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THE STORY: The poignant, passionate and profound songs of Belgian songwriter Jacques Brel are brought to vivid theatrical life in this intense musical experience. Brel's legendary romance, humor and moral conviction are evoked simply and directly, with fo
En France, tout finit par des chansons' is the well-known phrase which sums up the importance of chanson for the French. A song tradition that goes back to the Middle Ages and troubadours of the twelfth and thirteenth centuries, chanson is part of the texture of everyday life in France - a part of the national identity and a barometer of popular taste. In this first study of chanson in English, Peter Hawkins examines the background to the genre and the difficulties in defining what is and what is not chanson. The focus then moves to the development of the singer-songwriter of chanson from 1880 to the present day. This period saw the emergence of national icons from Aristide Bruant at the end of the nineteenth century through to internationally recognized musicians such as Jacques Brel and Serge Gainsbourg. Each of these figures used chanson to express the particular moral dilemmas, tragic situations and moments of euphoria particular to themselves and their times. The book provides bibliographies, discographies and details of video recordings for each of the singer-songwriters that it discusses. It is both an essential reference guide to the genre and a useful case history of the adaptation of an ancient form to the demands of the modern mass media.
This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.
(Vocal Collection). 42 songs. Highlights: All I Care About (Chicago) * The Baby Song (I Love You, You're Perfect, Now Change) * The Bulls (Jacques Brel Is Alive and Well and Living in Paris) * The Devil You Know (Side Show) * Gaston (Beauty and the Beast) * Gigi (Gigi) * The Greatest Star of All (Sunset Boulevard) * Happily Every After (Company) * I Confess (Footloose) * I Hate Musicals (Ruthless) * If I Can't Love Her (Beauty and the Beast) * If I Sing (Closer Than Ever) * Isn't It? (Saturday Night) * It's Hard to Speak My Heart (Parade) * Justice Will Be Done (Martin Guerre) * The Kid Inside (Is There Life After High School?) * Laughing Matters (When Pigs Fly) * Les Poissons (The Little Mermaid, film) * Lucky to Be Me (On the Town) * Me (Beauty and the Beast) * A Rhyme for Angela (The Firebrand of Florence) * Smile (Smile) * There She Is (Titanic) * Where Was I When They Passed Out the Luck (Minnie's Boys) * You Should Be Loved (Side Show)
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
The 1970s was an exciting decade for musical theatre. Besides shows from legends Stephen Sondheim (Company, Follies, A Little Night Music, and Sweeney Todd) and Andrew Lloyd Webber (Jesus Christ Superstar and Evita), old-fashioned musicals (Annie) and major revivals (No, No, Nanette) became hits. In addition to underappreciated shows like Over Here! and cult musicals such as The Grass Harp and Mack and Mabel, Broadway audiences were entertained by black musicals on the order of The Wiz and Raisin. In The Complete Book of 1970s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1970s. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Tony Bennett, Lena Horne, Bette Midler, and Gilda Radner. Each entry includes the following information: Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1970s Broadway Musicals provides readers with a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Here is a fascinating, all-encompassing journey through the life and career of one of America’s most influential, and literate, songwriters. Beginning with Simon’s earliest days as an aspiring teenage idol and Tin Pan Alley songsmith, Paul Simon FAQ takes readers through Simon’s sometimes tempestuous relationship with singing partner Art Garfunkel, with whom he established the most popular musical duo in rock history. The book goes behind the scenes of Simon’s groundbreaking work at the forefront of world music and follows him to his emotional 2018 final concert before his retirement-from performing live. In addition, Paul Simon FAQ features chapters dedicated not only to Simon’s music but also his stage, screen, and television work, his devotion to charity, and more. Influences such as Bob Dylan, the Everly Brothers, and the Child Ballads are examined, while his songwriting is documented not only through his own recordings but also those of the myriad other artists who have covered his compositions. Fact-filled sidebars serve up a wealth of statistics and lists. In short, Paul Simon FAQ is the ultimate guide to the consummate performer.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
A gateway to the West and an outpost for eastern capital and culture, St. Louis straddled not only geographical and political divides but also cultural, racial, and sectional ones. At the same time, it connected a vast region as a gathering place of peoples, cultures, and goods. The essays in this collection contextualize St. Louis, exploring French-Native relations, the agency of empire in the Illinois Country, the role of women in “mapping” the French colonial world, fashion and identity, and commodities and exchange in St. Louis as part of a broader politics of consumption in colonial America. The collection also provides a comparative perspective on America’s two great Creole cities, St. Louis and New Orleans. Lastly, it looks at the Frenchness of St. Louis in the nineteenth century and the present. French St. Louis recasts the history of St. Louis and reimagines regional development in the early American republic, shedding light on its francophone history.