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Dorothy Carvello knows all about the music biz. She was the first female A&R executive at Atlantic Records, and one of the few in the room at RCA and Columbia. But before that, she was secretary to Ahmet Ertegun, Atlantic's infamous president, who signed acts like Aretha Franklin and Led Zeppelin, negotiated distribution deals with Mick Jagger, and added Neil Young to Crosby, Stills & Nash. The stories she tells about the kingmakers of the music biz are outrageous, but it is her sinuous friendship with Ahmet that frames her narrative. He was notoriously abusive, sexually harassing Dorothy on a daily basis. Carvello reveals here how she flipped the script and showed Ertegun and every other man who tried to control her that a woman can be just as willing to do what it takes to get a hit. Never-before-heard stories about artists like Michael Jackson, Madonna, Steven Tyler, Bon Jovi, INXS, Marc Anthony, and many more make this book a must-read for anyone looking for the real stories on what it takes for a woman to make it in a male-dominated industry.
"An Atlantic senior editor presents an investigation into the lucrative quality of popularity in the 21st century to share economic insights into what makes ideas, productions and products successful, "--NoveList.
The True Story of Murder on Music Row through the eyes of the sole survivor, Sammy Sadler. “A story of survival. A story of revival. A story that had to be told. An incredible read that will keep you on the edge of your seat!” - Country Music Star Deborah Allen In 1989, country newcomer Sammy Sadler had already charted several critically-acclaimed singles and was ready to release his first album when he was shot during the assassination of then Cash Box chart-manager, Kevin Hughes, an incident known around the world as the “Murder on Music Row.” The police had no suspects, and even though Sammy suffered a nearly fatal bullet wound, the officers kept him under suspicion during the 13-year investigation. Eventually, the investigation would reveal an elaborate web of corruption, chart-rigging and payola, a clear motive and suspect for the murder. An ending that rocked the music industry for many years to come. In this first-hand account, Sadler recounts his personal and sensational journey from wide-eyed, promising, Top-40 newcomer to “person of interest” and survivor of one of the most infamous killings in the music business. From his struggle to recover from his nearly-fatal injuries to the turmoil endured during the 13-year career-throttling investigation, this autobiographical account is a demonstration of his faith and his resilient passion for music that would allow him to move forward and continue to pursue his dreams. As featured on CMN, FOX 17 WZTV Nashville, FIRST COAST ABC News, Nashville.com, This Week America, WSM 650AM and Good Morning Texas.
In this delightful picture book, loosely inspired by Jack Kerouac’s On the Road, a scat-singing, bebopping jackrabbit travels across the United States and marvels at all the wonders that the country reveals—from hopping on the subway in New York City to playing a jukebox in Chicago, and from gazing at Mount Rushmore to crossing the Golden Gate Bridge in San Francisco. Written in the rhythm and spirit of Beat poetry, Hit the Road, Jack is an exuberant story of experiencing all the country has to offer with wide-eyed awe.
(Berklee Press). How does a song become more than words and music to represent or influence the voice of a generation? Inside the Hits dissects more than 60 of the most powerful and memorable hit songs since the birth of rock and roll to reveal the roots of their success. Author Wayne Wadhams examines the key ingredients that made the songs work then and now, including: melody, lyrics, performance, production, artist image, promotion, and market timing. What really stopped Mick Jagger from getting "Satisfaction"? How did a secretary who was mistaken for a prostitute give Donna Summer her new sound? Find all the answers in Inside the Hits . "Reading Inside the Hits was like reliving some of the most memorable moments in rock and roll. A captivating read for industry professionals and fans alike." Phil Ramone
DISCOVER THE SECRETS OF WHAT MAKES A MEGA-BESTSELLER IN THIS ENTERTAINING, REVELATORY GUIDE What do Michael Corleone, Jack Ryan, and Scout Finch have in common? Creative writing professor and thriller writer James W. Hall knows. Now, in this entertaining, revelatory book, he reveals how bestsellers work, using twelve twentieth-century blockbusters as case studies—including The Godfather, Gone with the Wind, To Kill a Mockingbird, and Jaws. From tempting glimpses inside secret societies, such as submariners in The Hunt for Red October, and Opus Dei in The Da Vinci Code, to vivid representations of the American Dream and its opposite—the American Nightmare—in novels like The Firm and The Dead Zone, Hall identifies the common features of mega-bestsellers. Including fascinating and little-known facts about some of the most beloved books of the last century, Hit Lit is a must-read for fiction lovers and aspiring writers alike, and makes us think anew about why we love the books we love.
