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“Exquisitely written, ferocious, and haunting. Don’t miss this one!” —Sarah J. Maas, New York Times bestselling author of the Throne of Glass series “Julie Eshbaugh is a unique new voice with talent enough for a whole team of writers. I’m still under the spell of her storytelling.”—Amie Kaufman, New York Times bestselling co-author of Illuminae and These Broken Stars Loosely inspired by Pride and Prejudice, Ivory and Bone is an enthralling tale of high-stakes survival, blinding betrayal, and star-crossed love. Hunting, gathering, and keeping his family safe—that’s the life seventeen-year-old Kol knows. Then bold, enigmatic Mya arrives from the south with her family, and Kol is captivated. He wants her to trust him, but any hopes of impressing her are ruined when he makes a careless—and nearly grave—mistake. What Kol doesn’t know is that underneath Mya’s cool disdain is a history wrought with loss that comes to light when another clan arrives. With them is Lo, an enemy from Mya’s past who Mya swears has ulterior motives. As Kol grows closer to Lo, tensions between Mya and Lo escalate until violence erupts. Faced with shattering losses, Kol is forced to question every person he’s trusted. One thing is for sure: this was a war that Mya or Lo—Kol doesn’t know which—had been planning all along. With riveting action and illustrative prose that leaps from the page, Julie Eshbaugh will have readers mesmerized and thirsty for more…So don’t miss the sequel, Obsidian and Stars.
Artefacts made from skeletal materials since the Roman period were, before this book, neglected as a serious area of study. This is a comprehensive account which reviews over fifty categories of artefact. The book starts with a consideration of the formation, morphology and mechanical properties of the materials and illuminates characteristics concerning working with them. Following chapters discuss the organisation of the industry and trade in such items, including the changing status of the industry over time. Archaeological evidence is combined with that from historical and ethnological sources, with many illustrations providing key visual reference. Originally published in 1985.
In the pre-plastic era everything was made from natural materials, often by skilled craftsmen. The materials that they used are now often rare and easily misidentified. Are they made from bone, ivory, horn, tortoiseshell shell, skin or scales, or some other now forgotten exotic material? This technical book will help collectors, antique dealers, museum conservationists, and frequenters of flea markets to know more about the vast array of those artifacts, their biology, rarity, value, and how to conserve and restore them. Included in this comprehensive guide are hundreds of images of actual collectibles ranging from knives to buttons.
In the riveting sequel to Ivory and Bone—the YA fantasy novel that New York Times bestselling author Amie Kaufman described as having a “richly crafted world of life-and-death stakes”—the story shifts to Mya’s viewpoint as vengeful adversaries force her to flee the life she once knew. After surviving the battle that erupted after Lo and the Bosha clan attacked, now Mya is looking ahead to her future with Kol. All the things that once felt so uncertain to her are finally falling into place. But the same night as Kol and Mya’s betrothal announcement, Mya’s brother Chev reveals his plan to marry their youngest sister, Lees, to his friend Morsk. The only way to avoid this terrible turn of events, Morsk informs Mya when he corners her later, is for Mya to take Lees’ place and marry him herself. Rejecting Morsk’s offer, and in an effort to protect her sister, Mya whisks Lees away to a secret island until things back home blow over. Mya soon realizes she’s been followed, however. Even worse, lurking deep in the recesses of this dangerous place are rivals from Mya’s past whose thirst for revenge exceeds all reason. With the lives of her loved ones resting on her shoulders, Mya must make a move before the enemies of her past become the undoing of her future.
From 1989 to 1994 more than fifteen hundred bone and ivory objects were excavated from the northeast slope of Rome's Palatine Hill. These remains constitute the largest such find in the western Mediterranean and the first traces of the actual working of ivory in Rome itself. In this original work, art historian Archer St. Clair explores the significance of these finds in understanding both the development of artisanship in Rome and the broader Greco-Roman cultural and artistic tradition to which they belong. Dating primarily from the first through the fifth century C.E., the carved objects include ornamentation for furniture and boxes in the form of plaques and framing strips, jewelry, dolls, a wide variety of pins, as well as smaller numbers of handles, needles, and other implements. Also present at the site was extensive evidence of a bone and ivory workshop, including prepared blanks and waste fragments that provide valuable evidence for artisanal practices in both materials. This volume includes a representative catalog of 648 objects from Palatine East, extensively illustrated with photographs and detailed drawings. Four chapters of introductory material offer a comprehensive overview of the material properties of bone and ivory, the literary evidence, and wider context of their use in the ancient world, and the particular significance of the Palatine East site. While bone has often been treated simply as an inferior and less valuable alternative to ivory, St. Clair notes the close association in their use and elucidates a complex relationship between them. In doing so, she offers a detailed, contextual study of the uses, social perception, and distribution of the two materials, revealing a shared Mediterranean vocabulary of form and technique.
