically to the growing hostility of many governments worldwide towards specific categories of foreigners, such as refugees and immigrants. Particular emphasis is placed on the ‘aporetic’ nature of hospitality that Derrida describes: namely, that, on the one hand, the provision of hospitality brings us face to face with the hyper-ethical ‘law’ of ‘unconditional hospitality,’ which requires the unconditional reception of the other, i.e. the provision of hospitality to the foreigner without conditions, restrictions or expecting anything in return. On the other hand, the provision of hospitality forces us to face the ‘conditional’ laws of hospitality, which, while establishing a right to and a duty of hospitality, simultaneously restrict hospitality by setting conditions for the arrival and stay of the foreigner. The book also analyses the ‘decision’ and the ‘event’ of hospitality, as well as the unresolved ‘aporia’ at the heart of the ethics of hospitality (or of ethics in general), an aporia or contradiction related to the fact that we cannot be hospitable towards a singularity without ‘sacrificing’ some other singularities. Attention is paid to Derrida’s attempt to open the provision of hospitality beyond humans, that is, to other living beings. Derrida’s views on hospitality are examined in the book in the light of the philosophical thought of Emmanuel Levinas, Immanuel Kant and René Schérer.
Although this book is a study of the work of Emmanuel Levinas and Jacques Derrida, it would be mistaken to refer to it as a comparison. The book develops a framework which might aide the reader of Levinas and Derrida in determining the scope and significance of their respective projects as far as a discourse of the sacred is concerned. It does so by emphasizing their status as philosophers whose thought correlates but does not compare. Within this correlation, without obscuring either their differences or similarities, we can see a common framework that consists of the following elements. First, it is clear from what and how Derrida and Levinas have written that the general import of their work lies in the area of ethics. However, in many ways it would be justifiable to say that their work is not about ethics at all. Neither of them proposes a moral theory; neither is interested in discussing the question of values vs. social norms, duty vs. virtue and other issues that might pertain to the area of ethics. To be sure, these issues do come up in their work, yet they are treated in a peculiarly different way. For Derrida and Levinas, ethics is not so much an inquiry into the problems of right and wrong but an inquiry into the problem of the ethical constitutedness of human beings.
One of the most influential and controversial thinkers of the twentieth-century, Jacques Derrida’s ideas on deconstruction have had a lasting impact on philosophy, literature and cultural studies. Jacques Derrida: Basic Writings is the first anthology to present his most important philosophical writings and is an indispensable resource for all students and readers of his work. Barry Stocker’s clear and helpful introductions set each reading in context, making the volume an ideal companion for those coming to Derrida’s writings for the first time. The selections themselves range from his most infamous works including Speech and Phenomena and Writing and Difference to lesser known discussion on aesthetics, ethics and politics.