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In this carefully researched and engaging book, Kenneth Scambray surveys the lives and contributions of Italian immigrants in thirteen western states. He covers a variety of topics, including the role of the Roman Catholic Church in attracting and facilitating Italian settlement; the economic, political, and cultural contributions made by Italians; and the efforts to preserve Italian culture and to restore connections to their ancestral identity. The lives of immigrants in the West differed greatly from those of their counterparts on the East Coast in many ways. The development of the West—with its cheap land and mining, forestry, and agriculture industries\--created a demand for labor that enabled newcomers to achieve stability and success. Moreover, female immigrants had many more opportunities to contribute materially to their family’s well-being, either by overseeing new revenue streams for their farms and small businesses, or as paid workers outside the home. Despite this success, Italian immigrants in the West could not escape the era’s xenophobia. Scambray also discusses the ways that Italians, perceived by many as non-White, interacted with other Euro-Americans, other immigrant groups, and Native Americans and African Americans. By placing the Italian immigrant experience within the context of other immigrant narratives, Italian Immigration in the American West provides rich insights into the lives and contributions of individuals and families who sought to build new lives in the West. This unique study reveals the impact of Italian immigration and the immense diversity of the immigrant experience outside the East’s urban centers.
Here is a colourful alternative to the view that America's immigrants were uprooted, defenceless pawns adrift in a sea of confusion and despair. Taking the members of one nationality as a prototype, Westward the Immigrants (originally published as The Immigrants Upraised) traces the social, political, and economic progress of Italian immigrants after they deserted New York's crowded Mulberry Street for more rewarding pursuits in the twenty-two states west of the Mississippi.
A vividly human presentation of the Italian migration to America. Real people appear here, with ordeals and hopes, successes and failures, in all of the circumstances envisioned by the marriage vows. Unions, churches, the rackets, the press, even ideals and ideologies come into focus on this meticulously comprehensive canvas.''--The New Republic ''Yans-McLaughlin has demonstrated effectively that Buffalo's Italian families did not disintegrate or experience major transforamatios under the pressure of immigration and life in a radically different environment. . . . points the way for further significant study of immigrant families.''-John Briggs, International Migration Review ''Methodologically speaking, Yans-McLaughlin's most important conclusion is that quantification is not enough. Statistics, she insists, can give us only the form of group structures; they do not assist the historian in penetrating to the cultural content of those structures. . . . Her book's great strength is its intelligent and painstaking analysis of the key institution of the family among Italian immigrants.''--New York Historical Society Quarterly.
Images of America: Italians in West Virginia offers a new understanding of how immigrant laborers and their communities shaped the state's regional history. Shortly after its secession from Virginia, West Virginia appointed an immigration officer to handle the wave of antebellum immigrant laborers entering the state to work in agriculture, forestry, railway construction, and the coal industries. In 1910, there were 13,286 Italians in West Virginia; in 1920, there were 14,167. This volume has over 200 photographs that have been collected from West Virginia archival collections and Italian families, illustrating aspects of the immigrant experience. The photographs highlight the regional origins of the Italians, their work, communities, leisure, ethnicity, family life, and religion.
The United States is truly a nation of immigrants, or as the poet Walt Whitman once said, a "nation of nations." Spanning the time from when the Europeans first came to the New World to the present day, the new "Immigration to the United States" set conveys the excitement of these stories to young people. Beginning with a brief preface to the set written by general editor Robert Asher that discusses some of the broad reasons why people came to the New World, both as explorers and settlers, each book's narrative highlights the themes, people, places, and events that were important to each immigrant group. In an engaging, informative manner, each volume describes what members of a particular group found when they arrived in the United States as well as where they settled. Historical information and background on the various communities present life as it was lived at the time they arrived. The books then trace the group's history and current status in the United States. Each volume includes photographs and illustrations such as passports and other artifacts of immigration, as well as quotes from original source materials. Box features highlight special topics or people, and each book is rounded out with a glossary, timeline, further reading list, and index.
Passage to Liberty recaptures the drama of the 19th and 20th century immigration to America through photos, letters, and other artifacts -- uniquely replicated in three-dimensional facsimile form. In the tradition of Lest We Forget, Chronicle's bestselling interactive tour through the African American experience, the text uses the stories of individuals and families -- from early explorers, through the wave of 19th century impoverished families, to contemporary figures -- to recapture the rich heritage the Italian people carried with them over the waves, and planted anew in the American soil. Among the topics covered here are: The roots of American democracy in Roman history The migration of 15 million Italians, 1880-1920 Catholicism in Italian-American culture Food, music, and other Italian cultural traditions The Mafia: myth and reality Cultural icons: DiMaggio, Sinatra, Madonna & more As vibrant and packed full of history as previous volumes in this extraordinary series, Passage to Liberty is a splendid and loving tribute to the Italian-American experience.
Using original sources--such as newspaper articles, silent movies, letters, autobiographies, and interviews--Ilaria Serra depicts a large tapestry of images that accompanied mass Italian migration to the U.S. at the turn of the twentieth century. She chooses to translate the Italian concept of immaginario with the Latin imago that felicitously blends the double English translation of the word as "imagery" and "imaginary." Imago is a complex knot of collective representations of the immigrant subject, a mental production that finds concrete expression; impalpable, yet real. The "imagined immigrant" walks alongside the real one in flesh and rags.
In the early part of the twentieth century, migrants made their way from rural homes to cities in record numbers and many traveled west. Los Angeles became a destination. Women flocked to the growing town to join the film industry as workers and spectators, creating a “New Woman.” Their efforts transformed filmmaking from a marginal business to a cosmopolitan, glamorous, and bohemian one. By 1920, Los Angeles had become the only western city where women outnumbered men. In Go West, Young Women, Hilary A. Hallett explores these relatively unknown new western women and their role in the development of Los Angeles and the nascent film industry. From Mary Pickford’s rise to become perhaps the most powerful woman of her age, to the racist moral panics of the post–World War I years that culminated in Hollywood’s first sex scandal, Hallett describes how the path through early Hollywood presaged the struggles over modern gender roles that animated the century to come.