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Los Tejanos is the story of the Texas-Mexican conflict between 1835 and 1875 as seen through the eyes of tejano (literally Texan of Mexican, as distinct from anglo, heritage) Juan Seguín. It is through Seguín, a pivotal and tragic figure, that Jackson humanizes Texas’ fight for independence and provides a human scale for this vast and complex story. Lost Cause documents the violent reaction to Reconstruction by Texans. As Jackson wrote, “Texas reaped a bitter harvest from the War Between the States. Part of this dark legacy was the great unrest that plagued the beaten but unbowed populace.” The tensions caused by Reconstruction are told through the Taylor-Sutton feud, which raged across South Texas, embracing two generations and causing untold grief, and the gunslinger John Wesley Hardin, who swept across Texas killing Carpetbaggers, Federal soldiers, and Indians.
This first full-length scholarly study of comic books as a narrative form attempts to explain why comic books, traditionally considered to be juvenile trash literature, have in the 1980s been used by serious artists to tell realistic stories for adults
How can the life of one relatively unknown man change our understanding of Texas history and the American West? Peter Ellis Bean, a fairly minor but fascinating character, casts unexpected light on conflicts, famous characters, and events from the time of Mexican rule through the years of the Republic. Bean’s role in Mexico’s revolution against Spain and his service as an agent of the Mexican government, especially as Indian agent in eastern Texas, provide an unusually vivid picture of Mexican Texas, as well as new information about the Indians in his region. More explosively, Jackson’s research on Bean’s career as Indian agent casts doubt on the traditional characterization of Sam Houston as a friend to the Texas Indians. Bean’s career shows Houston as a rival for the loyalty of the Indians during Texas’ rebellion against Mexico, a rival who made false promises for military and political gain. After Texas independence, Bean acquired vast lands in Texas, at one point holding more than 100,000 acres. A good citizen and a good businessman, involved with real estate, sawmills, salt works, agriculture, and stock raising, he was also a bigamist. Meticulously researched, dramatically written, and embodying a unique understanding of Mexican Texas, Jack Jackson’s chronicle of Peter Ellis Bean not only rescues him from relative obscurity but also corrects key aspects of the history in which he was involved and brings to life an era more often consigned to myth.
The drip paintings of Jackson Pollock, trailblazing Abstract Expressionist, appear to be the polar opposite of Thomas Hart Benton's highly figurative Americana. Yet the two men had a close and highly charged relationship dating from Pollock's days as a student under Benton. Pollock's first and only formal training came from Benton, and the older man soon became a surrogate father to Pollock. In true Oedipal fashion, Pollock even fell in love with Benton's wife. Pollock later broke away from his mentor artistically, rocketing to superstardom with his stunning drip compositions. But he never lost touch with Benton or his ideas-in fact, his breakthrough abstractions reveal a strong debt to Benton's teachings. I n an epic story that ranges from the cafés and salons of Gertrude Stein's Paris to the highways of the American West, Henry Adams, acclaimed author of Eakins Revealed, unfolds a poignant personal drama that provides new insights into two of the greatest artists of the twentieth century.
For decades Texas History Movies taught thousands of school children the varied history of Texas, from Columbus to the discovery of oil. Though the original version is now considered racist, it was for many students their first and only taste of Texas history.
The epic four-volume cycle that began with Larry McMurty's Pulitzer Prize–winning masterpiece, Lonesome Dove, is completed with this brilliant and haunting novel—a capstone in a mighty tradition of storytelling. Texas Rangers August McCrae and Woodrow F. Call, now in their middle years, are just beginning to deal with the enigmas of the adult heart—Gus with his great love, Clara Forsythe; and Call with Maggie Tilton, the young whore who loves him. Two proud but very different men, they enlist with a Ranger troop in pursuit of Buffalo Hump, the great Comanche war chief; Kicking Wolf, the celebrated Comanche horse thief; and a deadly Mexican bandit king with a penchant for torture. Comanche Moon joins the twenty-year time line between Dead Man's Walk and Lonesome Dove, following beloved heroes Gus and Call and their comrades-in-arms—Deets, Jake Spoon, and Pea Eye Parker—in their bitter struggle to protect an advancing Western frontier against the defiant Comanches, courageously determined to defend their territory and their way of life. At once vividly imagined and unflinchingly realistic, Comanche Moon is a sweeping, heroic adventure full of tragedy, cruelty, courage, honor and betrayal, and the culmination of Larry McMurty's peerless vision of the American West.
NATIONAL BESTSELLER • From the two-time Pulitzer Prize finalist and New York Times bestselling author of The First American comes the first major single-volume biography in a decade of the president who defined American democracy • "A big, rich biography.” —The Boston Globe H. W. Brands reshapes our understanding of this fascinating man, and of the Age of Democracy that he ushered in. An orphan at a young age and without formal education or the family lineage of the Founding Fathers, Jackson showed that the presidency was not the exclusive province of the wealthy and the well-born but could truly be held by a man of the people. On a majestic, sweeping scale Brands re-creates Jackson’s rise from his hardscrabble roots to his days as frontier lawyer, then on to his heroic victory in the Battle of New Orleans, and finally to the White House. Capturing Jackson’s outsized life and deep impact on American history, Brands also explores his controversial actions, from his unapologetic expansionism to the disgraceful Trail of Tears. Look for H.W. Brands's other biographies: THE FIRST AMERICAN (Benjamin Franklin), THE MAN WHO SAVED THE UNION (Ulysses S. Grant), TRAITOR TO HIS CLASS (Franklin Roosevelt) and REAGAN.
Dr. Jack Jackson was the Paris physician of Hemingway and Fitzgerald
In comic book format presents the story of a white child raised by Indians in captivity and of her son, who became the last chief of the Comanche Indians.