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Written with the cooperation of President Jimmy Carter and his family, this book provides an intimate glimpse inside the life of the woman who--as nurse, mother and social justice activist in segregated southwest Georgia--made a lifelong habit of breaking the rules defining a woman's place in and out of the home and the status of blacks in society. As the only white nurse in her rural community who cared for black families, as a 68-year-old Peace Corps Volunteer in 1960s India, as a fearless supporter of civil rights and as a First Mother unlike any other, Lillian Carter showed how individual courage, conviction and compassion can make a difference. Drawing on interviews with friends and colleagues, members of the Plains, Georgia, black community, Peace Corps Volunteers who trained with her, White House insiders and key players in the civil rights movement, as well as letters, documents and photographs never before made public, this book captures the essence of the woman the press dubbed "Rose Kennedy without the hair dye" and "First Mother of the world."
This exciting novel about Dashiell Hammett (The Maltese Falcon and The Thin Man) and Lillian Hellman (The Children’s Hour) reintroduces their larger-than-life personalities and the vicissitudes of their affair that spanned three decades. Toperoff reimagines the highs and lows of a fast-living, hard-drinking literary couple, and their individual passions, projects, and literary creations. Hammett and Hellman’s relationship evolves during major artistic and political epochs—Hollywood’s heyday, the New York literary scene, the Spanish Civil War, McCarthyism, and both world wars—and each movement is captured with subjectivity and credible insight. Populated with writers, drinkers, filmmakers, and revolutionaries, Lillian and Dash chronicles the unusual affair of two prominent and headstrong figures.
The greatest social reformer of her time! Pres. Franklin Roosevelt called Lillian Wald “one of the least known yet most important people” of her time. Wald, a relentless advocate for the welfare of children, was responsible for many of the social and health-related programs we take for granted today. She campaigned for school lunches and nurses in public schools, founded the Henry Street Settlement, and was an early promoter of women’s suffrage. Wald was adept at navigating both the poorest, most densely populated neighborhoods, as well as the upper circles of society, where she sought donors to support her efforts. Paul Kaplan’s extensive research into the history of New York brought him to this fascinating subject. Through his revealing profile of Lillian Wald, Kaplan deftly illustrates how far we’ve come as a society, how much work it took to get here, and how much more work there is still to be done.
Every myth is a tale half-told… When the darkest of vice meets red-stained ice, we hear it all unfold! It is 2035 CE (covid era). Este, a disgraced and broken ex-intelligence officer, finds herself in the middle of a small isolated island community, frozen and barren— on the edge of the world, with the ‘virus’ at the core of its existing divisions. She has come here searching for a second chance, a chance to redeem herself from the demons of an unforgiving yet forgotten past. In doing that, as she tries hard to blend into this near-about dystopian world, she realises that subtle is scarce; ominous rituals, ‘handsome’ dead bodies, the flaring ‘mythical’ and a sinister Belief surround her, shadowing the darkness that is growing within her. Sleuthing skills, a favouring instinct and an overbearing empathy act as her only shield, as she navigates between the intrigues of this remote coastline and that of her mind, much desperate to untangle the meaning of her long-quested salvation. She is also confident. Perhaps a little too much. She thinks she has all the reins— of both probe and patriarchy. But nothing is as it seems. Not even her. She is much more than who she is… much more than she will ever know! Hence, when the land dangles a mirror in front of her, it is she who must choose. The End. Of her and of this story.
Stolen Time - Jane & Tony’s Story Arriving in New Orleans for her friend’s wedding, Jane’s calamitous coffee run morphs into a tempestuous introduction to the devastatingly handsome Detective Tony Shaw. Always one to play by the rules, Jane isn’t sure how to handle Detective Tony’s brazen interest. Between being in her friend’s wedding together and investigating the murder – plus the allure of opposites attracting – the ending was inevitable. Passionate Mystery - Becca and Alex’s Story Oh, the delicious possibilities that the handsome man presents! But only for a week. Alex Beauchamp was a native of New Orleans while Becca was a New York City woman – determined to conquer all obstacles. But during her week in New Orleans, she didn’t want to face any obstacles. She wanted Alex. Alex was thoroughly amused that the dark-haired beauty had mistaken his profession. Unfortunately, untangling her misunderstanding would be more difficult than he’d anticipated. The Seductive Truth - Talia and Stephen’s Story A conservative republican and a liberal democrat. Oil and water. Cats and dogs. Two worlds that should never comingle. And yet, Tallia couldn’t seem to resist Stephen’s charm, wit and his brilliance, even though he spouted the opposing political views from her own. Stephen took one look at the beautiful woman and knew that her bleeding heart ideas weren’t going to get in the way. He dismissed her political views and only saw the brilliant, beautiful, witty woman. Doing the Right Thing - Lillian and George’s Story A week before her wedding, Lillian realizes that she isn’t in love with her fiancé, Phillip. But what she felt for her business partner….? Now, her feelings for George were a completely different issue. George had tried to keep away, but flaring tempers turned to a passionate embrace. And a whole lot more! Making her Smile - Phillip and Marie’s Story Marie had been in love with her boss ever since the first week she’d started working for him. But he was engaged. Off limits. And then he wasn’t! How had it happened that she was in the Caribbean – with Phillip!? He was supposed to be here with his new bride but Lillian was married to someone else and…Okay, Marie wasn’t sure what was going on.
