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This is the only English translation of this important book by the world's most distinguished Bach scholar.
This volume contains parallel texts and translations of all Bach's church and secular cantatas that have come down to us complete. The volume also includes a short glossary of geographical and mythological names, a list of dedicatees of the secular cantatas, a list of the poets with their dates, and an introduction to the cantatas by Martin Neary, formerly organist of Winchester Cathedral and Westminster Abbey.
This volume contains parallel texts and translations of all Bach's church and secular cantatas that have come down to us complete. They have been translated into an accurate and readable English style that does not attempt to render the rhythm and rhyme scheme of the original German texts but allows the reader to appreciate the beauty and atmosphere of the poetry set by Bach. The volume also includes a short glossary of geographical and mythological names, a list of dedicatees of the secular cantatas, a list of the poets with their dates, and an introduction to the cantatas by Martin Neary, former organist of Winchester Cathedral and Westminster Abbey. This corrected and revised printing incorporates a number of corrections to the text and a new alphabetical index of the cantatas by title.
Focusing on the works of J. S. Bach, this invaluable guide surveys the choral-orchestral repertoire.
The Neuroscience of Bach’s Music: Perception, Action, and Cognition Effects on the Brain is a comprehensive study of Johann Sebastian Bach’s music through the lens of neuroscience and examining neuroscience using Bach’s music as a tool. This book synthesizes cognitive neuroscience, music theory, and musicology to provide insights into human cognition and perception. It also explores how a neuroscience perspective can improve listening and performing experiences for Bach’s music. Written by a physician-neuroscientist recognized for scholarly articles on Bach’s music, this book uses specific examples to explore neuroscience across Bach’s compositions. The book is structured to discuss the brain’s action, perception, and cognition as connected to specific Bach concertos, tones, notes, and performances. Two guest contributors provide insight into exact mathematical, or topologic, and music theoretic aspects of Bach’s music with implications for cognitive neuroscience. The Neuroscience of Bach’s Music: Perception, Action, and Cognition Effects on the Brain is a vital source for neuroscientists, especially those studying the cognitive effects of music, as well as musicians and students alike. Links specific features and unique characteristics of Bach’s music to perceptual and cognitive neuroscience processes Requires only an interest in music or basic music training Accompanied by a companion website with music examples mentioned in the book