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Fred Samarxhiu has inherited the craft of pack-saddling from his ancestors, a honed talent that gives his life purpose and provides meaning to the loneliness he feels in his unfulfilling marriage. He is happiest when sharing fairy tales with his precious blue-eyed daughter, Rita, and creating pack-saddles for his beloved hooved animals. When Rita loses an eye, Fred’s superhuman effort to repair the disfigurement of this innocent beauty transforms him into a hero. As he embarks on a travel odyssey to seek answers, Fred’s unconditional love for Rita reaches the pinnacle of the human spirit. During his journey, he realizes that he is not alone, despite the wounds in his soul. While courageously facing the great world without assistance from anyone, Fred is about to uncover an important message of solidarity, sacrifice, and triumph over destiny. Ivory Eye is the tale of a pack-saddler’s enlightening quest to seek help for his disfigured daughter after she tragically loses an eye.
“[A] tour de force examination of the history of ivory . . . and the demise of the elephant and human decency in the process of this unholy quest.” —The Huffington Post Praised for the nuance and sensitivity with which it approaches one of the most fraught conservation issues we face today, John Frederick Walker’s Ivory’s Ghosts tells the astonishing story of the power of ivory through the ages, and its impact on elephants. Long before gold and gemstones held allure, ivory came to be prized in every culture of the world—from ancient Egypt to nineteenth-century America to modern Japan—for its beauty, rarity, and ability to be finely carved. But the beauty came at an unfathomable cost. Walker lays bare the ivory trade’s cruel connection with the slave trade and the increasing slaughter of elephants in the nineteenth and early twentieth centuries. By the 1980s, elephant poaching reached levels that threatened the last great herds of the African continent, and led to a worldwide ban on the ancient international trade in tusks. But the ban has failed to stop poaching—or the emotional debate over what to do with the legitimate and growing stockpiles of ivory recovered from elephants that die of natural causes. “Ivory’s Ghost is essential reading for anyone concerned with conservation and with the tenuous future of one of the most magnificent creatures our earth has ever seen.” —George B. Schaller, author of A Naturalist and Other Beast
The controversial removal of the Parthenon sculptures from Greece to England in the first decade of the nineteenth century by Thomas Bruce, seventh Earl of Elgin, sparked an international competition for classical antiquities. This volume tells a lesser-known chapter of that story, concerning sculptures from the Temple of Aphaia on the Greek island of Aegina. Discovered in 1811 as the Parthenon project was nearing its completion, these ancient sculptures were acquired at auction by Johann Martin Wagner (1777–1858) on behalf of Crown Prince Ludwig of Bavaria. The sculptures turned out to be significant in a number of ways, offering important evidence for a transitional period of Greek art between the archaic and classical eras, for the existence of an independent Aeginetan school that was the equal of Athenian art at the time, and for Greek sculptures having been elaborately painted and adorned. Originally published in 1817 and presented here for the first time in English, this book reproduces the report commissioned by the crown prince that was written by Wagner and edited by F. W. J. Schelling and contained richly detailed descriptions of the sculptures. In addition, Louis A. Ruprecht Jr. provides a comprehensive historical introduction featuring a constellation of intellectual figures, an afterword, notes, appendices, and more than forty images to tell the fascinating story of the sculptures and their legacy from excavation to the present day.