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Ivor Hele was a prolific artist of extraordinary discipline and power. His front-line responses to war, the portraits that won him an astonishing five Archibald prizes in a single decade, his exuberant nudes and his magnificent landscapes cobine to make up a prodigious body of work. Jane Hylton's book focuses on Hele's non-war art, offering a wider view of the man, his exceptional ability and his contribution to Australian art than has been previously available. This book has some of his finest art work, allowing readers to see the genius behind this great artist and activist.
During the Second World War, in the mountains and jungles of Timor, Bougainville and New Guinea, Australian commando units fought arduous campaigns against the Japanese. The story of these elite independent companies and commando squadrons, whose soldiers wore the distinctive double-diamond insignia, is told here for the first time. Through 130 powerful images from the Australian War Memorial’s unparalleled collection – some never published before – Double Diamonds captures the operational history of these units and the personal stories of the men who served in them, many of whom lost their lives or the friends who trained and fought alongside them.
With a full-color gallery of artist John Dowie's works, this exciting new book celebrates eight decades of artistic achievement by a great Australian sculptor, painter, and writer. Editor Tracey Lock-Weir charts Dowie's progress over the years and her informative essay is illuminated by John Dowie's own humorous writings.
Audacity is the second book in the Century of Service series developed jointly by the Department of Veterans’ Affairs and the Australian War Memorial. It highlights the bravery of Australian service personnel in conflicts from the Boer War to Afghanistan. This eBook features exclusive content including two additional stories, an interview with Victoria Cross for Australia recipient Corporal Daniel Keighran VC, original medal citations, interactive timelines and artwork and medal galleries. Readers can also test their knowledge by completing a multiple choice quiz or a Guess the Word game.
Australia's constitutional crisis of 1975 was not simply about the precise powers of the Senate or the Governor-General. It was about competing accounts of how to legitimate informal constitutional change. For Prime Minister Gough Whitlam, and the parliamentary tradition that he invoked, national elections sufficiently legitimated even the most constitutionally transformative of his goals. For his opponents, and a more complex tradition of popular sovereignty, more decisive evidence was required of the consent of the people themselves. This book traces the emergence of this fundamental constitutional debate and chronicles its subsequent iterations in sometimes surprising institutional configurations: the politics of judicial appointment in the Murphy Affair; the evolution of judicial review in the Mason Court; and the difficulties Australian republicanism faced in the Howard Referendum. Though the patterns of institutional engagement have varied, the persistent question of how to legitimate informal constitutional change continues to shape Australia's constitution after Whitlam.
This 12-volume set contains titles originally published between 1957 and 1992. International in scope, the set looks at security and military history covering several battles, particularly the first and second world wars. Highlighting the difference between theory and practice, it also explores the people involved in the policy making and strategy of war, and the leaders tasked with carrying those decisions out.
In Chapter 1 Dudley Creagh writes on "synchrotron radiation and its use in art, archaeometry, and cultural heritage studies". Loic Bertrand has written in Chapter 2 on synchrotron imaging for archaeology and art history, conservation, and palaeontology. Dr. Bertrand is Archaeology and cultural heritage officer at the new French synchrotron, Synchrotron Soleil (Orme les Mesuriers, Gif-sur-Yvette, France). He is charged with the task of raising the awareness of cultural heritage scientists to the use of synchrotron radiation for their research. Chapter 3 has been written by Ivan Cole and his associates Dr David Paterson and Deborah Lau. This is concerned with the holistic modelling of gas and aerosol deposition and the degradation of cultural objects. Dr. Cole is Deputy Chief of the Novel Materials and Processes Division of the Commonwealth Scientific and Industrial Research Organization (Melbourne, Australia). He has over twenty years experience in involvement in projects concerned with the preservation of cultural heritage. Ivan is an internationally recognized leader in the field of the life cycle of materials and the development of protective coatings for metals. In Chapter 4, Giovanna Di Pietro describes two different types of experiments she has undertaken in the study of the mechanisms underlying the degradation of photographic media. In the first Dr. Di Pietro describes the degradation of old back-and-white plate. In the second she outlines her attempts to understand the mechanisms by which comparatively modern motion picture film degrades. A significant part of this project involved trying to ascertain exactly what dyes were used by Kodak in their motion picture film from about 1980 onwards. An entirely new technique for the remote investigation of the pigments in paintings is presented by Maria Kubik in Chapter 5. This technique will significantly enhance the ability of conservators to study the palette of pigments used by artists, check for repairs by others, and detect fraudulent paintings.· Demonstrates the amazing efforts being made in using physical techniques for the study of art, archaeology and cultural heritage· Provides succinct accounts of how cultural heritage is being preserved.· Looks at how science is being used to enrich our knowledge of the creative arts
Originally published in 1984, this book tells the story of sixteen of Australia’s most eminent military men, as they performed under the stress of strategy-making and in the heat of battle. In scrutinising critical periods in the careers of such men as Brudenell White, Chauvel, Monash, Gordon Bennett, Blamey and Scherger, it addresses a number of fascinating questions: Is there an Australian style of command? How well have Australian officers been prepared for high command? How have Australian commanders handled the problems of coalition way or co-operation with allies? How have political direction, organisational structures and entrenched defence policy affected the performance of commanders in the field? Each re-evaluation compares performance with reputation. Some of the figures examined are familiar (What was the real basis of Monash’s reputation as a commander? Was Blamey worthy of the field-marshal’s baton?); some are given an appraisal long denied them. This roll-call of some of Australia’s greatest warriors presents a fascinating picture of the realities of war at the top. Each of the sixteen lives examined presents a revealing account of the conditions under which crucial military decisions are made and carried out – on the battlefield, at headquarters, in victory and defeat. The Commanders will appeal not only to students of military affairs but to everyone interested in Australian history and biography.
Damien Parer was without doubt Australia?s greatest war photographer. He helped create the Anzac legend ? and many, many of our iconic war images are his photographs. He served his apprenticeship as a stills photographer on the famous Chauvel film, 'Forty Thousand Horsemen', and was appointed Official Photographer covering the Australian fighting in the early days of World War II in Greece and Syria, and Tobruk. His most famous documentary is 'Kokoda Front Line!' , made during the darkest days of the campaign in mid-1942 (it went on to win Australia?s first Academy Award). His photographs and films brought the war home to Australians ? and are now an integral part of our military history. He died in action ? shot by Japanese machine gun fire, as he filmed an American advance on Peleliu. Originally published as WAR CAMERAMAN: THE STORY OF DAMIEN PARER, and later in an expanded form as DAMIEN PARER'S WAR, this colourful and authoritative story of a great Australian includes many of his most iconic photographs.