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This volume, which was awarded Honorable Mention and a Silver Medal from the Premio Romanistico Internationazionale Gérard Boulvert, investigates the socio-economic role of elite villas in Roman Central Italy drawing on both documentary sources and material evidence. Through the composite picture emerging from the juxtaposition of literary texts and archaeological evidence, the book traces elite ideological attitudes and economic behavior, caught between what was morally acceptable and the desire to invest capital intelligently. The analysis of the biases affecting the application of modern historiographical models to the interpretation of the archaeology frames the discussion on the identification of slave quarters in villas and the putative second century crisis of the Italian economy. The book brings an innovative perspective to the debate on the villa-system and the decline of villas in the imperial period.
Reconnects ancient buildings with the people who made them, with their surroundings, and with practices in other times and cultures.
Argues that Roman expansion in Italy was accomplished more by means of negotiation among local elites than through military conquest.
In a pre-industrial world, storage could make or break farmers and empires alike. How did it shape the Roman empire? The Socio-Economics of Roman Storage cuts across the scales of farmer and state to trace the practical and moral reverberations of storage from villas in Italy to silos in Gaul, and from houses in Pompeii to warehouses in Ostia. Following on from the material turn, an abstract notion of 'surplus' makes way for an emphasis on storage's material transformations (e.g. wine fermenting; grain degrading; assemblages forming), which actively shuffle social relations and economic possibilities, and are a sensitive indicator of changing mentalities. This archaeological study tackles key topics, including the moral resonance of agricultural storage; storage as both a shared and a contested concern during and after conquest; the geography of knowledge in domestic settings; the supply of the metropolis of Rome; and the question of how empires scale up. It will be of interest to scholars and students of Roman archaeology and history, as well as anthropologists who study the links between the scales of farmer and state.
Books VI-X of Livy's monumental work trace Rome's fortunes from its near collapse after defeat by the Gauls in 386 bc to its emergence, in a matter of decades, as the premier power in Italy, having conquered the city-state of Samnium in 293 bc. In this fascinating history, events are described not simply in terms of partisan politics, but through colourful portraits that bring the strengths, weaknesses and motives of leading figures such as the noble statesman Camillus and the corrupt Manlius vividly to life. While Rome's greatest chronicler intended his history to be a memorial to former glory, he also had more didactic aims - hoping that readers of his account could learn from the past ills and virtues of the city.
This comprehensive study of Rome’s contribution to the early history of photography traces the medium’s rise from a fledgling science to a dynamic form of artistic expression that forever changed the way we perceive the Eternal City. The authors examine the diverse transnational group of photographers who thrived in the cosmopolitan art center of Rome—and the pivotal role they played in the refinement and technical development of the nascent medium in the nineteenth century. The book ranges from the earliest pioneers—the French daguerreotypist Joseph-Philibert Girault de Prangey and the Welsh calotypist Calvert Richard Jones—to the work of the Roman School of Photography and its successors, among them James Anderson and Robert Macpherson of Britain; Frédéric Flachéron, Firmin Eugène Le Dien, and Gustave Le Gray of France; and Giacomo Caneva, Adriano de Bonis, and Pietro Dovizielli of Italy. Lavishly illustrated with 112 plates, many never before published, by nearly fifty practitioners, this volume expands our understanding of the place of Rome in early photography. An exhibition of the same title, to open at the Bowdoin College Museum of Art in December 2022, accompanies this study.
Valla (1407-1457) was the most important theorist of the humanist movement. His most famous work is the present volume, an oration in which Valla uses new philological methods to attack the authenticity of the most important document justifying the papacy's claims to temporal rule.