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In this text, Muller breaks new ground in the study of this changing region and along the way she includes details of her own poignant journey, as a young, white South African woman, to the other side of a divided society.
First Published in 2008. Routledge is an imprint of Taylor & Francis, an informa company.
The Christian axis has shifted dramatically southward to Africa, Asia, and Latin America, so much so that today there are more Christians living in these southern regions than among their northern counterparts. In the case of Africa, the African Initiated Churches-founded by Africans and primarily for Africans-has largely contributed to the exponential growth and proliferation of the Christian faith in the continent. Yet, even more profoundly, these churches espouse a brand of Christianity that is indigenized and thoroughly contextual. Further, the power and popularity of the AICs, beyond the unprecedented numbers joining these churches, are attributed to their relevance to the existential everyday needs and concerns of their adherents in the context of a postcolonial Africa. At the heart of Christian theology is Christology-the confessed uniqueness of Christ in history and among world religions. Yet this key feature of Christianity, as with other important elements of the Christian faith, may be variously understood and re-interpreted in these indigenous churches. The focus of this study is the amaNazaretha Church, an influential religious group founded by the African charismatic prophet Isaiah Shembe in 1911 in the province of KwaZulu-Natal, South Africa. The movement today claims a following of some two million adherents and has proliferated beyond the borders of South Africa to neighboring countries in Southern Africa. The book addresses the complex and at times ambivalent understanding of the person and work of Christ in the amaNazaretha Church, presenting the genesis, history, beliefs, and practices of this significant religious movement in South Africa, with broader implications for similar movements across the continent of Africa and beyond.
Text and Authority in the South African Nazaretha Church tells the story of one of the largest African churches in South Africa, Ibandla lamaNazaretha, or Church of the Nazaretha. Founded in 1910 by charismatic faith-healer Isaiah Shembe, the Nazaretha church, with over four million members, has become an influential social and political player in the region. Deeply influenced by a transnational evangelical literary culture, Nazaretha believers have patterned their lives upon the Christian Bible. They cast themselves as actors who enact scriptural drama upon African soil. But Nazaretha believers also believe the existing Christian Bible to be in need of updating and revision. For this reason, they have written further scriptures - a new 'Bible' - which testify to the miraculous work of their founding prophet, Shembe. Joel Cabrita's book charts the key role that these sacred texts play in making, breaking and contesting social power and authority, both within the church and more broadly in South African public life.
In Isaiah Shembe’s Hymns and the Sacred Dance in Ibandla lamaNazaretha, Nkosinathi Sithole explores the hymns of Prophet Isaiah Shembe and the sacred dance in Ibandla LamaNazaretha, and offers an emic perspective on the Church which has attracted scholars from different disciplines. Isaiah Shembe’s Hymns and the Sacred Dance in Ibandla lamaNazaretha posits that in the hymns, Shembe found a powerful medium through which he could voice his concerns as an African in colonial times, while praising and worshipping God. Sithole also refutes claims by some scholars that the sacred dance was a response to colonialism and oppression, showing that in fact the sacred dance in Ibandla lamaNazaretha is considered to be a form of worship and is thought to exist on earth and in heaven.
Focus: Music of South Africa provides an in-depth look at the full spectrum of South African music, a musical culture that epitomizes the enormous ethnic, religious, linguistic, class, and gender diversity of the nation itself. Drawing on extensive field and archival research, as well as her own personal experiences, noted ethnomusicologist and South African native Carol A. Muller looks at how South Africans have used music to express a sense of place in South Africa, on the African continent, and around the world. Part One, Creating Connections, provides introductory materials for the study of South African Music. Part Two, Musical Migrations, moves to a more focused overview of significant musical styles in twentieth-century South Africa -- particularly those known through world circuits. Part Three, Focusing In, takes the reader into the heart of two musical cultures with case studies on South African jazz and the music of the Zulu-language followers of Isaiah Shembe. The accompanying downloadable resources offer vivid examples of traditional, popular, and classical South African musical styles.
First published in 1992, this title explores the religious diversity of South Africa, organizing it into a single coherent narrative and providing the first comparative study and introduction to the topic. David Chidester emphasizes the fact that the complex distinctive character of South African religious life has taken shape with a particular economic, social and political context, and pays special attention to the creativity of people who have suffered under conquest, colonialism and apartheid. With an overview of African traditional religion, Christian missions, and African innovations during the nineteenth century, this reissue will be of great value to students of religious studies, South African history, anthropology, sociology, and political studies.
This volume returns to where initial interest in postcolonial biblical criticism began: the Hebrew Bible. It does so not to celebrate the significant achievements of postcolonial analysis over the last few decades but to ask what the next step might be. In these essays, established and newer scholars, many from the interstices of global scholarship, discuss specific texts, neo/post/colonial situations, and theoretical issues. Moving from the Caribbean to Greenland, from Ezra-Nehemiah to the Gibeonites, this collection seeks out new territory, new questions, and possibly some new answers. The contributors are Roland Boer, Steed Davidson, Richard Horsley, Uriah Y. Kim, Judith McKinlay, Johnny Miles, Althea Spencer-Miller, Leo Perdue, Christina Petterson, Joerg Rieger, and Gerald West.
'Africa's Hidden Histories' takes a private and personal look into the world of everyday Africans, as they put pen to paper. As it explores the innovative, intense, and sociable interest in reading and writing, the text opens new avenues for understanding a rich and hidden history of Africa's creative expression.