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Preliminary material -- INTRODUCTION -- LES PORTEURS DE NOMS THÉOPHORES ISIAQUES -- L'APPARTENANCE ETHNIQUE ET LA SITUATION SOCIALE DES ISIAQUES D'ITALIE -- LA SITUATION PROFESSIONNELLE ET ÉCONOMIQUE DES ISIAQUES D'ITALIE -- LES PRÊTRES -- LES INITIÉS ET LES FIDÈLES -- RAISONS DE LA FOI ISIAQUE: CONVICTION RELIGIEUSE OU OPPORTUNISME POLITIQUE? -- LES DIEUX ÉGYPTIENS ATTESTÉS EN ITALIE ET LEUR RÉPARTITION -- LA NATURE DES DIEUX ÉGYPTIENS EN ITALIE -- LE CULTE -- LES AUTEURS LATINS ET LA RELIGION ÉGYPTIENNE -- INTRODUCTION. IMPORTANCE DES RELATIONS COMMERCIALES. PÉNÉTRATION EN DEUX PHASES -- LA SICILE ROMAINE -- LES TRAFIQUANTS ITALIENS EN GRÈCE ET DANS LES ÎLES DE LA MER ÉGÉE -- LES TRAFIQUANTS ITALIENS EN ASIE MINEURE -- LA RÉPUBLIQUE ROMAINE ET L'ÉGYPTE PTOLÉMAÏQUE -- LA PROVINCE ROMAINE D'ÉGYPTE ET L'ITALIE -- L'EXTENSION DES CULTES ÉGYPTIENS: LES SITES ISIAQUES D'ITALIE -- NATURE ET EMPLACEMENT DES SITES ISIAQUES EN ITALIE -- ESSAI SUR LES VOlES DE PÉNÉTRATION A L'INTÉRIEUR DE L'ITALIE -- LA POLITIQUE RELIGIEUSE AVANT L'ENTRÉE DES CULTES ISIAQUES -- LES DIEUX ÉGYPTIENS DE SYLLA A OCTAVE -- LES DIEUX ÉGYPTIENS D'AUGUSTE A OTHON: DES PERSÉCUTIONS AUX EMPEREURS ÉGYPTOPHILES -- LES DIEUX ÉGYPTIENS PROTECTEURS DES FLAVIENS -- LES ANTONINS: DE LA NEUTRALITÉ DE TRAJAN A L'ENGOUEMENT DE COMMODE -- LES SÉVÈRES ET L'APOGÉE DES DIEUX ÉGYPTIENS -- L'EFFACEMENT DES DIEUX ÉGYPTIENS SOUS L'ANARCHIE MILITAIRE ET LES EMPEREURS ILLYRIENS -- LE IVe SIÈCLE: LES DIEUX ÉGYPTIENS AU SERVICE DE LA RÉACTION PAÏENNE -- L'IMPORTANCE DES CULTES ÉGYPTIENS -- LES RAPPORTS DES CULTES ÉGYPTIENS AVEC LES CULTES ORIENTAUX -- CONCLUSIONS -- BIBLIOGRAPHIE -- INDEX ANALYTIQUE.
The context of this second volume by Professor Duval is the trinitarian controversies of the later 4th century. His work presents a detailed analysis of the 'reconquest' of Northan Italy and Illyricum from the homeist dogmas put in place by Constans II and affirmed by the Council of Rimini in 359-60. Milan occupies a central place, first as a bastion of Arianism, then as the see of Ambrose, who eventually oversaw the victory of orthodoxy; as these studies show, the process was not straightforward, and even after the Council of Aquileia in 381, remained imperilled by the turbulent politics of the Empire. The final item, hitherto unpublished, gives a critical account of some recent work on Ambrose.
Preliminary material /MICHEL MALAISE -- HISTRIE /MICHEL MALAISE -- VÉNÉTIE /MICHEL MALAISE -- TRANSPADANE /MICHEL MALAISE -- ÉMILIE /MICHEL MALAISE -- LIGURIE /MICHEL MALAISE -- OMBRIE /MICHEL MALAISE -- ÉTRURIE /MICHEL MALAISE -- PICENVM /MICHEL MALAISE -- SAMNIVM /MICHEL MALAISE -- LATIUM /MICHEL MALAISE -- ROME /MICHEL MALAISE -- CAMPANIE /MICHEL MALAISE -- APULIE /MICHEL MALAISE -- CALABRE /MICHEL MALAISE -- LUCANIE /MICHEL MALAISE -- BRVTTIVM /MICHEL MALAISE -- SARDAIGNE /MICHEL MALAISE -- SICILE /MICHEL MALAISE -- ADDENDUM /MICHEL MALAISE -- INDEX /MICHEL MALAISE -- Planches 1-64, cartes 1-14 et plans 1-4 /MICHEL MALAISE.
Voyage en Italie - François-René de Chateaubriand. A translation into English by A. S. Kline. Published with selected illustrations. Chateaubriand's Voyage en Italie, describes his Italian travels in the years 1803-4, during the first of his visits to the country. From France he crossed the Alps to Rome and its environs, from which he subsequently travelled to Naples, where Vesuvius, Baiae, and Pompeii figured amongst the sights he visited. His knowledge of the Classical world informs his wanderings among its ruins, and he enjoys the poetry of the picturesque while reflecting on the grandeur of the past. Rome, for him, represents a meeting of the Classical and Christian worlds, magnificent but in many ways a hollow tribute to human vanity, a theme he will revisit in his later travels to Greece, the Levant and the Holy Land. Naples represents a more picturesque and vibrant Italy. Articulating both cultural quest and voyage for pleasure, Chateaubriand writes of his journey as a 'tourist' rather than a scholar or adventurer, penning the work in the form of letters, derived from his travel notes and designed for his interested friends. Here he mingles personal memories with aesthetic and historical perceptions, against the background in which he is most at home, the European heritage, the works of the great poets, landscape and ruins, allowing him to muse freely on transience, the human voyage, and on beauty, found or created. This and other texts available from Poetry in Translation (www.poetryintranslation.com).