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A photo-journey through the homes and lives of 30 families, revealing culture and economic levels around the world.
Scholars from ancient and early modern studies, art history, literary criticism, philosophy, and the history of science explore the interplay between nature, science, and art in influential ancient texts and their reception in the Renaissance.
Spirits in the Material World: The Challenge of Technology provocatively argues that technology is best understood as an otherworldly or spiritual force. Under its influence, humans are fast becoming spirit-like creatures, beings who assume their bodies are incidental to what it means to be human and the "real world" an accidental quality of the human condition. Technology authorizes such an understanding and legitimates a manner of action that obscures the centrality of embodiment and its significance. Gil Germain challenges many of the assumptions underpinning the technological worldview through a reading of leading contemporary theorists who have addressed the interconnection between technology and disembodiment. The book both reveals and contests the multifarious ways in which technology's spiritual thrust is manifested in contemporary thought and practice. While respecting technology's hold on modernity and its predisposition toward disembodiment, Germain gives important reasons why this inclination toward spiritizaiion ought to be resisted and what shape this resistance must take if it is to be meaningful. Gil Germain is associate professor of political studies at the University of Prince Edward Book jacket.
BY THE AUTHOR OF THE BESTSELLING, PRIZE-WINNING STUFF MATTERS Sometimes explosive, often delightful, occasionally poisonous, but always fascinating: the secret lives of liquids, from one of our best-known scientists ________________ A series of glasses of transparent liquids is in front of you: but which will quench your thirst and which will kill you? And why? Why does one liquid make us drunk, and another power a jumbo jet? From the bestselling author of Stuff Matters comes a fascinating tour of these surprising or sinister substances - the droplets, heartbeats and ocean waves we all encounter every day. Structured around a plane journey, encountering water, wine, oil and more, Mark Miodownik shows that liquids are agents of death and destruction as well as substances of wonder and fascination. His unique brand of scientific storytelling brings them and their mysterious properties alive in a captivating new way. ________________ 'A truly delightful read' Jim Al-Khalili, author of Paradox 'An exhilarating, eye-opening ride' Philip Ball, science writer and author of H2O 'Exciting, anarchic and surprising' Katy Guest, The Guardian 'A thrilling read, from start to finish' Tim Radford, author of The Consolations of Physics
This study traces the development of the metaphysics of the material world in early modern thought. It starts with the scholastic innovator Suárez, proceeds to a consideration of Suárez's connections to Descartes, and ends with an examination of Spinoza's fundamental re-conceptualization of the Cartesian material world.
Following the overwhelming success of Material World, European material experts MatériO have compiled and described innovative materials for architecture and design in the sequel: Material World 2. Once again architects, interior architects and designers can look up the ideal manufacturer, and gain inspiration for their building exteriors, interiors, and innovative products. Material World 2 is as comprehensive as the first volume: here architects and designers will find detailed product information, addresses, and contact details of manufacturers for every material featured. In addition, each material entry is accompanied by case studies, which show the material in specific applications.
Tired of the clichés often trotted out about craft, Perri Lewis makes it her task to bring the world of making into the 21st century. In Material World, Perri enlists the help of luminaries from the worlds of art, craft, design and fashion to share their knowledge and advice. Among these include Rob Ryan, Emma Bridgewater, Grayson Perry, Philip Treacy, Tatty Devine, Topshop and Tracey Emin. Instead of just giving the reader individual projects, you can learn the techniques for crafts such as paper-cutting, dress-making, printing, encrusting, leather work and tailoring. However, if you prefer more guidance, there are 15 projects to make, including découpage shoes, a patchwork Louis chair and a printed scarf. With the compiled words of wisdom of these experts, and Perri's own timeless advice, you'll be up and running with scissors in no time.
Covers the entire range of the history of U.S. foreign relations from the colonial period to the beginning of the 21st century. A Companion to U.S. Foreign Relations is an authoritative guide to past and present scholarship on the history of American diplomacy and foreign relations from its seventeenth century origins to the modern day. This two-volume reference work presents a collection of historiographical essays by prominent scholars. The essays explore three centuries of America’s global interactions and the ways U.S. foreign policies have been analyzed and interpreted over time. Scholars offer fresh perspectives on the history of U.S. foreign relations; analyze the causes, influences, and consequences of major foreign policy decisions; and address contemporary debates surrounding the practice of American power. The Companion covers a wide variety of methodologies, integrating political, military, economic, social and cultural history to explore the ideas and events that shaped U.S. diplomacy and foreign relations and continue to influence national identity. The essays discuss topics such as the links between U.S. foreign relations and the study of ideology, race, gender, and religion; Native American history, expansion, and imperialism; industrialization and modernization; domestic and international politics; and the United States’ role in decolonization, globalization, and the Cold War. A comprehensive approach to understanding the history, influences, and drivers of U.S. foreign relation, this indispensable resource: Examines significant foreign policy events and their subsequent interpretations Places key figures and policies in their historical, national, and international contexts Provides background on recent and current debates in U.S. foreign policy Explores the historiography and primary sources for each topic Covers the development of diverse themes and methodologies in histories of U.S. foreign policy Offering scholars, teachers, and students unmatched chronological breadth and analytical depth, A Companion to U.S. Foreign Relations: Colonial Era to the Present is an important contribution to scholarship on the history of America’s interactions with the world.
Much more than a history of the material sciences, Stuff brims with interviews with cutting-edge experts in the field, many of whom are building new materials literally atom by atom, and describes such astounding achievements as artificial diamonds created from peanut butter and how nanotechnologists are building new-age, state-of-the-art machines no thicker than a few hundred atoms.
A magnificent work of original research that unravels history through textiles and cloth—how we make it, use it, and what it means to us. How is a handmade fabric helping save an ancient forest? Why is a famous fabric pattern from India best known by the name of a Scottish town? How is a Chinese dragon robe a diagram of the whole universe? What is the difference between how the Greek Fates and the Viking Norns used threads to tell our destiny? In Fabric, bestselling author Victoria Finlay spins us round the globe, weaving stories of our relationship with cloth and asking how and why people through the ages have made it, worn it, invented it, and made symbols out of it. And sometimes why they have fought for it. She beats the inner bark of trees into cloth in Papua New Guinea, fails to handspin cotton in Guatemala, visits tweed weavers at their homes in Harris, and has lessons in patchwork-making in Gee's Bend, Alabama - where in the 1930s, deprived of almost everything they owned, a community of women turned quilting into an art form. She began her research just after the deaths of both her parents —and entwined in the threads she found her personal story too. Fabric is not just a material history of our world, but Finlay's own journey through grief and recovery.