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From the author of The Door, selected by The New York Times Book Review as one of the ten best books of 2015 An NYRB Classics Original Like Magda Szabó’s internationally acclaimed novel The Door, Iza’s Ballad is a striking story of the relationship between two women, in this case a mother and a daughter. Ettie, the mother, is old and from an older world than the rapidly modernizing Communist Hungary of the years after World War II. From a poor family and without formal education, Ettie has devoted her life to the cause of her husband, Vince, a courageous magistrate who had been blacklisted for political reasons before the war. Iza, their daughter, is as brave and conscientious as her father: Active in the resistance against the Nazis, she is now a doctor and a force for progress. Iza lives and works in Budapest, and when Vince dies, she is quick to bring Ettie to the city to make sure her mother is close and can be cared for. She means to do everything right, and Ettie is eager to do everything to the satisfaction of the daughter she is so proud of. But good intentions aside, mother and daughter come from two different worlds and have different ideas of what it means to lead a good life. Though they struggle to accommodate each other, increasingly they misunderstand and hurt each other, and the distance between them widens into an abyss. . . .
One of The New York Times Book Review's "10 Best Books of 2015" An NYRB Classics Original The Door is an unsettling exploration of the relationship between two very different women. Magda is a writer, educated, married to an academic, public-spirited, with an on-again-off-again relationship to Hungary’s Communist authorities. Emerence is a peasant, illiterate, impassive, abrupt, seemingly ageless. She lives alone in a house that no one else may enter, not even her closest relatives. She is Magda’s housekeeper and she has taken control over Magda’s household, becoming indispensable to her. And Emerence, in her way, has come to depend on Magda. They share a kind of love—at least until Magda’s long-sought success as a writer leads to a devastating revelation. Len Rix’s prizewinning translation of The Door at last makes it possible for American readers to appreciate the masterwork of a major modern European writer.
FINALIST FOR THE 2017 PEN TRANSLATION PRIZE From the author of The Door, selected as one of the New York Times "10 Best Books of 2015," this is a heartwrenching tale about a group of friends and lovers torn apart by the German occupation of Budapest during World War II. In prewar Budapest three families live side by side on gracious Katalin Street, their lives closely intertwined. A game is played by the four children in which Bálint, the promising son of the Major, invariably chooses Irén Elekes, the headmaster’s dutiful elder daughter, over her younger sister, the scatterbrained Blanka, and little Henriette Held, the daughter of the Jewish dentist. Their lives are torn apart in 1944 by the German occupation, which only the Elekes family survives intact. The postwar regime relocates them to a cramped Soviet-style apartment and they struggle to come to terms with social and political change, personal loss, and unstated feelings of guilt over the deportation of the Held parents and the death of little Henriette, who had been left in their protection. But the girl survives in a miasmal afterlife, and reappears at key moments as a mute witness to the inescapable power of past events. As in The Door and Iza’s Ballad, Magda Szabó conducts a clear-eyed investigation into the ways in which we inflict suffering on those we love. Katalin Street, which won the 2007 Prix Cévennes for Best European novel, is a poignant, somber, at times harrowing book, but beautifully conceived and truly unforgettable.
It has been the fate of many books on John to be left unfinished, for its interpretation naturally forms the crowning of a lifetime. I have myself been intending to write a book on the Fourth Gospel since the 'fifties, before I broke off (reluctantly) to be Bishop of Woolwich, though I am grateful now that I did not produce it prematurely at that time. It means however that I shall be compelled to refer to and often recapitulate material directly or indirectly related to the Johannine literature, which I have written over the years (some of it indeed while I was bishop). Many scholars in fact, if not most now, think that the author of the Gospel himself never lived to finish it and have seen the work as the product of numerous hands and redactors. As will become clear, I prefer to believe that the ancient testimony of the church is correct that John wrote it 'while still in the body' and that its roughnesses, self-corrections and failures of connection, real or imagined, are the result of its not having been smoothly or finally edited. If so I am in good company. At any rate who could wish for a better last testimony from his friends than that 'his witness is true' (John 21.24)? In other words, he got it right--historically and theologically. --from the Introduction At the time of his death in December 1983, John Robinson had completed the text of the book on which his 1984 Bampton lectures were to be based, so that it is possible to see the full details of his extremely controversial argument that the Gospel of John was the first Gospel to be written. Dr. Robinson himself once described the dawning of his conviction that this was the case as a 'Damascus Road experience', and his presentation of the evidence is made with all the customary vigor with which he would argue for something in which he deeply believed. The objections which need to be overcome to stand on its head what has long been one of the fundamental assumptions of New Testament scholarship are substantial, but here once again Dr. Robinson shows that so much of what is taken as established fact in that area is no more than preference and presumption. Certainly he will provoke rethinking on a whole series of topics, from the chronology of Jesus' ministry to the nature of his teaching. As The Listener said of the equally controversial Redating the New Testament: The greatest pleasure Dr. Robinson gives is purely intellectual. His book is a prodigious virtuoso exercise in inductive reasoning and an object lesson in the nature of historical argument and historical knowledge. This sequel equals, if not excels, its predecessor in those respects and is a fitting tribute to a brilliant New Testament scholar. The manuscript was prepared for publication by Dr. Chip Coakley, Dr Robinson's pupil, now Lecturer in Religious Studies in the University of Lancaster.
