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Love of Life and other Stories is a classic American short story collection by Jack London.
Stories of Jack London first published in the early twentieth century. Read now one of the most important names in American literature. Jack London was born John Griffith Chaney on January 12, 1876, in San Francisco, California. After working in the Klondike, London returned home and began publishing stories. His novels, including The Call of the Wild, White Fang and Martin Eden, placed London among the most popular American authors of his time. London, who was also a journalist and an outspoken socialist, died in 1916.
Although best known as a master of the action-adventure genre, Jack London's interests were wide-ranging, and the topics he addressed in his prodigious body of work varied significantly, as well. In this engaging collection of tales, London spans the gamut between romance, exploration of unknown lands, and much in between.
Love of Life and other Stories is a classic American short story collection by Jack London.
This outstanding collection includes "The Apostate," "Just Meat," "A Piece of Steak," and "Chicago."
"The title story is a short story by Jack London, on the subject of extreme antipathy. The unnamed protagonist of the story has an irrational hatred of John Claverhouse, the moon-face man. He hates really everything about him: his face, his laugh, his entire life, and when he finds out that Claverhouse engages in illegal fishing with dynamite, he works out a scheme to kill him while making it look like an accident...The Leopard Man's Story is a short mystery story about the ingenious murder of ""King"" Wallace, a fearless lion-tamer as told by the ""Leopard Man"", a saddened leopard trainer who bears visible scars on his arms and whose personality diametrically opposes his daring profession.Other stories included are: Local Color, Amateur Night, The Minions of Midas, The Shadow and the Flash, All Gold Canyon, and Planchette."
Jack London’s stories of adventure in the early twentieth century captured the imagination of the American public. As he ventured around the United States and the globe, he documented his adventures through his writing. Through excerpts and critical analysis, readers will examine London’s most famous works (The Call of the Wild, “To Build a Fire”), which are dramatic and compelling stories of man versus nature and versus himself. Other works explore the human condition, particularly the plight of the poor and working class. An examination of the autobiographical nature of many of London’s stories gives the reader a unique insight into the interaction between a writer’s world and his work.
Jack London (1876-1916), known for his naturalistic and mythic tales, remains among the most popular and influential American writers in the world. Jack London's Racial Lives offers the first full study of the enormously important issue of race in London's life and diverse works, whether set in the Klondike, Hawaii, or the South Seas or during the Russo-Japanese War, the Jack Johnson world heavyweight bouts, or the Mexican Revolution. Jeanne Campbell Reesman explores his choices of genre by analyzing racial content and purpose and judges his literary artistry against a standard of racial tolerance. Although he promoted white superiority in novels and nonfiction, London sharply satirized racism and meaningfully portrayed racial others--most often as protagonists--in his short fiction. Why the disparity? For London, racial and class identity were intertwined: his formation as an artist began with the mixed "heritage" of his family. His mother taught him racism, but he learned something different from his African American foster mother, Virginia Prentiss. Childhood poverty, shifting racial allegiances, and a "psychology of want" helped construct the many "houses" of race and identity he imagined. Reesman also examines London's socialism, his study of Darwin and Jung, and the illnesses he suffered in the South Seas. With new readings of The Call of the Wild, Martin Eden, and many other works, such as the explosive Pacific stories, Reesman reveals that London employed many of the same literary tropes of race used by African American writers of his period: the slave narrative, double-consciousness, the tragic mulatto, and ethnic diaspora. Hawaii seemed to inspire his most memorable visions of a common humanity.