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In a single moment, an entire career reputation can be sealed and a franchise’s history cemented thanks to a last-second, game-winning finish, and this book chronicles 50 of the most memorable finishes in Boston sports. Vibrant four-color photos, statistics, quotes, and stories offer fresh details on some of the most famous events in Boston sports history, including Carlton Fisk’s Fenway Moment, “Havlicek Stole the Ball!,” Doug Flutie’s Hail Mary in Miami, and the Red Sox’s Greatest Comeback Ever. For those sports fans too young to have seen these famous moments or for those who wish to relive them over and over again, this encyclopedia of sporting greatness is a must-have for all passionate Boston fans.
Over 100 illustrations and glamour/nude beauties, women winning is the subject here; flame wars, sex, battle for female bodybuilding, crimes & women bandits, female aggression; the males are going infertile and extinct, geneticists Jones and Sykes prove, the Y is getting to be a wasteland. Women knock out polygamists, Scientist discovers the living Amazons, Pankhurst's early female terrorism, all symptoms that Matriarchy is coming, get ready! William Bond and Thomas Andrews help Rasa Von Werder gather the hard facts. 'It's Not Over Till the Fat Lady Sings' is another blockbuster from Rasa Von Werder, a quick follow up to the successful 'Can Female Power Save the Planet.' most amazing, the bodybuilding- Progenitor development of Kellie Everts from age 19 to today, lifting weights in the nude to recent silky see-thru camisoles and boots, the progress of 'love Goddess' doesn't quit.
When real life sucks, there's always theatre. Sassy, irreverent Aggie Stockdale should have gotten the lead in her high school's production of Hello Dolly! It's her dream role; she's had the part memorized since she was ten; and she and Roger Morton, who's playing the male lead, definitely had chemistry in the audition. But Aggie isn't just a talented actress, writer, and athlete. She's also the fattest girl in the senior class. What happens after she checks the cast list for the musical will hurl Aggie into an unexpected journey of tears, friendship, jealousy, revenge, Oreos, and lots and lots of theatre. She'll discover hidden talents and new friends; she'll survive a daunting audition and revel in a thrilling opening night; she'll search for love, inspiration, help with her math homework, and the perfect closing number; and her emotional ride won't be over 'til the fat lady sings.
(Amadeus). Think opera's just about starving artists, vengeful goddesses, randy noblemen, and adulterous lovers? Think again. In So When Does the Fat Lady Sing? , Michael Walsh, the former music critic for Time magazine, takes audiences on a wise and witty dash through 400 years of operatic history and culture. More a freewheeling dialogue between author and reader than a traditional quiz book, So When Does the Fat Lady Sing? poses irreverent and impertinent questions designed not so much to test knowledge as to inspire and entertain both expert and novice alike. Curtain up!
This book examines the so-called War on Obesity as an example of a cultural complex, how that complex shapes the way fat is treated in psychotherapy, including the classical Jungian approach to fat, as written by Marion Woodman. It looks at the experience of being fat as an ongoing trauma.
Perfect for fans of The United States vs. Billie Holiday, this is the fiercely honest, no-holds-barred memoir of the legendary jazz, swing, and standards singing sensation—a fiftieth-anniversary edition updated with stunning new photos, a revised discography, and an insightful foreword by music writer David Ritz Taking the reader on a fast-moving journey from Billie Holiday’s rough-and-tumble Baltimore childhood (where she ran errands at a whorehouse in exchange for the chance to listen to Louis Armstrong and Bessie Smith albums), to her emergence on Harlem’s club scene, to sold-out performances with the Count Basie Orchestra and with Artie Shaw and his band, this revelatory memoir is notable for its trenchant observations on the racism that darkened Billie’s life and the heroin addiction that ended it too soon. We are with her during the mesmerizing debut of “Strange Fruit”; with her as she rubs shoulders with the biggest movie stars and musicians of the day (Bob Hope, Lana Turner, Clark Gable, Benny Goodman, Lester Young, Coleman Hawkins, and more); and with her through the scrapes with Jim Crow, spats with Sarah Vaughan, ignominious jailings, and tragic decline. All of this is told in Holiday’s tart, streetwise style and hip patois that makes it read as if it were written yesterday.
"This is an exceptional collection—the subject is of obvious importance, yet terribly undertheorized and unexamined. I know of no other work that offers what this collection provides."—Marcia Millman, author of Such a Pretty Face: Being Fat in America ". . . A valuable contribution to scholarly debates on the place of excessive bodies in contemporary culture. This book promises to enrich all areas of inquiry related to the politics of bodies."—Carole Spitzack, author of Confessing Excess: Women and the Politics of Body Reduction "This anthology includes a wide range of perceptive and original essays, which explore and analyze the underlying ideologies that have made fat "incorrect." Echoing the spirit of the nineteenth-century adage about children who should be neither seen nor heard, some of the authors powerfully remind us that we keep "bodies out of bound" silenced and unseen-unless, of course, we need to peek at the comic or grotesque."—Raquel Salgado Scherr, co-author of Face Value: The Politics of Beauty "Through textual analyses, video/film analyses, television theory, and literary theory, this collection demonstrates the various ways in which dominant representations of fat and corpulence have been both demonized and rendered invisible. . . . This volume will be a crucial corollary to work on the tyranny of slenderness; a collection of different perspectives on the fat body is sorely missing in women's studies, communication, and media studies."—Sarah Banet-Weiser, author of The Most Beautiful Girl in the World: Beauty Pageants and National Identity
From the legendary producer and author of The Kid Stays in the Picture—one of the greatest Hollywood memoirs ever written—comes a long-awaited second work with all the elements of a star-studded blockbuster: glamour and conflict, giddy highs and near-fatal lows, struggle and perseverance, tragedy and triumph.
In day-to-day speech we use words and phrases without a passing thought as to why we use them or where they come from. Max Cryer changes all that by showing how fascinating the English language really is. Did you know that the former host of Today, Jane Pauley, claims to have coined the term “bad hair day,” or that a CBS engineer named Charley Douglass invented the name and use of “canned laughter” for television, or that “cold turkey” as a term for quitting something immediately was popularized by the novel and movie (starring Frank Sinatra), The Man with the Golden Arm? Here you’ll learn the origins of “credibility gap,” “my lips are sealed,” “the opera’s not over until the fat lady sings,” “supermarket,” “supermodel,” “there’s no accounting for taste,” “thick as thieves,” and hundreds more. For anyone who loves language, this new book will “take the cake.”
David W. Barber has delighted readers all around the world with the quirky definitions of Accidentals on Purpose: A Musician's Dictionary, the irreverent history of Bach, Beethoven and the Boys, a hilariously offbeat history of dance and ballet in Tutus, Tights and Tiptoes and a host of other internationally bestselling books of musical humor. With When the Fat Lady Sings, the popular author and musical humorist turns his attention to what Dr. Johnson called that "exotick and irrational entertainment," the world of opera. Here are stories of love and lust, jealousy, intrigue, murder and tragic death - and that's just the stuff happening off stage, in the composers' personal lives. Wait till you read about the opera plots. Informal yet informative, witty yet wise, this book will both enlighten and entertain you. As always, Dave Donald has provided witty and clever cartoons that perfectly complement the text. This completely revised and expanded edition includes new material and an index, to make it easier for readers to find all their favorite references. "This is a very humorous book, but at the same time it tells it like it is, or was. David's not really fabricating anything, he just manages to give you the gist of the history while leaving out all the boring bits." - Maureen Forrester