"An utterly satisfying examination of the business of popular music." —Nathaniel Rich, The Atlantic There’s a reason today’s ubiquitous pop hits are so hard to ignore—they’re designed that way. The Song Machine goes behind the scenes to offer an insider’s look at the global hit factories manufacturing the songs that have everyone hooked. Full of vivid, unexpected characters—alongside industry heavy-hitters like Katy Perry, Rihanna, Max Martin, and Ester Dean—this fascinating journey into the strange world of pop music reveals how a new approach to crafting smash hits is transforming marketing, technology, and even listeners’ brains. You’ll never think about music the same way again. A Wall Street Journal Best Business Book
After receiving a full-ride scholarship to Mills College for Girls, it appears Sarah's future is all laid out before her … that is until she walks into a poetry class led by Mr. Haddings, a student teacher from the nearby University of Washington. Suddenly, life on the UW campus seems very appealing, and Sarah finds herself using her poetry journal to subtly declare her feelings for Haddings. Convinced Mr. Haddings is flirting back, she sets off for school in the rain with a poem in her back pocket—one that will declare her feelings once and for all. Mr. Haddings has noticed Sarah's attention; the fallout from any perceived relationship with a student is too great a risk, and he has decided to end all speculation that morning. But everything changes when Mr. Haddings feels a thud on his front bumper when he glances away from the road, and finds Sarah in the street with blood pooling beneath her.
“Enthralling - full of 'aha' moments about why some ideas soar and others never get off the ground. This book picks up where The Tipping Point left off." —Adam Grant Nothing “goes viral.” If you think a popular movie, song, or app came out of nowhere to become a word-of-mouth success in today’s crowded media environment, you’re missing the real story. Each blockbuster has a secret history—of power, influence, dark broadcasters, and passionate cults that turn some new products into cultural phenomena. Even the most brilliant ideas wither in obscurity if they fail to connect with the right network, and the consumers that matter most aren't the early adopters, but rather their friends, followers, and imitators -- the audience of your audience. In his groundbreaking investigation, Atlantic senior editor Derek Thompson uncovers the hidden psychology of why we like what we like and reveals the economics of cultural markets that invisibly shape our lives. Shattering the sentimental myths of hit-making that dominate pop culture and business, Thompson shows quality is insufficient for success, nobody has "good taste," and some of the most popular products in history were one bad break away from utter failure. It may be a new world, but there are some enduring truths to what audiences and consumers want. People love a familiar surprise: a product that is bold, yet sneakily recognizable. Every business, every artist, every person looking to promote themselves and their work wants to know what makes some works so successful while others disappear. Hit Makers is a magical mystery tour through the last century of pop culture blockbusters and the most valuable currency of the twenty-first century—people’s attention. From the dawn of impressionist art to the future of Facebook, from small Etsy designers to the origin of Star Wars, Derek Thompson leaves no pet rock unturned to tell the fascinating story of how culture happens and why things become popular. In Hit Makers, Derek Thompson investigates: * What Taylor Swift, the printing press, and the laugh track have in common * The secret link between ESPN's sticky programming and the The Weeknd's catchy choruses * How advertising critics predicted Donald Trump * The 5th grader who accidentally launched "Rock Around the Clock," the biggest hit in rock and roll history * How Barack Obama and his speechwriters think of themselves as songwriters * How Disney conquered the world—but the future of hits belongs to savvy amateurs and individuals * The French collector who accidentally created the Impressionist canon * Quantitative evidence that the biggest music hits aren’t always the best * Why almost all Hollywood blockbusters are sequels, reboots, and adaptations * Why one year--1991--is responsible for the way pop music sounds today * Why another year --1932--created the business model of film * How data scientists proved that “going viral” is a myth * How 19th century immigration patterns explain the most heard song in the Western Hemisphere