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The story of the women in the life of an American icon
"The first authorized biography of a great American novelist"--
Charmian Kittredge London (1871–1955) was the epitome of a modern woman. Free-spirited and adventurous, she defied modern expectations of femininity. Today she is best known as the wife of the famous American author Jack London, yet she was a literary trailblazer in her own right. This biography is the first book to tell the complete story of Charmian’s life—freed from the shadow cast by her famous husband. In this biography, Iris Jamahl Dunkle draws the reader into Charmian’s private and public worlds, underscoring her literary achievements and the significant role she played in promoting her husband’s legacy. Her life, as Dunkle emphasizes, required fortitude and bravery, and in many ways it paralleled the history of the American West. Born on the mudflats of what would become Los Angeles’s harbor, Charmian became an orphan at age fourteen. Raised by her aunt Netta Wiley Ames, a noted writer and editor for the Overland Monthly, Charmian attended college, became an expert equestrian and concert pianist, and had a successful career as a stenographer. But her life shifted when, in 1905, she married Jack London, already a bestselling author. For the rest of Jack’s life, until his untimely death at the age of forty, reporters would follow the couple’s every move. Charmian and Jack traveled the world, exploring and writing together. In addition to collaborating with Jack on many of his projects, Charmian wrote three books about her travels, as well as countless articles. After Jack’s death in 1916, she remained a celebrity, continuing to travel and write—and seek adventure. She also wrote a biography about her late husband and managed his estate, influencing how Jack’s literary legacy was remembered. Charmian Kittredge London is a central figure in California cultural history. Now, thanks to Dunkle’s riveting portrait, readers have the opportunity to embark on the grand adventure that was her life.
At age twenty-three, Jack London (1876-1916) sold his first story, and within six years he was the highest paid and most widely read writer in America. To account for his success, he created a fiction of himself as the quintessential self-made man. But as Clarice Stasz demonstrates in this absorbing collective biography, London always relied on a circle of women who nurtured him, sheltered him, and fostered his legacy. Using newly available letters and diaries from private collections, Stasz brings this diverse constellation of women to life. London was the son of freethinking flora Wellman, yet found more maternal comfort from freed slave Jennie Prentiss and his stepsister Eliza. His early loves included a British-born consumptive, a Jewish socialist, and an African American. His first wife, Bess Maddern, was a teacher and devoted mother to daughters Bess and Joan, while his second wife, Charmian Kittredge, shared his passion for adventure and served as a model for many characters in his writings. Following his death, the various women who survived him both promoted his legacy and suffered the consequences of being constantly identified with a famous man. In recasting London's lif
A Daughter of the Snows (1902) is Jack London's first novel. Set in the Yukon, it tells the story of Frona Welse, "a Stanford graduate and physical Valkyrie" who takes to the trail after upsetting her wealthy father's community by her forthright manner and befriending the town's prostitute. She is also torn between love for two suitors: Gregory St Vincent, a local man who turns out to be cowardly and treacherous; and Vance Corliss, a Yale-trained mining engineer. The novel is noteworthy for its strong and self-reliant heroine, one of many who would people his fiction. Her name echoes that of his mother, Flora Wellman, though her inspiration has also been said to include London's friend Anna Strunsky. Modern commentators have criticized the novel for its approval of the main character's view that Anglo-Saxons are racially superior. The novel was commissioned by publisher S. S. McClure, who provided London a $125 a month stipend to write it.
San Francisco, 1915. As America teeters on the brink of world war, Charmian and her husband, famed novelist Jack London, wrestle with genius and desire, politics and marital competitiveness. Charmian longs to be viewed as an equal partner who put her own career on hold to support her husband, but Jack doesn't see it that way...until Charmian is pulled from the audience during a magic show by escape artist Harry Houdini, a man enmeshed in his own complicated marriage. Suddenly, charmed by the attention Houdini pays her and entranced by his sexual magnetism, Charmian's eyes open to a world of possibilities that could be her escape. As Charmian grapples with her urge to explore the forbidden, Jack's increasingly reckless behavior threatens her dedication. Now torn between two of history's most mysterious and charismatic figures, she must find the courage to forge her own path, even as she fears the loss of everything she holds dear.
When Jack London died in 1916 at age forty, he was one of the most famous writers of his time. Eighty years later he remains one of the most widely read American authors in the world. The first major critical study of London to appear in a decade, Male Call analyzes the nature of his appeal by closely examining how the struggling young writer sought to promote himself in his early work as a sympathetic, romantic man of letters whose charismatic masculinity could carry more significance than his words themselves. Jonathan Auerbach shows that London's personal identity was not a basis of his literary success, but rather a consequence of it. Unlike previous studies of London that are driven by the author's biography, Male Call examines how London carefully invented a trademark "self" in order to gain access to a rapidly expanding popular magazine and book market that craved authenticity, celebrity, power, and personality. Auerbach demonstrates that only one fact of London's life truly shaped his art: his passionate desire to become a successful author. Whether imagining himself in stories and novels as a white man on trail in the Yukon, a sled dog, a tramp, or a professor; or engaging questions of manhood and mastery in terms of work, race, politics, class, or sexuality, London created a public persona for the purpose of exploiting the conventions of the publishing world and marketplace. Revising critical commonplaces about both Jack London's work and the meaning of "nature" within literary naturalism and turn-of-the-century ideologies of masculinity, Auerbach's analysis intriguingly complicates our view of London and sheds light on our own postmodern preoccupation with celebrity. Male Call will attract readers with an interest in American studies, American literature, gender studies, and cultural studies.
Examines the photography of the famed American author, from his photojournalist exploits in London, Veracruz, and the South Seas to his documentation of the 1906 San Francisco Earthquake.