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The Director of the Federal Bureau of Investigation explains the startling facts about the major menace of our time, communism: what it is, how it works, what its aims are, the real dangers it poses, and what loyal American citizens must know to protect their freedom. MASTERS OF DECEIT is a powerful and informative book--a firsthand account of American communism from its beginnings to the present, written by a man more intimately familiar with the complete story than any other American. Mr. Hoover shows the day-to-day operations of the Communist Party, USA: who the communists are, what they claim, why people become communists and why some break away. He describes life within the Party, communist strategy and tactics, methods of mass agitation and underground infiltration, espionage, sabotage, and its treatment of minorities. The picture of what life in this country would be under communism (toward which thousands of misguided Americans actually are working now!) is vivid and shocking. The forceful, driving message of this book is clarified with many incidents and anecdotes, definitions of communist terms, key dates, and a list of international communist organizations and publications which illustrate the communist Trojan horse in action. And it concretely outlines just what you can do now to combat the evils of the "false religion" of communism, so that you can stay free. MASTERS OF DECEIT is one of the most important books of our time--a warning of the clear and present danger to our way of life.
The Director of the Federal Bureau of Investigation explains the startling facts about the major menace of our time, communism: what it is, how it works, what its aims are, the real dangers it poses, and what loyal American citizens must know to protect their freedom. MASTERS OF DECEIT is a powerful and informative book—a firsthand account of American communism from its beginnings to the present, written by a man more intimately familiar with the complete story than any other American. Mr. Hoover shows the day-to-day operations of the Communist Party, USA: who the communists are, what they claim, why people be-come communists and why some break away. He describes life within the Party, communist strategy and tactics, methods of mass agitation and underground infiltration, espionage, sabotage, and its treatment of minorities. The picture of what life in this country would be under communism (toward which thou-sands of misguided Americans actually are working now!) is vivid and shocking. The forceful, driving message of this book is clarified with many incidents and anecdotes, definitions of communist terms, key dates, and a list of international communist organizations and publications which illustrate the communist Trojan horse in action. And it concretely outlines just what you can do now to combat the evils of the “false religion” of communism, so that you can stay free. MASTERS OF DECEIT is one of the most important books of our time—a warning of the clear and present danger to our way of life.
Originally published in 1962 as a portion of Hoover's larger "A Study of Communism," this guide clearly explains the economic/political theory derived from Marx and Engels, including the author's refutation of its tenets. Also includes a biography of Marx and an explanation of socialism.
This is a new release of the original 1958 edition.
The anticommunist crusade of the Federal Bureau of Investigation did not start with the Cold War. Based on research in the early files of the FBI's predecessor, the Bureau of Investigation, the author describes how the federal security officials played a decisive role in bringing about the first anticommunist hysteria in the US, the Red Scare in 1919 to 1920. The Bureau's political role, it is argued, originated in the attempt by the modern federal state during the early decades of the 20th century to regulate and control any organised opposition to the political, economic and social order.
Between 1942 and 1958, J. Edgar Hoover's Federal Bureau of Investigation conducted a sweeping and sustained investigation of the motion picture industry to expose Hollywood's alleged subversion of "the American Way" through its depiction of social problems, class differences, and alternative political ideologies. FBI informants (their names still redacted today) reported to Hoover's G-men on screenplays and screenings of such films as Frank Capra's It's a Wonderful Life (1946), noting that "this picture deliberately maligned the upper class attempting to show that people who had money were mean and despicable characters." The FBI's anxiety over this film was not unique; it extended to a wide range of popular and critical successes, including The Grapes of Wrath (1940), The Best Years of Our Lives (1946), Crossfire (1947) and On the Waterfront (1954). In J. Edgar Hoover Goes to the Movies, John Sbardellati provides a new consideration of Hollywood's history and the post-World War II Red Scare. In addition to governmental intrusion into the creative process, he details the efforts of left-wing filmmakers to use the medium to bring social problems to light and the campaigns of their colleagues on the political right, through such organizations as the Motion Picture Alliance for the Preservation of American Ideals, to prevent dissemination of "un-American" ideas and beliefs. Sbardellati argues that the attack on Hollywood drew its motivation from a sincerely held fear that film content endangered national security by fostering a culture that would be at best apathetic to the Cold War struggle at best, or, at its worst, conducive to communism at home. Those who took part in Hollywood's Cold War struggle, whether on the left or right, shared one common trait: a belief that the movies could serve as engines for social change. This strongly held assumption explains why the stakes were so high and, ultimately, why Hollywood became one of the most important ideological battlegrounds of the Cold War.