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This delightful jewel-like book evokes unmistakably Italian landscapes and cityscapes. Anne Desmet's pen commits every detail to paper, and the small-scale format emphasises her distinctive flair for capturing the relationship between extreme foreground and distance. This is a unique opportunity to explore Italy, from the Apennines to the Veneto, through the eyes of a meticulous and precise artist. AUTHOR: Anne Desmet RA specialises in wood engravings, linocuts and mixed-media collages. She has received over thirty international awards, and her work is included in museum collections and publications worldwide. She was elected a member of the Royal Academy of Arts in May 2011. For fifteen years she was editor of Printmaking Today magazine, and has published three printmaking books. She lives and works in London. SELLING POINTS: * Desmet's beautifully packaged book is packed, cover to cover, with a seductive grand tour of Italian cityscapes and landscapes * Colourful and atmospheric sketches in pen, wash and watercolour grant a unique insight into the perspectives and preoccupations of the artist roaming abroad * Transports the viewer from Rome and Venice to the landscapes of Sicily and Umbria 60 colour
Tokyo Travel Sketchbook traces the journey of illustrator and graphic designer Amaia Arrazola on a four-week trip through the beating heart of Tokyo. When Arrazola accepts a month long artist's residency in the Japanese capital, she has little idea of what to expect but gamely packs her paints and pencils and seizes the opportunity to create an illustrated diary of her time there, filling the pages of her sketchbooks with curious images of life in the world's largest city. This book provides readers with a unique vision of Japan's capital, as seen through the eyes of an artist. Arrazola immerses herself in the cult of Hello Kitty and the pop-eyed charms of "Kawaii" cute culture, while conveying the collision of traditional and modern Japanese culture in the female Samurais she meets and draws. The city's cultural curiosities come alive in a metropolis that is ever on the go, as she browses sex shops, drinks pink coffee, eats spaghetti sandwiches and photographs subway sleepers. Throughout her explorations, Arrazola uses the concept of wabi sabi as a guiding principle--coming to see her own life and artworks as examples of "flawed beauty" and imperfectly perfect Zen design. The result is a fresh, often funny, one-of-a-kind look at a city that works hard and plays hard--in many surprising ways. At the heart of Tokyo Travel Sketchbook are two contradictory Japans--the glittering neon world of a high-tech ultramodern society existing side-by-side with a nation where ancient tradition holds sway and where the unadorned, the simple and the silent are prized and celebrated as much as the new, the fashionable and the trendy. These competing realities make for a memorable visual journey and a stunning souvenir of a stranger's brief stay in a strange land. From smoking laws to high-tech toilets, Arrazola finds beauty in the weirdness and imperfection of this modern metropolis. *Recommended for readers ages 14 & up*
This important and innovative book examines artists' mobility as a critical aspect of Italian Renaissance art. It is well known that many eminent artists such as Cimabue, Giotto, Donatello, Lotto, Michelangelo, Raphael, and Titian traveled. This book is the first to consider the sixteenth-century literary descriptions of their journeys in relation to the larger Renaissance discourse concerning mobility, geography, the act of creation, and selfhood. David Young Kim carefully explores relevant themes in Giorgio Vasari's monumental Lives of the Artists, in particular how style was understood to register an artist's encounter with place. Through new readings of critical ideas, long-standing regional prejudices, and entire biographies, The Traveling Artist in the Italian Renaissance provides a groundbreaking case for the significance of mobility in the interpretation of art and the wider discipline of art history.
Published in conjunction with an exhibition on view at the Metropolitan Museum of Art, New York, May 12-Aug 15, 2010.
An idiosyncratic guidebook to architectural (and other) wonders of Italy, accompanied by the author’s own witty illustrations. In Some Reasons for Traveling to Italy, architect Peter Wilson offers a Grand Tour of Grand Tours, providing an idiosyncratic guidebook to architectural (and other) wonders of Italy, illustrated by his own witty watercolors and sketches. Wilson chronicles the reasons that people throughout history have traveled to Italy—ranging from “To Be the Subject of an Equestrian Painting by Uccello in Florence Cathedral” to “To Rebuild Herculaneum in Malibu” (the desire of oil tycoon J. Paul Getty in the 1970s)—while giving readers a deeper understanding of Italy’s architectural habitat and cultural mythology. In Wilson’s narratives and anecdotes, place names function as talismans; the events may not tally with recorded history, or with the exact topographies of actual places. Wilson offers historical reworkings, appropriations, and an architect’s scrutiny of certain Italian tropes. He recounts that Edward de Vere, 17th Earl of Oxford, set out “To Flee England Out of Embarrassment” after breaking wind when he bowed to Queen Elizabeth I; French novelist Stendhal went “To Discover an Anti-France”; and an English architect went “To Get Some Ideas for a Mausoleum.” At the first Venice Biennale of Architecture in 1980, a dapper architect found that he had come to Italy “To Fall Overboard in a White Suit,” the artist Cy Twombly went simply “To See,” and Wilson himself found that he was “Captured by the Ospedale Degli Innocenti,” enchanted by the sight of Brunelleschi’s architrave.
A New York Times Book Review Notable Book of the Year A New York Public Library Best Book of the Year From the author of M and A Death in Brazil comes Midnight in Sicily. South of mainland Italy lies the island of Sicily, home to an ancient culture that--with its stark landscapes, glorious coastlines, and extraordinary treasure troves of art and archeology--has seduced travelers for centuries. But at the heart of the island's rare beauty is a network of violence and corruption that reaches into every corner of Sicilian life: Cosa Nostra, the Mafia. Peter Robb lived in southern Italy for over fourteen years and recounts its sensuous pleasures, its literature, politics, art, and crimes.
Known as the "century of anatomy," the 16th century in Italy saw an explosion of studies and treatises on the discipline. Medical science advanced at an unprecedented rate, and physicians published on anatomy as never before. Simultaneously, many of the period's most prominent artists--including Leonardo and Michelangelo in Florence, Raphael in Rome, and Rubens working in Italy--turned to the study of anatomy to inform their own drawings and sculptures, some by working directly with anatomists and helping to illustrate their discoveries. The result was a rich corpus of art objects detailing the workings of the human body with an accuracy never before attained. "Art and Anatomy in Renaissance Italy "examines this crossroads between art and science, showing how the attempt to depict bone structure, musculature, and our inner workings--both in drawings and in three dimensions--constituted an important step forward in how the body was represented in art. While already remarkable at the time of their original publication, the anatomical drawings by 16th-century masters have even foreshadowed developments in anatomic studies in modern times.
Italy is a country synonymous with style and beauty in all aspects of life: the rich history of Rome, Renaissance art of Florence, graceful canals of Venice, high fashion of Milan, signature pasta alla bolognese of Bologna, colorful architecture of Portofino and winking blue waters of Capri and the Amalfi Coast, among many others. Italians themselves live effortlessly amid all this splendor, knowing instinctively just the type of outfit to throw on, design element to balance, or delectable ingredient to add.