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A catalogue for a collection of Far Eastern ivories - ranging from religious iconography to sculptures produced for nineteenth-century collectors. Sir Victor Sassoon (1881-1961) lived an extraordinary and colourful life and left a remarkable legacy. He created a trust to preserve his collection of ivories for the benefit of UK citizens. Since its foundation and under the guardianship of the dedicated trustees, the collection has grown by the addition of significant specimens that originally went unrepresented. Chinese Ivory Carvings presents 350 of its most significant artefacts, each illustrated and discussed. Four introductory essays explore the acquisition of the pieces, placing the ivories in their historical and cultural context. In this scholarly celebration of Sassoon's bequest, one can appreciate some of the many facets of Chinese culture both religious and secular. Including minutely carved 'devil's work' spheres, massive figures and exuberantly carved vases, the book is also testament to the technical skills of the craftsmen who produced these wonderful objects.
Graceful okimono figures in many forms, dating from the nineteenth and early twentieth centuries, are the primary focus of this book, while scholar's brush holders and wrist rests, cricket cages, card cases, match holders, sword hilts, and scabbards are also presented. Finely carved ivory from China and Japan is featured here, along with artist's signatures, in over 600 beautiful photos. An engaging text explores the history of the ivory trade from East to West, quoting nineteenth century European travelers' encounters with Japanese ivory carvers and merchants. Folk tales provide insight into many of the figural characters represented and beliefs they personify. This book will be treasured by all who enjoy finely crafted art.
This book explores the relationship between collecting Chinese ceramics, interior design and display in Britain through the eyes of collectors, designers and tastemakers during the years leading to, during and following the Second World War. The Ionides Collection of European style Chinese export porcelain forms the nucleus of this study – defined by its design hybridity – offering insights into the agency of Chinese porcelain in diverse contexts, from seventeenth-century Batavia to twentieth-century Britain, raising questions about notions of Chineseness, Britishness, and identity politics across time and space. Through the biographies of the collectors, this book highlights the role of collecting Chinese art objects, particularly porcelain, in the construction of individual and group identities. Social networks linking the Ionides to agents and dealers, auctioneers, and museum specialists bring into focus the dynamics of collecting during this period, the taste of the Ionides and their self-fashioning as collectors. The book will be of interest to scholars working in the fields of art history, history of collections, interior design, Chinese studies, and material culture studies.
No archaeological investigation is begun or successfully terminated in Princeton University which has not been inspired and made possible by the wisdom and kindness of Professor Allan Marquand. From the day when the present work was commenced, through the years of compilation and writing, Professor Morey has done all in his power to make it of scholarly value, and in the last stage of preparation, the author’s absence from the University has increased his obligation to his colleagues, for Professors Marquand and Morey have read all the proof and attended to every detail of the publication. For the aid here acknowledged and for that which no words can acknowledge, the author now voices his gratitude to these two friends. Aeterna Press
China's art objects and traditionally manufactured products have long been sought by collectors--from porcelains and silk fabrics to furniture and even the lacquered chopsticks that are a distant relation to ones found in most Chinese restaurants. Things Chinese presents sixty distinctive items that are typical of Chinese culture and together open a special window onto the people, history, and society of the world's largest nation. Many of the objects are collectibles, and each has a story to tell. The objects relate to six major areas of cultural life: the home, the personal, arts & crafts, eating & drinking, entertainment, and religious practice. They include items both familiar and unfamiliar--from snuff bottles and calligraphy scrolls to moon cake molds and Mao memorabilia. Ronald Knapp's evocative text describes the history, cultural significance, and customs relating to each object, while Michael Freeman's superb photographs illustrate them. Together, text and photographs offer a unique look at the material culture of China and the aesthetics that inform it.
The biographical material formerly included in the directory is issued separately as Who's who in American art, 1936/37-