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1. Vases -- 2. Decanters, covered jars -- 3. Plates, bowls, ashtrays -- 4. Drinkware, tableware -- 5. Figural, novelty, lighting.
The islands of Murano, in the lagoon of Venice, have been a sheltered community of glass artists for at least 700 years. With 250 stunning color photographs of Murano glass art and a detailed text that includes historical informaltion and family trees, this book is original in its comprehensive presentation of the artists, both past and present.
Murano: A History of Glass discusses the origins of glass production, describing methods used by the Egyptians and the Romans. The earliest evidence of glass-making in Murano dates from the 7th to 8th century AD and this beautifully illustrated book trac
This book offers the reader a comprehensive and visually fascinating excursion into the history of Venetian glass from 1900 until today : the most significant period of Muranese glass.
Murano Glass and its Collectors in Aesthetic America / Melody Barnett Deusner -- Venetian Mosaics and Glass in the United States, 1860-1917 / Sheldon Barr -- "Where Have Titian's Beauties Gone?" : Sargent and Whistler on the Streets of Venice / Stephanie Mayer Heydt -- Interweaving Worlds : Antique and Revival Lace in Italy and in the United States, 1872-1927 / Diana Jocelyn Greenwold -- Sparks of Genius : American Art and the Appeal of Modern Venetian Glass / Crawford Alexander Mann III -- Biographies / Brittany Emens Strupp, Crawford Alexander Mann III.
A superbly illustrated and meticulously researched standard work for connoisseurs and collectors of Venetian art glass. Includes a marks table and a glossary.
The full array of the extraordinary glass works of Archimede Seguso (1909-1999), in almost 500 full color photos from collections around the world. With focus on the 1950s and the Venice Biennales, his designs for decanters, vases, bowls, and animal sculpture are shown with detailed captions and a price guide. Also includes a history, bibliography, index, and illustrated glossary of terms.
In this internationally bestselling debut, a heartbroken woman embarks on a grand exploration of life and love as a glassblower in the city of her ancestors, Venice, and learns that the past may not be as clear as blown glass.
Students and scholars of the Italian Renaissance easily fall under the spell of its achievements: its self-confident humanism, its groundbreaking scientific innovations, its ravishing artistic production. Yet many of the developments in Italian ceramics and glass were made possible by Italy's proximity to the Islamic world. The Arts of Fire underscores how central the Islamic influence was on this luxury art of the Italian Renaissance. Published to coincide with an exhibition at the Getty Museum on view from May 4 to August 5, 2004, The Arts of Fire demonstrates how many of the techniques of glass and ceramic production and ornamentation were first developed in the Islamic East between the eighth and twelfth centuries. These techniques - enamel and gilding on glass and tin-glaze and lustre on ceramics - produced brilliant and colourful decoration that was a source of awe and admiration, transforming these crafts, for the first time, into works of art and true luxury commodities. Essays by Catherine Hess, George Saliba, and Linda Komaroff demonstrate early modern Europe's debts to the Islamic world and help us better understand the interrelationships of cultures over time.
The Getty Museum’s collection of postclassical European glass represents a well-defined chapter within the history of the medium. These objects—which range in date from the late Middle Ages to the late seventeenth century—originated in important Italian, German, Bohemian, Netherlandish, Silesian, and Austrian centers of production. The sixty-eight pieces presented in this catalogue include vessels made to resemble rock crystal or chalcedony; glass blown into unusually large or remarkably refined shapes; and glass decorated with ornament that is intricately applied, elegantly enameled, or gilded. Each object is described in detail, including provenance, bibliography, and relevant comparative examples. An introductory essay traces the history of European glass from classical times to the present.