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The only bros for me are the mad awesome ones, the ones who are mad to chug, mad to party, mad to bone, mad to get hammered, desirous of all the chicks at Buffalo Wild Wings, the ones who never turn down a Natty Light, but chug, chug, chug like f*cking awesome players exploding like spiders across an Ed Hardy shirt and in the middle you see the silver skull pop and everybody goes, "Awww, sh*t!" Set to the beat of an 808, On the Bro'd spins the Axed-out tale of one fresh-as-hell player looking to up his game and put some perspective on shit (for real) while capturing the tumultuous times of the oh-tens and defining the spirit of the Beast Generation. It's pretty epic.
Note: Noisy book batteries are light activated, please make sure the lighting is sufficient for this book. The perfect book for your little tractor-lover that even includes exciting sounds from the farm. In Chug Chug Tractor, young readers are presented with a high quality reading experience with exciting novelties including vehicle and animal sounds, touch-and-feel panels, intriguing flaps, and remarkable pop-outs. Combined with bright photographs and entertaining rhyming text, Chug Chug Tractor offers a hands-on, interactive learning experience. Word labels name interesting images in each scene, like the parts of a vehicle, the names of an animal, or the type of building, and provide talking points for parent and child.
Come along for the ride as a busy toy locomotive makes its rounds through a bustling playroom. Featuring rhyming couplets and bright, bold illustrations, this story is sure to be a hit with young train lovers.
Designed to be used by children in their first six months of school PM Starters One and Two
The PM Teacher's Guides offer invaluable support and guidance to help you gain the maximum benefit from each of the Story Books, Non-fiction Books and Traditional Tales and Plays.
Can you find real love when you've always got your head in the clouds? Maybell Parish has always been a dreamer and a hopeless romantic. But living in her own world has long been preferable to dealing with the disappointments of real life. So when Maybell inherits a charming house in the Smokies from her Great-Aunt Violet, she seizes the opportunity to make a fresh start. Yet when she arrives, it seems her troubles have only just begun. Not only is the house falling apart around her, but she isn't the only inheritor: she has to share everything with Wesley Koehler, the groundskeeper who's as grouchy as he is gorgeous--and it turns out he has a very different vision for the property's future. Convincing the taciturn Wesley to stop avoiding her and compromise is a task more formidable than the other dying wishes Great-Aunt Violet left behind. But when Maybell uncovers something unexpectedly sweet beneath Wesley's scowls, and as the two slowly begin to let their guard down, they might learn that sometimes the smallest steps outside one's comfort zone can lead to the greatest rewards.
In a world where mages and monster grow from cultivating mana. Isaac joins the class of humans known as mages who absorb mana to grow more powerful. To become a mage he must bind a mana beast to himself to access and control mana. But when his mana beast is far more human than he expected; Isaac struggles with the budding relationship between the two of them as he prepares to enter his first dungeon.Unfortunately for Isaac, he doesn't have time to ponder the questions of his relationship with Aurora. Because his sleepy town of Locksprings is in for a rude awakening, and he has to decide which side of the war he is going to stand on.Disclaimer: There are adult situations and harem relationships.
After Grandma, Grandpa, and Mama Bear unsuccessfully try to sing Baby Bear to sleep, Papa finds just the right song. By the creators of Hey, Pipsqueak! Reprint.
“The Godfather of the modern Irish crime novel . . . writes in machine gun fashion . . . reminiscent of the work of Raymond Chandler and Peter Cheyenne.” —The Irish Times In Green Hell, Bruen’s dark angel of a protagonist has hit rock bottom: one of his best friends is dead, the other has stopped speaking to him; he has given up battling his addiction to alcohol and pills; and his firing from the Irish national police, the Guards, is ancient history. But Jack isn’t about to embark on a self-improvement plan. Instead, he has taken up a vigilante case against a respected professor of literature at the University of Galway who has a violent habit his friends in high places are only too happy to ignore. And when Jack rescues a preppy American student on a Rhodes Scholarship from a couple of kid thugs, he also unexpectedly gains a new sidekick, who abandons his thesis on Beckett to write a biography of Galway’s most magnetic rogue. Between pub crawls and violent outbursts, Jack’s vengeful plot against the professor soon spirals toward chaos. Enter Emerald, an edgy young Goth who could either be the answer to Jack’s problems, or the last ripped stitch in his undoing . . . “Taylor is a classic figure: an ex-cop turned seedy private eye . . . The book’s pleasure comes from listening to Taylor’s eloquent rants, studded with references to songs and books. His voice is wry and bittersweet, but somehow always hopeful.” —The Seattle Times