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This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.
Skeleton Crew is one of the titles in Allan Ahlberg's iconic children's picture book series about skeletons, Funnybones. Despite being set in a dark dark house, this brightly coloured book is perfect for early readers "Zzz " The three skeletons enjoy a holiday on-board their little boat. But one night - "Yo-ho-ho" - the pirates come and put them out to sea on a tiny raft, launching them on an oceanful of new adventures. 'By far our best writer for the young' - Daily Telegraph Allan Ahlberg has published over 100 children's books and with his late wife Janet, created many award-winning children's picture books, including Peepo , Each Peach Pear Plum and the Kate Greenaway Medal winning The Jolly Postman. Other titles in the Funnybones series include Funnybones, The Ghost Train, The Black Cat, The Pet Shop, Bumps in the Night, Dinosaur Dreams, Mystery Tour, Give the Dog a Bone and A Brilliant Bone Rattling Collection, all of which are available from Puffin.
Written during the second half of the 12th century, the Historia Norwegie presents a lively and Christianised account of Norwegian history, particularly of the 10th century.
At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In the post–World War I American climate of isolationism, nativism, democratic expansion of civic rights, and consumerism, Italian-born star Rodolfo Valentino and Italy’s dictator Benito Mussolini became surprising paragons of authoritarian male power and mass appeal. Drawing on extensive archival research in the United States and Italy, Giorgio Bertellini’s work shows how their popularity, both political and erotic, largely depended on the efforts of public opinion managers, including publicists, journalists, and even ambassadors. Beyond the democratic celebrations of the Jazz Age, the promotion of their charismatic masculinity through spectacle and press coverage inaugurated the now-familiar convergence of popular celebrity and political authority. This is the first volume in the new Cinema Cultures in Contact series, coedited by Giorgio Bertellini, Richard Abel, and Matthew Solomon.