A Good Housekeeping Best Kids’ Book of 2023 Here are only a few of the wonderful, strange, and mysterious elements in this breathtaking visit to the Kingdoms and Empires: A very proper girl named Lillian Velvet, living a very lonely life with a nasty Grandmother. A jar of coins, each with the power to take Lillian on a journey to a different time and place…and also to grant a single wish. A small boy in a barn about to be crushed to death by a load of hay. A family, each member in mortal danger, who are strangers to Lillian (but whom clever readers will recognize). And a web of dangerous magic closing tight around all. Who IS this Lillian Velvet? And what is her secret? Only Jaclyn Moriarty has the ability to make readers laugh even while they grip the sides of their chairs in suspense. In The Secret of Lillian Velvet she is at the height of her storytelling powers, spinning, spinning, spinning seemingly disparate elements until all is revealed as one delicious, tantalizing whole. P R A I S E ★ “Readers will have a hard time closing this book… A must-have for any middle grade collection with fantasy lovers, and those who enjoy the likes of Roald Dahl, Neil Gaiman, and Lemony Snicket.” —School Library Journal (starred) ★ “Enticing… In the nostalgic fantasy novel The Secret of Lillian Velvet, a child gains friendships and fresh insights about herself through extraordinary interdimensional travels.” —Foreword Reviews (starred) “Absorbingly rich and strange.” —Kirkus “Sparkles with energy, warm humor, and outrageous metaphors.” —Horn Book
Lillian Christian had a simple plan… All she had to do was sneak out of Virginia before her brother forced her to marry a man in order to get money. She was nothing but a commodity for her brother to sell, and she wasn’t going to have any part in it. So she answered Charles’ mail-order bride ad and headed for an untamed land where she could take on a whole new identity. But plans don’t always go as expected… On her way to marry her intended, a group of masked outlaws descend upon the stagecoach. And they are looking specifically for her. Mic has a plan of his own… The last thing Mic Gray wants to do is scare Lillian, but kidnapping her is the only way to stop her from marrying Charles. Mic’s face might be on the Wanted posters, but Charles is the real criminal in town. Only Mic’s lack of money and influence prevents him from proving it. The only way to keep Lillian safe is to become her husband. All he has to do is convince her he’s worth marrying. Please note: This is the rewrite of The Stagecoach Bride that I wrote with Stephannie Beman.
Lillian Diana Gish was an American actress of the screen and stage, as well as a director and writer whose film acting career spanned 75 years, from 1912 in silent film shorts to 1987. Gish was called the First Lady of American Cinema, and she is credited with pioneering fundamental film performing techniques. Gish was a prominent film star of the 1910s and 1920s, particularly associated with the films of director D. W. Griffith, including her leading role in the highest-grossing film of the silent era, Griffith's seminal The Birth of a Nation (1915). At the dawn of the sound era, she returned to the stage and appeared in film infrequently, including well-known roles in the controversial western Duel in the Sun (1946) and the offbeat thriller The Night of the Hunter (1955). She also did considerable television work from the early 1950s into the 1980s and closed her career playing opposite Bette Davis in the 1987 film The Whales of August. In her later years Gish became a dedicated advocate for the appreciation and preservation of silent film. Gish is widely considered to be the greatest actress of the silent era, and one of the greatest actresses in cinema history. Despite being better known for her film work, Gish was also an accomplished stage actress, and she was inducted into the American Theatre Hall of Fame in 1972.