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The book presents new advances in the field of manufacturing technologies. It focuses on the design and engineering of manufacturing processes; additive manufacturing and reverse engineering; assembly, disassembly and circular processes; system simulation, optimization and digital manufacturing; and materials processing technology. Keywords: Human Robot, Short Term Production Planning, Thermoplastic Composite Components, Compostable Materials, Diffusion Bonding, Superplastic Forming, Hardening Technologies, Physical Simulation Tests, Numerical Model, Dissimilar Material Welding, Additive Manufacturing, Laser Powder Bed Fusion, Fused Deposition Modeling, Laser Sintering, Fused Filament Fabrication, Manufacturing System Laser Welding, Wind Blades, Bandsaw Machine, PVC Tubes, Submerged Arc Welding, Multi-Layered Coatings, Cryogenics, Metal Piercing, Picosecond Laser Processing, Carbon Nanotube; Fiber Reinforced Composites, Tools With Complex Geometry. Carbon/Epoxy Composite, Rheological Additives, PP/flax Fibers, Human Well-being, Extruded Rods & Pipes, Laser Welding, E-mobility, WAAM Process, Glass Fiber.
Demonstrates how and why the transnational figure of the vampire was appropriated by Italian genre filmmakers between 1956 and 1975.
Religion has had been foundational in shaping Italy. Home to the Vatican State, the Italian peninsula is the religious centre for one billion Catholics globally. It is also increasingly home to those of other faiths, especially Islam. Italy’s development as a contemporary post-secular and multi-religious society is fraught and fascinating. The recent resurgence of religious discourse is a sign of what German philosopher, Jürgen Habermas, has defined as the post-secular condition. Habermas and others have questioned what most people in the West had, up to a few years ago, taken for granted: the unstoppable forward march of secularization and the subsequent marginalization of religion. Instead, one of the greatest global fault-lines in the contemporary world – the divide between absolutist, extremist Islamic faith and liberal, but Christian-inflected, secular values – has religious identity at its core. The first book-length study to examine religion in contemporary Italian cinema and television, Screening Religions in Italy spans genres such as horror, comedy, hagiopics, and TV fiction, and explores both commercial and art-house filmmaking. In a discussion of films and television series that range from Moretti’s Habemus Papam to Sorrentino’s The Young Pope, the author identifies two key issues: how Italian filmmaking constructs the continuing position of religion in the public sphere and why religion persists on Italian screens.
32 papers consider issues of pottery production in the wider Adriatic area during Roman times, in particular relation to landscape and communication features, ceramic building materials, as well as general studies on ceramic production, pottery and glass finds.