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First developed in the princely courts of Renaissance Italy in the 1430s, in the 16th century medals were transformed into a recognisably modern form, in the messages they conveyed, the techinques employed in their manufacture, and the uses to which they were put. Contributing to this change were influential patrons including the Medici and the popes, as well as celebrated artists such as Leone Leoni and Benvenuto Cellini. This catalogue takes up the story where Sir George Hill's classic Corpus of Italian Medals of the Renaissance before Cellni published in 1930, leaves off. This major catalogue includes over 1200 medals from the British Museum and the other major British collections, many published here for the first time. The catalogue entries provide detailed historical and iconographical information on the medals, many of which are published for the first time. The introductory essays discuss the centres of production, artists and subjects of the medals; the reasons they were made; their design, production and functions; the diffusion of the Italian medal throughout Europe in the 16th century and the history of collecting 16th-century Italian medals in Britain.
Presents a catalog to accompany an exhibition of drawings by Michelangelo.
This book deals with music from the later sixteenth century, the period on which Ignace Bossuyt, a professor at the Musicology Department of the University of Leuven who retured in 2007 and an internationally recognized leader in the field of later-sixteenth-century music, focused his research. Subjects discussed include newly discovered music by Philippe de Monte and Heinrich Isaac, humor in the motets of Orlando di Lasso, the beginnings of music history, compositional procedures in Renaissance music, and Tinctoris's art of listening. This book offers a wide range of methods including historiography, reception studies, source studies, music analysis, music theory, style studies, and aesthetics of music.
Grounded in medical, juridical, and philosophical texts of 16th- and 17th-century France, this study tells the story of how the idea of woman contributed to the emergence of modern science. It challenges scholars to revise deeply held notions regarding the place of women in the early modern search for truth.
"This survey traces the development of portrait painting in Northern and Southern Europe during the Renaissance, when the genre first flourished. Both regions developed their own distinct styles and techniques, but each was influenced by the other. Focusing on the relationship between artists of the north and south, renowned specialists analyse the notion of likeness - at that time based not only on accurate reference to posterity, but incorporating all aspects of human life, including propaganda, power, courtship, love, family, ambition and hierarchy. Essays and individual catalogue entries present new research on works by some of the greatest portraitists of the period, including Giovanni Bellini, Sandro Botticelli, Lucas Cranach, Albrecht Durer, Jan van Eyck, Hans Holbein and Titan, all magnificently illustrated."--Jacket.
This book breaks new ground by illuminating the key role of verse-writing as a cultural strategy on the part of Italian Renaissance artists. It does so by undertaking a wide-ranging study of poems by painters, sculptors, architects, and goldsmiths who were active in Florence under Cosimo I and Francesco I de’ Medici – a milieu in which many practitioners of the visual arts appropriated the literary medium to address issues related to their primary professions. New Apelleses, and New Apollos intervenes in the burgeoning scholarly discourse on the intellectual life of artists in early modern Italy, revealing how poetry often provides fresh insights into art-theoretical debates, patronage questions, workshop cultures, issues of professional identity, and networks of personal relations.
"The first 23 medals in Medals of Dishonour create a fascinating commentary on events and issues of the 16th-20th centuries, and include Dutch medals satirizing kings; German and British medals on financial scandal and political corruption; a French medal showing a future emperor as an insect; German medals of the First World War period lambasting war; and two 1939 American medals protesting against racism and capitalism." "The second part of the book focuses on medals recently commissioned by the British Art Medal Trust from 16 celebrated contemporary artists. Their brief was to tackle the global issues of our time. Jake and Dinos Chapman graphically expose the banality of war, while the allied invasion of Iraq in 2003 is addressed in differing but equally powerful ways by Steve Bell, Richard Hamilton, Yun-Fei Ji and Cornelia Parker. Geo-politics, oppression and the abuse of power are the subjects of medals by Mona Hatoum, Ilya and Emilia Kabakov, William Kentridge and Langlands and Bell. Ellen Gallagher confronts the horrors of racial exploitation, Michael Landy turns anti-social behaviour on its head, and Grayson Perry mocks western consumerism. In the final medal, Felicity Powell pours scorn on the responses of public figures to environmental issues." "With over 170 illustrations, including details and accompanying drawings as well as the actual medals themselves, Medals of Dishonour provides an intriguing exploration into a darker tradition of medal-making." --Book Jacket.
The fourteenth Gerson Lecture held in memory of Horst Gerson (1907-1978) in the aula of the University of Groningen on the 22nd of November 2007