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"The worthy doctor Urbino di Cavetti is kidnapped and led blindfolded to the bedside of a young woman. A mysterious nobleman offers him an immense fortune if he will consent to cure her ... of her life! Horrified, Urbino refuses to murder her, and must flee his native Venice with his family to avoid the powerful stranger's vengeance. They flee to the isolated Castello della Torvida, which local peasants affirm to be haunted. But the spectre the servants see and the supernatural warnings the family receives are the least of their worries when Urbino's niece, the lovely Paulina, is kidnapped by the lascivious Marchese di Valdetti. Confined a prisoner in Valdetti's castle, Paulina must choose: become the Marchese's wife, or fall victim to his insatiable lust! Can her friends penetrate the mysteries of the haunted castle and save Paulina in time?"--Publisher's Website.
This book is the first monograph in English that comprehensively examines the ways in which Italian historical crime novels, TV series, and films have become a means to intervene in the social and political changes of the country. This study explores the ways in which fictional representations of the past mirror contemporaneous anxieties within Italian society in the work of writers such as Leonardo Sciascia, Andrea Camilleri, Carlo Lucarelli, Francesco Guccini, Loriano Macchiavelli, Marcello Fois, Maurizio De Giovanni, and Giancarlo De Cataldo; film directors such as Elio Petri, Pietro Germi, Michele Placido, and Damiano Damiani; and TV series such as the “Commissario De Luca” series, the “Commissario Nardone” series, and “Romanzo criminale–The series.” Providing the most wide-ranging examination of this sub-genre in Italy, Barbara Pezzotti places works set in the Risorgimento, WWII, and the Years of Lead in the larger social and political context of contemporary Italy.
These new essays comprise a critical analysis of present-day crime fiction and nonfiction works set in Italy (all of which are available in English). The writers discussed range from Donna Leon and Michael Dibdin to Leonardo Sciascia and Andrea Camilleri. Essays also deal with nonfiction by Roberto Saviano and Douglas Preston. An emerging theme is the corruption of Italian police and judiciary officials and the frustration of officers and politicians trying to work ethically within a flawed system. Many of the works discussed show the struggle of the honest characters to find at least a limited justice for the victims.
An extraordinary series of murders and political assassinations has marked contemporary Italian history, from the killing of the king in 1900 to the assassination of former prime minister Aldo Moro in 1978. This book explores well-known and lesser-known assassinations and murders in their historical, political and cultural contexts.