'I work to earth my heart.' Time Lived, Without Its Flow is an astonishing, unflinching essay on the nature of grief from critically acclaimed poet Denise Riley. From the horrific experience of maternal grief Riley wrote her lauded collection Say Something Back, a modern classic of British poetry. This essay is a companion piece to that work, looking at the way time stops when we lose someone suddenly from our lives. A book of two discrete halves, the first half is formed of diary-like entries written by Riley after the news of her son’s death, the entries building to paint a live portrait of loss. The second half is a ruminative post script written some years later with Riley looking back at the experience philosophically and attempting to map through it a literature of consolation. Written in precise and exacting prose, with remarkable insight and grace this book will form kind counsel to all those living on in the wake of grief. A modern-day counterpart to C. S. Lewis’s A Grief Observed. Published widely for the first time, this revised edition features a brand new introduction by Max Porter, author of Grief is A Thing With Feathers. 'Her writing is perfectly weighted, justifies its existence' - Guardian
NATIONAL BESTSELLER ONE OF THE BEST BOOKS OF THE YEAR: VOGUE • FRESH AIR As a professor of physics at MIT, Helen Clapp disdains notions of the supernatural in favor of rational thought and proven ideas. So it’s perhaps especially vexing when, on an otherwise unremarkable Wednesday in June, she gets a phone call from a friend who has just died. That friend was Charlotte Boyce, Helen’s roommate at Harvard. The two women once confided in each other about everything: Helen’s struggles as a young woman in science, Charlie’s as a black screenwriter in Hollywood, their shared challenges as parents. But as the years passed, they gradually grew apart. And now Charlie is permanently, tragically gone. Drawn back into her friend’s orbit, Helen is forced to question the laws of the universe that have always steadied her mind and heart. Suspenseful, perceptive, deeply affecting, Lost and Wanted is a story of friends and lovers, lost and found, at the most defining moments of their lives.
From the author of The Door, a beloved coming-of-age tale set in WWII-era Hungary. Abigail, the story of a headstrong teenager growing up during World War II, is the most beloved of Magda Szabó’s books in her native Hungary. Gina is the only child of a general, a widower who has long been happy to spoil his bright and willful daughter. Gina is devastated when the general tells her that he must go away on a mission and that he will be sending her to boarding school in the country. She is even more aghast at the grim religious institution to which she soon finds herself consigned. She fights with her fellow students, she rebels against her teachers, finds herself completely ostracized, and runs away. Caught and brought back, there is nothing for Gina to do except entrust her fate to the legendary Abigail, as the classical statue of a woman with an urn that stands on the school’s grounds has come to be called. If you’re in trouble, it’s said, leave a message with Abigail and help will be on the way. And for Gina, who is in much deeper trouble than she could possibly suspect, a life-changing adventure is only beginning. There is something of Jane Austen in this story of the deceptiveness of appearances; fans of J.K. Rowling are sure to enjoy Szabó’s picture of irreverent students, eccentric teachers, and boarding-school life. Above all, however, Abigail is a thrilling tale of suspense.
A fantastic and philosophical vision of the apocalypse by one of the most striking Italian novelists of the twentieth century. From his solitary buen retiro in the mountains, the last man on earth drives to the capital Chrysopolis to see if anyone else has survived the Vanishing. But there’s no one else, living or dead, in that city of “holy plutocracy,” with its fifty-six banks and as many churches. He’d left the metropolis to escape his fellow humans and their struggles and ambitions, but to find that the entire human race has evaporated in an instant is more than he had bargained for. Meanwhile, life itself—the rest of nature—is just beginning to flourish now that human beings are gone. Guido Morselli’s arresting postapocalyptic novel, written just before he died by suicide in 1973, depicts a man much like the author himself—lonely, brilliant, difficult—and a world much like our own, mesmerized by money, speed, and machines. Dissipatio H.G. is a precocious portrait of our Anthropocene world, and a philosophical last will and testament from a great Italian outsider.