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In Italy in the Era of the Great War, Vanda Wilcox brings together nineteen Italian and international scholars to analyse the political, military, social and cultural history of Italy in the country’s decade of conflict from 1911 to 1922. Starting with the invasion of Libya in 1911 and concluding with the rise of post-war social and political unrest, the volume traces domestic and foreign policy, the economics of the war effort, the history of military innovation, and social changes including the war’s impact on religion and women, along with major cultural and artistic developments of the period. Each chapter provides a concise and effective overview of the field as it currently stands as well as introducing readers to the latest research. Contributors are Giulia Albanese, Claudia Baldoli, Allison Scardino Belzer, Francesco Caccamo, Filippo Cappellano, Selena Daly, Fabio Degli Esposti, Spencer Di Scala, Douglas J. Forsyth, Irene Guerrini, Oliver Janz, Irene Lottini, Stefano Marcuzzi, Valerie McGuire, Marco Pluviano, Paul O’Brien, Carlo Stiaccini, Andrea Ungari, and Bruce Vandervort. See inside the book.
In May 1915, Italy declared war on the Habsburg Empire. Nearly 750,000 Italian troops were killed in savage, hopeless fighting on the stony hills north of Trieste and in the snows of the Dolomites. To maintain discipline, General Luigi Cadorna restored the Roman practice of decimation, executing random members of units that retreated or rebelled. With elegance and pathos, historian Mark Thompson relates the saga of the Italian front, the nationalist frenzy and political intrigues that preceded the conflict, and the towering personalities of the statesmen, generals, and writers drawn into the heart of the chaos. A work of epic scale, The White War does full justice to the brutal and heart-wrenching war that inspired Hemingway's A Farewell to Arms.
Italy in the Second World War: Alternative Perspectives stems from the necessity to write an important page of Second World War history, by focusing on the Italian war experience, which has been overshadowed in international research by the attention given to its senior Axis partner. Drawing extensively on material from Italian and international archives, a team of Italian and international historians, led by Emanuele Sica and Richard Carrier, offers a broad-ranging volume on the war seen through the lens of Italian soldiers and civilians, and populations occupied by the Italian army. Contributors are: Luca Baldissara, Cindy Brown, Federico Ciavattone, Nicolò Da Lio, Paolo Fonzi, Francesco Fusi, Eric Gobetti, Federico Goddi, Andrea Martini, Niall MacGalloway, Amedeo Osti Guerrazzi, Paolo Pezzino, Matteo Pretelli, Nicholas Virtue.
Italian performance in the First World War has been generally disparaged or ignored compared to that of the armies on the Western Front, and troop morale in particular has been seen as a major weakness of the Italian army. In this first book-length study of Italian morale in any language, Vanda Wilcox reassesses Italian policy and performance from the perspective both of the army as an institution and of the ordinary soldiers who found themselves fighting a brutally hard war. Wilcox analyses and contextualises Italy's notoriously hard military discipline along with leadership, training methods and logistics before considering the reactions of the troops and tracing the interactions between institutions and individuals. Restoring historical agency to soldiers often considered passive and indifferent, Wilcox illustrates how and why Italians complied, endured or resisted the army's demands through balancing their civilian and military identities.
A remarkable new history evoking the centrality of Italy to World War II, outlining the brief rise and triumph of the Fascists, followed by the disastrous fall of the Italian military campaign. While staying closely aligned with Hitler, Mussolini remained carefully neutral until the summer of 1940. At that moment, with the wholly unexpected and sudden collapse of the French and British armies, Mussolini declared war on the Allies in the hope of making territorial gains in southern France and Africa. This decision proved a horrifying miscalculation, dooming Italy to its own prolonged and unwinnable war, immense casualties, and an Allied invasion in 1943 that ushered in a terrible new era for the country. John Gooch's new history is the definitive account of Italy's war experience. Beginning with the invasion of Abyssinia and ending with Mussolini's arrest, Gooch brilliantly portrays the nightmare of a country with too small an industrial sector, too incompetent a leadership and too many fronts on which to fight. Everywhere—whether in the USSR, the Western Desert, or the Balkans—Italian troops found themselves against either better-equipped or more motivated enemies. The result was a war entirely at odds with the dreams of pre-war Italian planners—a series of desperate improvisations against an allied force who could draw on global resources, and against whom Italy proved helpless.
During World War II 51,000 Italian prisoners of war were detained in the United States. When Italy signed an armistice with the Allies in September 1943, most of these soldiers agreed to swear allegiance to the United States and to collaborate in the fight against Germany. At the Letterkenny Army Depot, located near Chambersburg, Pennsylvania, more than 1,200 Italian soldiers were detained as co-operators. They arrived in May 1944 to form the 321st Italian Quartermaster Battalion and remained until October 1945. As detainees, the soldiers helped to order, stock, repair, and ship military goods, munitions and equipment to the Pacific and European Theaters of war. Through such labor, they lent their collective energy to the massive home front endeavor to defeat the Axis Powers. The prisoners also helped to construct the depot itself, building roads, sidewalks, and fences, along with individual buildings such as an assembly hall, amphitheater, swimming pool, and a chapel and bell tower. The latter of these two constructions still exist, and together with the assembly hall, bear eloquent testimony to the Italian POW experience. For their work the Italian co-operators received a very modest, regular salary, and they experienced more freedom than regular POWs. In their spare time, they often had liberty to leave the post in groups that American soldiers chaperoned. Additionally, they frequently received or visited large entourages of Italian Americans from the Mid-Atlantic region who were eager to comfort their erstwhile countrymen. The story of these Italian soldiers detained at Letterkenny has never before been told. Now, however, oral histories from surviving POWs, memoirs generously donated by family members of ex-prisoners, and the rich information newly available from archival material in Italy, aided by material found in the U.S., have made it possible to reconstruct this experience in full. All of this historical documentation has also allowed the authors to tell fascinating individual stories from the moment when many POWs were captured to their return to Italy and beyond. More than seventy years since the end of World War II, family members of ex-POWs in both the United States and Italy still enjoy the positive legacy of this encounter.
This is an important reassessment of British and Italian grand strategies during the First World War. Stefano Marcuzzi sheds new light on a hitherto overlooked but central aspect of Britain and Italy's war experiences: the uneasy and only partial overlap between Britain's strategy for imperial defence and Italy's ambition for imperial expansion. Taking Anglo-Italian bilateral relations as a special lens through which to understand the workings of the Entente in World War I, he reveals how the ups-and-downs of that relationship influenced and shaped Allied grand strategy. Marcuzzi considers three main issues – war aims, war strategy and peace-making – and examines how, under the pressure of divergent interests and wartime events, the Anglo-Italian 'traditional friendship' turned increasingly into competition by the end of the war, casting a shadow on Anglo-Italian relations both at the Peace Conference and in the interwar period.
In 1987, Roy Orbison crowned his critical rehabilitation with this concert in Los Angeles, where he runs through his greatest hits with the help of some famous friends. Those joining the Big O for such classics as 'Only the Lonely', 'Crying', 'It's Over' and 'Oh, Pretty Woman' include Jackson Browne, T-Bone Burnett, Elvis Costello, k.d. lang, Bonnie Raitt, Steven Soles, J.D. Souther, Bruce Springsteen, Tom Waits and Jennifer Warnes.