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Memoir set in Italy and Libya during World War II.
Spanning five decades and as many continents, Hippy Days, Arabian Nights is a funny, moving, and compelling story of a woman whose extraordinary life will never be summarised by the words ‘could have’, ‘might have’, or ‘should have’. Whether it’s following her dreams pursuing what she believes in, or chasing matters of the heart, from the outset Australian artist Katherine Boland has grabbed life by the throat and jumped in feet first. Part One: Hippy Days. One woman’s experience of life in a hippy community that sprang up in the Southern Highlands of New South Wales as part of the counterculture movement––an overlooked and relatively untapped period in Australian modern history. In 1976, Katherine and her boyfriend John, like many idealistic young students of the time, abandon their university studies and leave Melbourne to pursue a sustainable and independent life in the bush. Their earnest quest for a Utopian life in harmony with nature is both hilarious and serious: John finds himself reviving their dying goat with mouth-to-mouth resuscitation in the back of a ute while on the way to the vet; and, under the stars, alone in the bush, a pregnant and groaning Katherine goes into labour to the accompaniment of New Year’s Eve fireworks and the sympathetic mooing of a neighbour’s cow. However, as Katherine reveals, even the strongest woman is vulnerable and the noblest of dreams can perish, observing as she does that in many families ‘peace, harmony and mung beans’ can founder on the back of drug addiction with its many consequences including family violence and child neglect. Part Two: Arabian Nights. Prior to the Egyptian revolution in 2010, Katherine receives an invitation from the Egyptian Ministry of Culture to participate in an International Artists’ Symposium. And so begins her next fateful and totally unplanned foray into the unknown: falling head over heels in love (or is it lust!) for an Egyptian journalist 27 years her junior – at first sight. Her ideas and preconceptions about Islam and the Middle East are challenged as her relationship evolves and deepens over the next 6 years.
Reprint of the original, first published in 1882.
This volume offers new approaches to considering Italy’s traumatic experiences through a wide array of media, including film, documentaries, docufiction, websites, YouTube videos, advertisements, newspapers, and literature, that have not yet been fully analyzed. It looks at the trauma inflicted on Italians not, simply, as national or cultural traumas but, rather, as the creation/identification of subnational and transnational communities shaped by these trauma cases. The term “subnational”, or “transnational”, community is used mostly in reference to human beings, as they form those communities; however, they are also connected to a specific place, namely Italy. In addition, whereas “things” cannot become traumatized, this book also considers “living things,” such as the environment and the nature, which may create further trauma(s) for people.
A medieval Middle-Eastern literary epic which tells the story of Scheherazade, a Sassanid Queen, who must relate a series of stories to her malevolent husband, the King, to delay her execution. The stories are told over a period of one thousand and one nights, and every night she ends the story with a suspenseful situation, forcing the King to keep her alive for another day. The individual stories were created over many centuries, by many people and in many styles, and they have become famous in their own right. The Arabian Nights include fairy tales, fables, romances, farces, legends, and parables. They have existed for thousands of years, consisting of tales told in Persia, Arabia, India and Asia. The Arabian Nights (also known as The 1001 Arabian Nights) have inspired writers the world over. There are versions of these stories in many languages and they all convey the great sense of adventure, truth, fantastic imagination, justice, and faith embodied by the great civilizations that contributed stories and ideas to the collection. These are versions translated by Andrew Lang in 1897. Andrew Lang (31 March 1844 – 20 July 1912) was a Scottish poet, novelist, literary critic, and contributor to the field of anthropology. He is best known as a collector of folk and fairy tales.
A United States Foreign Service couple renews an official presence in Yemen. Set only eight years after the Republican Revolution had ousted a thousand-year-old dynasty of Shiite (Zaydi) Muslim imams, the memoir describes with both humor and respect the country's struggles in the early throes of becoming a modern, viable state.