20 fairy tales hauntingly reimagined by some of today’s finest sci-fi and fantasy authors, including Joyce Carol Oates, Neil Gaiman, Tanith Lee, and more. Once upon a time, all our cherished dreams began with the words once upon a time. This is the phrase that opened our favorite tales of princes and spells and magical adventures. World Fantasy Award–winning editors Ellen Datlow and Terri Windling understand the power of beloved stories—and in Black Heart, Ivory Bones, their sixth anthology of reimagined fairy tales, they have gathered together stories and poetry from some of the most acclaimed writers of our time, including Neil Gaiman, Tanith Lee, Charles de Lint, and Joyce Carol Oates. But be forewarned: These fairy tales are not for children. A prideful Texas dancer is cursed by a pair of lustrous red boots . . . Goldilocks tells all about her brutal and wildly dysfunctional foster family, the Bears . . . An archaeologist in Victorian England is enchanted by a newly exhumed Sleeping Beauty . . . A prince of tabloid journalism is smitten by a trailer-park Rapunzel . . . A clockwork amusement park troll becomes sentient and sets out to foment an automaton revolution. These are but a few examples of the marvels that await within these pages—tales that range from the humorous to the sensuous to the haunting and horrifying, each one a treasure with a distinctly adult edge.
In the early 1800's, on a Hebridean beach in Scotland, the sea exposed an ancient treasure cache: 93 chessmen carved from walrus ivory. Norse netsuke, each face individual, each full of quirks, the Lewis Chessmen are probably the most famous chess pieces in the world. Harry played Wizard's Chess with them in Harry Potter and the Sorcerer's Stone. Housed at the British Museum, they are among its most visited and beloved objects. Questions abounded: Who carved them? Where? Nancy Marie Brown's Ivory Vikings explores these mysteries by connecting medieval Icelandic sagas with modern archaeology, art history, forensics, and the history of board games. In the process, Ivory Vikings presents a vivid history of the 400 years when the Vikings ruled the North Atlantic, and the sea-road connected countries and islands we think of as far apart and culturally distinct: Norway and Scotland, Ireland and Iceland, and Greenland and North America. The story of the Lewis chessmen explains the economic lure behind the Viking voyages to the west in the 800s and 900s. And finally, it brings from the shadows an extraordinarily talented woman artist of the twelfth century: Margret the Adroit of Iceland.
Set in Cuba's Sierra Maestra in the 1950s, in the days leading up to the Revolution--Manchette's unfinished masterpiece with a fearless female protagonist. Out of the wreckage of World War II swaggers Ivory Pearl, so named (rhymes with girl) by some British soldiers who made her their mascot, a mere kid, orphaned, survivor of God knows what, but fluent in French, English, smoking, and drinking. In Berlin, Ivy meets Samuel Farakhan, a rich closeted intelligence officer. Farakhan proposes to adopt her and help her to become the photographer she wants to be; his relationship to her will provide a certain cover for him. And she is an asset. The deal is struck... 1956: Ivy has seen every conflict the postwar world has on offer, from Vietnam to East Berlin, and has published her photographs in slick periodicals, but she is sick to death of death and bored with life and love. It’s time for a break. Ivy heads to Cuba, the Sierra Maestra. History, however, doesn’t take vacations. Ivory Pearl was Jean-Patrick Manchette’s last book, representing a new turn in his writing. It was to be the first of a series of ambitious historical thrillers about the “wrong times” we live in. Though left unfinished when Manchette died, the book, whose full plot has been filled in here from the author’s notes, is a masterpiece of bold suspense and black comedy: chilling, caustic, and perfectly choreographed.
The White Bone, ostensibly about an elephant gifted with visionary powers, is a highly imaginative novel about an infinitely gentle species fighting to survive in a mad world of game poachers and environmental disaster.