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This collection includes a preface and table of embellishments by William Mason.
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Bach composed these Inventions in 1722/3 for the instruction in keyboard playing and composition of his eldest son, Wilhelm Friedemann, who was then just 12. Richard Jones's edition of these pieces is also available from ABRSM in a 'Signature' Series edition, where they are combined with the (three-part) Sinfonias and given more textual commentary.
All 15 of Bach's Two-Part Inventions have been transcribed for solo guitar! Providing a wealth of technical and musical challenges, these transcriptions are perfect for improving sight-reading skills and can be ideal new additions to the performance repertoire of any serious musician.
The edition of Johan Sebastian Bach's fifteen 3-Part Inventions, edited by Carl Czerny, contains editorial additions, including dynamics, fingering and tempo indications.
A masterful collection of 15 Bach Inventions transcribed for classic guitar solo performance. Each invention is preceded by an optional prelude. the original score is also shown for each invention. A companion recording is available online. A wonderful addition to the performance library of any guitarist!
These frequently taught works are presented in a carefully researched edition thatf includes Bach's own guidelines for ornamentation. Dr. Palmer adds an excellent discussion of how the ornaments are used in each work. Suggested fingerings and interpretive suggestions appear in light gray print. The Alfred Masterwork Audio Editions conveniently combine each exceptional volume with professionally recorded audio that is sure to inspire artistic performances. Pianist Valery Lloyd-Watts studied at the Conservatory of Music in Toronto and the Royal College of Music in London. She earned a Master of Music degree from the University of Wisconsin, where she studied with Paul Badura-Skoda.
15 J.S. Bach two part inventions transcribed for mandolin duet. Each invention is in notation and tablature.
During his lifetime, Johann Sebastian Bach (1685-1750) was better known as a virtuoso performer than as a composer. He was a dedicated student of the keyboard, always teaching, exploring and expanding his knowledge of the instrument. His Inventions and Sinfonias (Two- and Three-Part Inventions), which were not published during his lifetime, are an example of his desire to examine the wealth of harmony that two-part 18th-century counterpoint can provide. The works found in this book are not keyboard exercises, but warm, melodic pieces that are a delight to play and that expose the intellectual and mathematical genius of J. S. Bach. This Alfred edition was carefully and methodically prepared by Willard A. Palmer. It is based on several sources, including Bach's Autograph of 1723, the manuscripts of Bach's son Wilhelm Friedemann Bach, and the manuscripts of Bach's student Heinrich Gerber. The extensive and thorough explanation of trills, mordents and appoggiaturas are helpful and precise, making this issue of Bach's Inventions and Sinfonias the most practical and attractive one available. - Back cover.