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We've all played that game. 'Well, if I were in charge...' We've all imagined what we'd do if we were president of this or minister of that. For Iznogoud, though, it's not just a game. As Grand Vizier, he can pretty much decide that he will be anything he wants to... except Caliph, of course. But, since it's Iznogoud, every single one of his decisions is inevitably going to go astray and bring disaster - and that's how we like it!
Legend has it that in Baghdad the magnificent, a great and particularly dark-minded vizier, who answers to the name of Iznogoud, works on his ambition to steal the throne of Caliph Haroun al Plassid. Thus his favourite saying: “I want to be caliph instead of the caliph!” Iznogoud, seconded by his faithful servant Wa’at Alahf, goes on vacation with the caliph...in the desert! Of course, his goal is to get rid of him by any means necessary...
The master of the comic book mash-up finds the POTUS to be his ultimate super-villain 25% of net proceeds donated to the American Civil Liberties Union R. Sikoryak is famous for taking classic comics and mashing them with famous literature as he did in Masterpiece Comics or even using comics to visualize the iTunes Terms and Conditions contract. Now in these uncertain times, cartoonist R. Sikoryak draws upon the power of comics and satire to frame President Trump and his controversial declarations as the words and actions of the most notable villains and antagonists in comic book history. Reimagining the most famous comic covers, Sikoryak transforms Wonder Woman into Nasty Woman; Tubby Tompkins into Trump; Black Panther into the Black Voter; the Fantastic Four into the Hombres Fantasticos and Trump into Magneto fighting the Ex-Men. In perfect Trumpian fashion, The Unquotable Trump will be a 48-page treasury annual—needlessly oversized and garishly colored; a throw-back to the past when both Comics and America were Great. This will be the hugest comic, truly a great comic. You won’t want to miss this, trust me, you’ll see!
Key topics discussed include analysis of the film distribution sector in Europe, market overviews, key players, and market shares. Individual company profiles include contact details, strategies, European films distributed and admissions between 2000 and 2005, and financial situations. This publication provides a broad view of distribution companies currently operating in Europe and, concentrates on companies that are particularly active in distributing films falling into the category of 'non-national European films'.--Publisher's description.
This form of political writing often called 'advice literature', shared by Christian and Muslim cultures alike, 'mirrors for princes' attempted to elevate statecraft ('dawla') to the same level as faith/religion ('din') during the Middle Ages.These guides for future rulers - Machiavelli's The Prince being a widely known example - addressed the delicate balance between seclusion and society, spirit and state, echoes of which we continue to find in the US, Europe, and the Middle East several centuries later.Today we suffer from the very opposite: there is no shortage of political commentary, but a notable lack of intelligent, eloquent discourse on the role of faith and the immaterial as a valuable agent in society or public life.This publication brings together the writing of preeminent scholars and commentators using the genre of medieval advice literature as a starting point to discuss fate and fortune versus governance, advice for female nobility, and an Indian television drama as a form of translation of statecraft. The illustrated essays are accompanied by an interview with Slavs and Tatars.Mirrors for Princes is edited by Anthony Downey, Editor-in-Chief of Ibraaz, and is published with NYU Abu Dhabi Art Gallery.
In English-speaking countries, Francophone comic strips like Hergés's Les Aventures de Tin Tin and Goscinny and Uderzo's Les Aventures d'Asterix are viewed—and marketed—as children's literature. But in Belgium and France, their respective countries of origin, such strips—known as bandes dessinées—are considered a genuine art form, or, more specifically, "the ninth art." But what accounts for the drastic difference in the way such comics are received? In Masters of the Ninth Art, Matthew Screech explores that difference in the reception and reputation of bandes dessinées. Along with in-depth looks at Tin Tin and Asterix, Screech considers other major comics artists such as Jacque Tardi, Jean Giraud, and Moebius, assessing in the process their role in Francophone literary and artistic culture. Illustrated with images from the artists discussed, Masters of the Ninth Art will appeal to students of European popular culture, literature, and graphic art.
A classic collection of stories, poems, and critical essays by J.R.R. Tolkien.
Iznogoud, the scheming Grand Vizier, continues to seek to make himself caliph with the help of an evil water djinn, a magician, and cursed jewel.